Best Ben Consoli Podcasts (2024)

1
Winning Time Season 2 Cinematography (with Todd Banhazl, Ricardo Diaz, and John Matysiak) GCS330 59:03

7M ago59:03

59:03

WINNING TIME season 2 director and cinematographer Todd Banhazl joins cinematographers John Matysiak and Ricardo Diaz to discuss their use of mixed formats to create an authentic '80s aesthetic. They shed light on their collaboration in bringing the Celtics vs. Lakers rivalry to life on screen, their seamless blend of drama and humor, collaboration…

1
Gran Turismo Cinematography (with Jacques Jouffret) GCS329 51:21

8M ago51:21

51:21

GRAN TURISMO director of photography Jacques Jouffret shares his adrenaline-inducing visual approach to creating this gripping and authentic racing film. We discuss his meticulous approach to capturing the racing world's intensity, blending realism and authenticity without relying on heavy VFX. Also find out about his meticulous approach to recreat…

1
The Righteous Gemstones Cinematography (with Paul Daley) GCS328 48:51

8M ago48:51

48:51

THE RIGHTEOUS GEMSTONES director of photography Paul Daley breaks down his visual approach to season 3. We discuss the various camera movement, lighting, and lensing tricks he used to advance the latest season. Find out how the lotus scene was shot practically, how Paul makes studio sets look real, and so much more. Subscribe Now! What you will lea…

1
The Little Mermaid Cinematography (with Deon Beebe ACS ASC) GCS327 58:24

11M ago58:24

58:24

Disney's live-action adaptation of THE LITTLE MERMAID is a beautiful retelling of the beloved animated film. It's filled with the characters and songs you love while keeping it fresh and modern. Director of photography Deon Beebe ACS ASC shares how they used incredible rigs to pull off the spectaular underwater scenes. Deon and Go Creative Show hos…

1
Beau is Afraid Cinematography (with Pawel Pogorzelski) GCS326 53:13

12M ago53:13

53:13

Cinematographer Pawel Pogorzelski returns to Go Creative Show to discuss his latest film Beau Is Afraid and his collaboration with director Ari Aster. Pawel shares his experience filming with the Sony Venice and Rialto extension system, how he creates a cohesive palette for the film's many different looks, and the lens and lighting choices that gav…

1
Elvis Cinematography (with Mandy Walker, ASC, ACS) GCS325 48:46

1y ago48:46

48:46

ELVIS director of photography Mandy Walker, ASC, ACS breaks down her incredible Oscar-nominated visual approach to the film. We discuss her great level of detail recreating iconic Elvis concerts, how different lenses were used for each of the decades, portraying Elvis’ internal struggles through evolving lighting, and more. Subscribe Now! What you …

1
Devotion Cinematography (with Erik Messerschmidt, ASC) GCS324 57:30

1y ago57:30

57:30

DEVOTION director of photography Erik Messerschmidt, ASC shares the incredible way most of the fighter plane shots were captured practically. Plus, we discuss the visual approach to the film, the advantage of using custom lenses over filtration, the disadvantages to using an LED volume, and so much more. Subscribe Now! What you will learn in this e…

1
Glass Onion: A Knives Out Mystery Cinematography (with Steve Yedlin ASC) GCS323 59:51

1+ y ago59:51

59:51

GLASS ONION: A KNIVES OUT MYSTERY director of photography Steve Yedlin, ASC gives a masterclass in murder mystery cinematography. Learn how the blackout scene was shot, techniques for filming ensemble casts, and how motivated camera movement was its own character in the film. Subscribe Now! What you will learn in this episode Steve's thoughts on st…

1
The White Lotus Season 2 Cinematography (with Xavier Grobet ASC AMC) GCS322 47:55

1+ y ago47:55

47:55

THE WHITE LOTUS season 2 director of photography Xavier Grobet, ASC, AMC joins us to discuss the pro’s and con’s of filming in a real hotel in Sicily, creating realistic sex scenes, shooting day for night, and more. Xavier tells Go Creative Show host Ben Consoli all about his camera and lens choices and how he paid homage to Monica Vitti’s classic …

1
Avatar: The Way of Water Cinematography (with Russell Carpenter ASC) GCS321 1:05:55

1+ y ago1:05:55

1:05:55

AVATAR: THE WAY OF WATER director of photographer Russell Carpenter ASC talks with Go Creative Show host Ben Consoli about the making of the film and using the custom-made 3D Sony Venice. Russell also dives deep into the underwater motion capture system, the process of virtual filmmaking, lighting in a virtual world and so much more. Subscribe Now!…

1
Wakanda Forever Cinematography (with Autumn Durald Arkapaw ASC) GCS320 57:29

1+ y ago57:29

57:29

BLACK PANTHER: WAKANDA FOREVER director of photographer Autumn Durald Arkapaw ASC joins Go Creative Show host Ben Consoli to discuss her camera, lighting and lens choices. We also discuss her early career, filming Underwater “dry for wet," night exterior and Autumn's experience with the Sony Venice. Subscribe Now! What you will learn in this episod…

1
The Bear Cinematography (with Andrew Wehde) GCS319 58:09

1+ y ago58:09

58:09

THE BEAR is a masterclass in creating visual chaos and its director of photography Andrew Wehde shares his camera and lighting techniques and philosophies. Andrew and Go Creative Show host, Ben Consoli, discuss tips of filming food, how his approach to cinematography is different in and out of the kitchen, use of camera movement, approach to lighti…

1
Dahmer Cinematography (with Jason McCormick) GCS318 50:24

1+ y ago50:24

50:24

Cinematographer Jason McCormick breaks down his cinematography for the Netflix hit series, DAHMER - MONSTER: THE JEFFREY DAHMER STORY. Jason and Go Creative Show host, Ben Consoli, discuss the gritty cinematography, challenges of working with episodic directors, shooting with the Sony Venice, and we break down some of the series’ most brutal scenes…

1
The Northman Behind the Scenes (with Robert Eggers and Jarin Blaschke) GCS317 59:42

1+ y ago59:42

59:42

Director Robert Eggers and cinematographer Jarin Blaschke return to the Go Creative Show to discuss THE NORTHMAN. Listen as Robert and Jarin boldly and honestly share their struggles and victories while making the film. Robert, Jarin, and Go Creative Show host, Ben Consoli, break down the film's fluid camera movement, how to expose for low light sc…

1
Everything Everywhere All At Once Cinematography (with Larkin Seiple) GCS316 56:18

2y ago56:18

56:18

EVERYTHING EVERYWHERE ALL AT ONCE is a gloriously, messy, genre-bending film directed by The Daniels and shot in only 36 days by Director of photographer Larkin Seiple. Larkin and Go Creative Show host, Ben Consoli, break down his visual approach to the different universes. Plus, we discuss how the multi-verse transitions were achieved, the inspira…

1
Moon Knight and The Green Knight Cinematography (with Andrew Droz Palermo) GCS315 59:54

2y ago59:54

59:54

Marvel’s MOON KNIGHT and A24’s THE GREEN KNIGHT are filled with original and compelling cinematography thanks to director of photography Andrew Droz Palermo. We do a deep dive into Andrew’s visual approach for both projects. Andrew and Go Creative Show host, Ben Consoli, discuss why he avoided excessive close up angles, how filming handheld can mot…

1
Jurassic World Dominion Cinematography (with John Schwartzman ASC) GCS314 1:04:17

2y ago1:04:17

1:04:17

JURASSIC WORLD DOMINION brings the dinosaurs to the rest of the world in a terrifying way. Director of photography John Schwartzman ASC shares how the scare factor was pushed thanks in part to his amazing cinematography. John and Go Creative Show host, Ben Consoli, discuss shooting both on film and digitally, working with animatronic dinosaurs, the…

1
Outer Range Cinematography (with Drew Daniels) GCS313 47:02

2y ago47:02

47:02

OUTER RANGE keeps you on the edge of your seat with its dramatic, sci-fi focused storytelling and incredible visuals. Cinematographer Drew Daniels shares how he “steals” the great DP Roger Deakins’ lighting techniques as we deconstruct the show’s visual approach. Drew and Go Creative Show host, Ben Consoli, discuss collaborating with other cinemato…

1
Better Call Saul Season 6 Cinematography (with Marshall Adams) GCS312 55:05

2y ago55:05

55:05

BETTER CALL SAUL cinematographer Marshall Adams shares how the show's visual approach has evolved over its six seasons plus we break down some of the final seasons biggest moments. Marshall and Go Creative Show host, Ben Consoli, discuss using choreographed dance actors in the season 6 opening scene, why the “ant macro shot” was so challenging, fil…

1
Candy Cinematography (with Simon Dennis BSC) GCS311 1:02:35

2y ago1:02:35

1:02:35

Learn how cinematographer Simon Dennis BSC created an authentic and super saturated early 1980’s world for CANDY on Hulu. Simon and Go Creative Show host, Ben Consoli, discuss why he chose the Sony Venice and custom tuned lenses to create CANDY and how the look was inspired by William Eggleston and Napoleon Dynamite. We also dive deep into the 1:66…

1
Pachinko Cinematography (with Florian Hoffmeister BSC) GCS310 58:44

2y ago58:44

58:44

PACHINKO cinematographer Florian Hoffmeister BSC shares how he created one cohesive look to represent multiple decades in Japan and Korea. What cameras and lenses did he choose and why? We discuss it all. Florian and Go Creative Show host, Ben Consoli, talk about the challenges of filming in a language and culture he didn’t understand, why episode …

1
The Last Days of Ptolemy Grey Cinematography (with Shawn Peters) GCS309 1:07:50

2y ago1:07:50

1:07:50

Learn the masterful way that cinematographer Shawn Peters visually portrayed dementia in THE LAST DAYS OF PTOLEMY GREY on Apple TV+. Shawn and Go Creative Show host, Ben Consoli, discuss how to use different lenses and camera tricks to evolve a show's look over time, using broken glass to create stunning in-camera effects, how to create the perfect…

1
The Dropout Cinematography (with Michelle Lawler) GCS308 1:01:51

2y ago1:01:51

1:01:51

THE DROPOUT cinematographer, Michelle Lawler, shares her unique opportunities and challenges while filming on location for the hit Hulu series about Elizabeth Holmes and Theranos. Michelle and Go Creative Show host, Ben Consoli, discuss how character development affects cinematography, using 200 astera tubes to light an office, tips for creating ey…

1
Winning Time Cinematography (with Todd Banhazl and Mihai Malaimare Jr.) GCS307 1:02:12

2y ago1:02:12

1:02:12

Even if you're not a basketball fan, you will fall in love with the 1980s visual style of HBO's WINNING TIME. Cinematographers Todd Banhazl and Mihai Malaimare Jr. discuss how they used several different camera types and formats to perfectly capture the look of the series. Todd, Mihai, and Go Creative Show host, Ben Consoli, discuss filming with th…

1
CODA Cinematography (with Paula Huidobro) GCS306 48:59

2y ago48:59

48:59

CODA cinematographer, Paula Huidobro, discusses the Oscar-winning film and unique challenges of filming actors using sign language. Plus, her thoughts on the Will Smith slap incident. Paula and Go Creative Show host, Ben Consoli, share techniques for lighting natural looking interiors, letting the camera take a back seat, embracing harsh sunlight a…

1
Dopesick Cinematography (with Checco Varese ASC) GCS305 1:00:52

2y ago1:00:52

1:00:52

Award-winning series DOPESICK is a masterclass in breathtaking cinematography and storytelling. Director of photography Checco Varese ASC shares how he evolved the show's visual approach throughout the series. Checco and Go Creative Show host, Ben Consoli, discuss the importance of dailies looking as close to final as possible, making office spaces…

1
Severance Cinematography (with Jessica Lee Gagné) GCS304 50:07

2y ago50:07

50:07

SEVERANCE is a mind-bending and visually stunning thriller and one of this year's best series. Cinematographer Jessica Lee Gagné shares why she was hesitant to take on the show, and her incredible work throughout the season. Jessica and Go Creative Show host, Ben Consoli, discuss her visual approach to the “innie” and “outie” worlds, making a bland…

1
The Power of the Dog Cinematography (with Ari Wegner ACS) GCS303 1:04:44

2y ago1:04:44

1:04:44

THE POWER OF THE DOG director of photographer, Ari Wegner ACS, shares how her cinematography communicates loneliness in the Oscar-nominated Netflix film. Ari and Go Creative Show host, Ben Consoli, discuss techniques for realistic eyelights, why the amount of prep time can be a red flag, filming wide landscapes with long lenses, and much more! Subs…

1
Texas Chainsaw Massacre Production Design (with Michael Perry) GCS302 58:19

2y ago58:19

58:19

TEXAS CHAINSAW MASSACRE production designer Michael Perry created an entire Texas town from scratch. Learn all about the challenges he faced and the scenes and sets he’s most proud of. Michael and Go Creative Show host, Ben Consoli, discuss filming with blood, creating an authentic gas station, when to ignore logic in filmmaking, techniques for agi…

1
Death on the Nile and Belfast Cinematography (with Haris Zambarloukos) GCS301 1:03:13

2y ago1:03:13

1:03:13

DEATH ON THE NILE and BELFAST cinematographer Haris Zambarloukos takes us behind the scenes of both films and shares his filmmaking secrets. Haris and Go Creative Show host, Ben Consoli, discuss DEATH ON THE NILE’S enormous 1000 lights boat set, tips for creating the perfect black and white, why every shot is important, and of course his brilliant …

