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Pachinko Cinematography (with Florian Hoffmeister BSC) GCS310

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Manage episode 327284739 series 2311351
Content provided by Ben Consoli. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ben Consoli or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
PACHINKO cinematographer Florian Hoffmeister BSC shares how he created one cohesive look to represent multiple decades in Japan and Korea. What cameras and lenses did he choose and why? We discuss it all.

Florian and Go Creative Show host, Ben Consoli, talk about the challenges of filming in a language and culture he didn’t understand, why episode 7 has a completely different look, his approach to the earthquake scene, lessons learned, and more!

Subscribe Now!

What you will learn in this episode
  • What PACHINKO accomplishes as a story (01:46)
  • Portraying the changing time periods (03:09)
  • How to use space effectively in cinematography (06:05)
  • Challenges of not knowing the language or culture (10:32)
  • When to say no to a project (17:38)
  • The visual approach to PACHINKO (24:57)
  • Florian's approach to filming exteriors (30:05)
  • The crazy logistics of using a camera crane on the water (35:42)
  • Shooting episode 7 with a different aspect ratio (42:22)
  • Breaking down the earthquake scenes (47:45)
  • Lessons learned filming PACHINKO (51:54)
  • And more!
Subscribe + Follow Go Creative Show Show Links Follow Our Guest Follow Ben Consoli

Follow Connor Crosby (producer)

Follow Dave Siegel (sound mixer)

  continue reading

157 episodes

Artwork
iconShare
 
Manage episode 327284739 series 2311351
Content provided by Ben Consoli. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Ben Consoli or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
PACHINKO cinematographer Florian Hoffmeister BSC shares how he created one cohesive look to represent multiple decades in Japan and Korea. What cameras and lenses did he choose and why? We discuss it all.

Florian and Go Creative Show host, Ben Consoli, talk about the challenges of filming in a language and culture he didn’t understand, why episode 7 has a completely different look, his approach to the earthquake scene, lessons learned, and more!

Subscribe Now!

What you will learn in this episode
  • What PACHINKO accomplishes as a story (01:46)
  • Portraying the changing time periods (03:09)
  • How to use space effectively in cinematography (06:05)
  • Challenges of not knowing the language or culture (10:32)
  • When to say no to a project (17:38)
  • The visual approach to PACHINKO (24:57)
  • Florian's approach to filming exteriors (30:05)
  • The crazy logistics of using a camera crane on the water (35:42)
  • Shooting episode 7 with a different aspect ratio (42:22)
  • Breaking down the earthquake scenes (47:45)
  • Lessons learned filming PACHINKO (51:54)
  • And more!
Subscribe + Follow Go Creative Show Show Links Follow Our Guest Follow Ben Consoli

Follow Connor Crosby (producer)

Follow Dave Siegel (sound mixer)

  continue reading

157 episodes

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