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The agony and the ecstasy of life as a webcomic artist
Archived series ("Inactive feed" status)
When? This feed was archived on August 01, 2022 13:56 (). Last successful fetch was on April 04, 2020 18:09 ()
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 150006108 series 64490
As a teenager, my only interaction with the world of webcomics was Achewood. Launched in 2001 and published sporadically ever since, Achewood is like Seinfeld crossed with Adult Swim. It felt for me in the early 2000s like this lone, weird thing. A few years later, around when I got my first writing gig, I realized how much bigger webcomics were than the stories of Téodor and Cornelius. I inevitably came across Penny Arcade and the rush of video game-inspired webcomics its inspired. And after that, I found people on Twitter and Tumblr and other platforms, all of whom created beautiful, weird, powerful art. It took me awhile to get into webcomics, but the gradual epiphany is one of the internet’s great pleasure. You look at one star in the sky, and as your eyes adapt to the darkness, you discover this dot is part of a crowded constellation. This week, I invited my friend, colleague, and webcomic artist Dami Lee to talk about the format. Webcomics literally changed the direction of her life. Subscribe to What's Tech on iTunes, listen on SoundCloud or Spotify, or subscribe via RSS. And be sure to follow us on Twitter. You can also find the entire collection of What's Tech stories right here on the The Verge Dot Com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
88 episodes
Archived series ("Inactive feed" status)
When? This feed was archived on August 01, 2022 13:56 (). Last successful fetch was on April 04, 2020 18:09 ()
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 150006108 series 64490
As a teenager, my only interaction with the world of webcomics was Achewood. Launched in 2001 and published sporadically ever since, Achewood is like Seinfeld crossed with Adult Swim. It felt for me in the early 2000s like this lone, weird thing. A few years later, around when I got my first writing gig, I realized how much bigger webcomics were than the stories of Téodor and Cornelius. I inevitably came across Penny Arcade and the rush of video game-inspired webcomics its inspired. And after that, I found people on Twitter and Tumblr and other platforms, all of whom created beautiful, weird, powerful art. It took me awhile to get into webcomics, but the gradual epiphany is one of the internet’s great pleasure. You look at one star in the sky, and as your eyes adapt to the darkness, you discover this dot is part of a crowded constellation. This week, I invited my friend, colleague, and webcomic artist Dami Lee to talk about the format. Webcomics literally changed the direction of her life. Subscribe to What's Tech on iTunes, listen on SoundCloud or Spotify, or subscribe via RSS. And be sure to follow us on Twitter. You can also find the entire collection of What's Tech stories right here on the The Verge Dot Com.
Learn more about your ad choices. Visit megaphone.fm/adchoices
88 episodes
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