1
Ozark Season 4 Cinematography (with Shawn Kim) GCS300 1:02:43

2y ago1:02:43

1:02:43

OZARK returns for its final season with a new cinematographer - Shawn Kim. Learn how Shawn evolved the show’s iconic cool-blue look while getting darker with each episode. Shawn and Go Creative Show host, Ben Consoli, discuss the psychological effects of lens focal lengths, the complexity of lighting day exteriors, how to keep cinematography fresh …

1
The Witcher Season 2 Cinematography (with Jean Philippe Gossart and Romain Lacourbas) GCS299 1:05:13

2y ago1:05:13

1:05:13

THE WITCHER season 2 cinematographers Jean Philippe Gossart and Romain Lacourbas share details about how they collaborated on bringing more color and dimension to the series. JP, Romain, and Go Creative Show host, Ben Consoli, discuss switching to spherical lenses, the challenges of creating natural light sources, attention to detail for dialogue s…

1
Scream Cinematography (with Brett Jutkiewicz) GCS298 57:30

2y ago57:30

57:30

SCREAM is back! Cinematographer Brett Jutkiewicz breaks down the biggest kill scenes and how he brought his unique visual style to the film franchise. Brett and Go Creative Show host, Ben Consoli, discuss cinematography tricks to create tension in horror, lighting for horror movies, making day-time exteriors scary, the necessary skill sets for came…

1
Tick, Tick... Boom! Cinematography (with Alice Brooks ASC) GCS297 52:45

2y ago52:45

52:45

TICK, TICK... BOOM! follows Jonathan Larson on his path to being the successful musical composer we know of him today. Cinematographer Alice Brooks ASC breaks down her cinematic approach and biggest challenges of the film. Alice and Go Creative Show host, Ben Consoli, discuss the film's biggest scenes, challenges of musicals, having to use filtrati…

1
Yellowjackets Cinematography (with C Kim Miles ASC CSC) GCS296 1:11:49

2+ y ago1:11:49

1:11:49

YELLOWJACKETS follows the wild journey of a high school soccer team after they become the (un)lucky survivors of a plane crash. Cinematographer C Kim Miles ASC CSC breaks down each of the series' spectacular visual looks. Kim and Go Creative Show host, Ben Consoli, discuss making creative changes after filming the pilot, choosing lenses based on st…

1
Making Spider-Man No Way Home (with Mauro Fiore and Darren Gilford) GCS295 1:04:55

2+ y ago1:04:55

1:04:55

SPIDER-MAN: NO WAY HOME cinematographer Mauro Fiore and production designer Darren Gilford discuss their collaboration on the blockbuster Marvel movie. Mauro, Darren, and Go Creative Show host, Ben Consoli, discuss the dramatic last-minute changes at the start of production, the benefits of filming on location, and breakdowns of some of the biggest…

1
Being the Ricardos Cinematography (with Jeff Cronenweth ASC) GCS294 1:02:12

2+ y ago1:02:12

1:02:12

Aaron Sorkin’s BEING THE RICARDOS is a masterful retelling of Lucille Ball and Desi Arnaz’s life on and off camera. Cinematographer Jeff Cronenweth ASC shares the camera, lighting and lenses he used to recreate vintage Hollywood and the iconic I Love Lucy stage. Jeff and Go Creative Show host, Ben Consoli, discuss bringing energy to dialogue scenes…

1
West Side Story Cinematography (with Mitch Dubin and John Buzz Moyer) GCS293 1:00:18

2+ y ago1:00:18

1:00:18

Steven Spielberg’s WEST SIDE STORY is a fresh remake of the classic film packed with stunning cinematography. Camera operators Mitch Dubin SOC AOC and John "Buzz" Moyer SOC share what it’s like working with Spielberg and the challenges of filming movie musicals. Mitch, Buzz, and Go Creative Show host, Ben Consoli, discuss the the camera operators' …

1
Succession Season 3 Cinematography (with Patrick Capone and Christopher Norr) GCS292 51:52

2+ y ago51:52

51:52

SUCCESSION season 3 cinematographers Christopher Norr and Patrick Capone join us to discuss the show's multi-camera handheld-style and natural lighting. Christopher, Patrick, and Go Creative Show host, Ben Consoli, share why they film close up shots first, showing vulnerability through cinematography, working as co-cinematographers, and more! Subsc…

1
Designing Ghostbusters Afterlife (with Francois Audouy) GCS291 57:24

2+ y ago57:24

57:24

GHOSTBUSTERS AFTERLIFE -- with its incredible sets, props, and the infamous Ecto-1 car -- have given movie lovers the nostalgic and entertaining blockbuster they have been waiting for. Production designer Francois Audouy explains his approach to designing films, and how attention to detail and practical sets made GHOSTBUSTERS AFTERLIFE a massive su…

