Artwork

Content provided by Youngman Brown. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Youngman Brown or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

216: The deep end or the shallow end, JUST GET WET! (w/ Lana Crooks)

50:33
 
Share
 

Manage episode 178419465 series 179802
Content provided by Youngman Brown. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Youngman Brown or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Lana Crooks loves the antique, the creepy, the cute and the mysterious. Constructing creatures from fabrics and found objects, she is a purveyor of faux specimens and soft curiosities that are a blend of science and fantasy. Sought after for her pattern-making abilities, she frequently teams up with other artists to breathe three dimensional life into their illustrations, earning her two Designer Toy Awards.

Full shownotes: http://yourcreativepush.com/lanacrooks

In this episode, Lana discusses:

-The “convoluted” artistic path that she took.

-Some of the many variables that came together to make her decide that she didn’t want to continue being an illustrator.

-How an “escape from people” at her job at Virgin Megastore led to a new creative job.

-How she started making her felt creatures and skeletons.

-Having two unique styles and not being afraid to pursue both at the same time.

-Her advice for people who spend too much time in the “incubation period” and allow themselves too much time to let doubt creep into their heads.

-This Is What I Do Now moments.

-Some of the other things that hold her back, like wanting to be “good enough,” being a perfectionist, and sometimes being too close to her pieces for too long.

-Her “box of sadness” and “box of happiness.”

-How she handles her monthly calendar and occasionally needs to catch up by having a “beast week.”

-The idea of needing to force yourself to get out of the house in order to give yourself time to be inspired by things that are outside of yourself.

-Her experience of studying bones at museums.

Lana's Final Push will inspire you to pursue your creative inclinations, whether you jump in the deep end or start out in the shallow end! Quotes:

“Basically my whole creative career is a series of whims and tests.”

“It was perfect for me. It blends illustration with the costume design and the sewing, tactile part of it with the crazy things in my head.”

“You have to see where it takes you. You can’t pretend that the idea never crossed your mind because it won’t ever become anything.”

“Every couple years I have a This Is What I Do Now moment.”

“Having a lot of things to work on at one time is good for my morale. I get to banish pieces to the closet until I can have a strong enough will to see them again. And then sometimes I’ll pull it out and think that is great and wonder how I did it.”

“Once you’ve resigned the piece to its fate, that’s when you can start seeing good in it.”

“These pieces of art are basically like my children, but they’re just jerks. I love being able to create them, but they give me such hell that I get emotionally attached to them, either good or bad.”

“If you’re waiting for someone to hand you an opportunity, you’ll be waiting a very long time.”

Links mentioned:

Max Bare & Melissa Sue Stanley on Your Creative Push

Gary Ham

Connect with Lana:

Website / Facebook / Instagram / Twitter / Patreon

On the next episode:

Shane Madden : Website / Illustration Lighthouse

What have you created this week? Share it with the Facebook group!
  continue reading

390 episodes

Artwork
iconShare
 
Manage episode 178419465 series 179802
Content provided by Youngman Brown. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Youngman Brown or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Lana Crooks loves the antique, the creepy, the cute and the mysterious. Constructing creatures from fabrics and found objects, she is a purveyor of faux specimens and soft curiosities that are a blend of science and fantasy. Sought after for her pattern-making abilities, she frequently teams up with other artists to breathe three dimensional life into their illustrations, earning her two Designer Toy Awards.

Full shownotes: http://yourcreativepush.com/lanacrooks

In this episode, Lana discusses:

-The “convoluted” artistic path that she took.

-Some of the many variables that came together to make her decide that she didn’t want to continue being an illustrator.

-How an “escape from people” at her job at Virgin Megastore led to a new creative job.

-How she started making her felt creatures and skeletons.

-Having two unique styles and not being afraid to pursue both at the same time.

-Her advice for people who spend too much time in the “incubation period” and allow themselves too much time to let doubt creep into their heads.

-This Is What I Do Now moments.

-Some of the other things that hold her back, like wanting to be “good enough,” being a perfectionist, and sometimes being too close to her pieces for too long.

-Her “box of sadness” and “box of happiness.”

-How she handles her monthly calendar and occasionally needs to catch up by having a “beast week.”

-The idea of needing to force yourself to get out of the house in order to give yourself time to be inspired by things that are outside of yourself.

-Her experience of studying bones at museums.

Lana's Final Push will inspire you to pursue your creative inclinations, whether you jump in the deep end or start out in the shallow end! Quotes:

“Basically my whole creative career is a series of whims and tests.”

“It was perfect for me. It blends illustration with the costume design and the sewing, tactile part of it with the crazy things in my head.”

“You have to see where it takes you. You can’t pretend that the idea never crossed your mind because it won’t ever become anything.”

“Every couple years I have a This Is What I Do Now moment.”

“Having a lot of things to work on at one time is good for my morale. I get to banish pieces to the closet until I can have a strong enough will to see them again. And then sometimes I’ll pull it out and think that is great and wonder how I did it.”

“Once you’ve resigned the piece to its fate, that’s when you can start seeing good in it.”

“These pieces of art are basically like my children, but they’re just jerks. I love being able to create them, but they give me such hell that I get emotionally attached to them, either good or bad.”

“If you’re waiting for someone to hand you an opportunity, you’ll be waiting a very long time.”

Links mentioned:

Max Bare & Melissa Sue Stanley on Your Creative Push

Gary Ham

Connect with Lana:

Website / Facebook / Instagram / Twitter / Patreon

On the next episode:

Shane Madden : Website / Illustration Lighthouse

What have you created this week? Share it with the Facebook group!
  continue reading

390 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide