In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Fondavision: Steelyard Blues (1973)
Manage episode 298682669 series 2328112
Content provided by Danita Steinberg & Emily Gagne, Danita Steinberg, and Emily Gagne. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Danita Steinberg & Emily Gagne, Danita Steinberg, and Emily Gagne or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
From Bob and Jane to Don and Jane! In an all-new Fondavision, Emily and Danita escape with the rag-tag team of ex-cons of Steelyard Blues (1973), the second on-screen collab between Jane Fonda and Donald Sutherland. Is this scatterbrained comedy worth watching outside of the truly electric chemistry between the aforementioned former power couple? How did future Everybody Loves Raymond star Peter Boyle get a better wig budget than Jane? And will Danita ever stop listening to the zany soundtrack that stood in for any semblance of plot development?
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Manage episode 298682669 series 2328112
Content provided by Danita Steinberg & Emily Gagne, Danita Steinberg, and Emily Gagne. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Danita Steinberg & Emily Gagne, Danita Steinberg, and Emily Gagne or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
From Bob and Jane to Don and Jane! In an all-new Fondavision, Emily and Danita escape with the rag-tag team of ex-cons of Steelyard Blues (1973), the second on-screen collab between Jane Fonda and Donald Sutherland. Is this scatterbrained comedy worth watching outside of the truly electric chemistry between the aforementioned former power couple? How did future Everybody Loves Raymond star Peter Boyle get a better wig budget than Jane? And will Danita ever stop listening to the zany soundtrack that stood in for any semblance of plot development?
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Similar to We Really Like Her!
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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