1
American Horror Story Double Feature Cinematography (with Andrew Mitchell) GCS290 1:00:05

2+ y ago1:00:05

1:00:05

AMERICAN HORROR STORY DOUBLE FEATURE cinematographer Andrew Mitchell had a massive challenge to overcome: how to film two unique stories with distinct looks in a cohesive way. Learn his visual approach for each half of the season and how he transitioned from camera operator to DP. Andrew and Go Creative Show host, Ben Consoli, discuss the essential…

1
Finch Cinematography (with Jo Willems ASC SBC) GCS289 59:46

2+ y ago59:46

59:46

Discover how FINCH cinematographer Jo Willems ASC SBC overcame the challenges of filming the relationship between Tom Hanks, a dog, and a motion capture robot. Jo and Go Creative Show host, Ben Consoli, discuss the film's unique look and creating intimacy with the camera. Learn how Jo filmed the desert scenes practically, the decision to shoot hand…

1
Impeachment: American Crime Story (with Simon Dennis BSC) GCS288 1:00:09

2+ y ago1:00:09

1:00:09

Cinematographer Simon Dennis BSC of IMPEACHMENT: American Crime Story masterfully depicted one of the most iconic moments in American history while capturing portrayals of Monica Lewinsky, Linda Tripp, and of course Bill & Hillary Clinton. Simon and Go Creative Show host, Ben Consoli, discuss the show's desaturated look, claustrophobic feeling, why…

1
Dune Cinematography (with Greig Fraser ACS ASC) GCS287 1:00:12

2+ y ago1:00:12

1:00:12

DUNE, with its stunning cinematography and epic sets, was packed with unique challenges for director of photography Greig Fraser ACS ASC -- including filming in whipping sands and lighting football field sized sets. Greig and Go Creative Show host, Ben Consoli, discuss discuss how he balances epic and intimate, his techniques for large night exteri…

1
Gun Safety on Film Sets (with Bryan W. Carpenter) GCS286 56:30

2+ y ago56:30

56:30

The tragic death of Cinematogarpher Halyna Hutchins has ignited a worldwide conversation about gun safety on film sets. Armorer Bryan W Carpenter joins us to discuss current safety standards and what protocols were missed leading up to the tragic shooting. Bryan and Go Creative Show host, Ben Consoli, discuss pros and cons of practical firearms vs …

1
Halloween Kills Cinematography (with Michael Simmonds) GCS285 56:24

2+ y ago56:24

56:24

HALLOWEEN KILLS is packed with gory murders and cinematography that elevates the horror genre. Cinematographer Michael Simmonds returns to discuss the film's camera choices, lighting techniques and visual approach while breaking down the most challenging kill scenes. Michael and Go Creative Show host, Ben Consoli, discuss filming the 1978 flashback…

1
No Time To Die Cinematography (with Linus Sandgren FSF ASC) GCS284 44:19

2+ y ago44:19

44:19

NO TIME TO DIE not only elevates the 007 universe, but it is filled with stunningly beautiful and logistically challenging cinematography. Director of Photographer Linus Sandgren FSF ASC talks lighting, lensing, locations and of course STUNTS! Linus and Go Creative Show host, Ben Consoli, discuss finding the spirit of James Bond and using hand-held…

1
Producing Halsey’s If I Can’t Love, I Want Power (with Jamee Ranta) GCS283 51:09

2+ y ago51:09

51:09

Rather than releasing a series of music videos, Halsey has released a short film featuring her latest album IF I CAN'T LOVE, I WANT POWER. Music video producer Jamee Ranta gives us a behind the scenes look at making the film and music videos for other iconic artists. Jamee and Go Creative Show host, Ben Consoli, discuss the decision to create this …

1
Film Strike (with Jim Denault ASC) GCS282 49:42

2+ y ago49:42

49:42

By a nearly unanimous margin, IATSE members in TV and film production vote to authorize a nationwide strike. Cinematographer Jim Denault ASC explains the proposed changes union workers are looking for and why they matter. Jim and Go Creative Show host, Ben Consoli, discuss the existing working conditions, what has changed over the decades in the in…

1
Fear Street Cinematography (with Caleb Heymann) GCS281 1:05:46

2+ y ago1:05:46

1:05:46

Imagine having only six weeks to prep for an entire movie trilogy, each one having its own distinct look. That was exactly the reality for cinematographer Caleb Heymann with Netflix's Fear Street trilogy. Caleb and Go Creative Show host, Ben Consoli, discuss relying on candles and sunlight for the 1666 movie, creating that incredible bread machine …

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