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Diary of Life in a Favela

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Manage episode 224801990 series 1301442
Content provided by BBC and BBC World Service. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by BBC and BBC World Service or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

A poor single mother of three, Carolina Maria de Jesus lived in a derelict shack and spent her days scavenging for food for her children, doing odd jobs and collecting paper and bottles. Her diary, written between 1955 and 1960, brought to life the harsh realities faced by thousands of poor Brazilians who arrived in cities like São Paulo and Rio looking for better opportunities. Her daughter, Vera Eunice de Jesus Lima, speaks to Thomas Pappon about how the book changed her family's life. Picture: Carolina Maria de Jesus in the Canindé Favela. Credit: Archive Audálio Dantas

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2034 episodes

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Diary of Life in a Favela

Witness History

281,247 subscribers

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Manage episode 224801990 series 1301442
Content provided by BBC and BBC World Service. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by BBC and BBC World Service or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

A poor single mother of three, Carolina Maria de Jesus lived in a derelict shack and spent her days scavenging for food for her children, doing odd jobs and collecting paper and bottles. Her diary, written between 1955 and 1960, brought to life the harsh realities faced by thousands of poor Brazilians who arrived in cities like São Paulo and Rio looking for better opportunities. Her daughter, Vera Eunice de Jesus Lima, speaks to Thomas Pappon about how the book changed her family's life. Picture: Carolina Maria de Jesus in the Canindé Favela. Credit: Archive Audálio Dantas

  continue reading

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