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Miguel Harth-Bedoya, Part 1: Emmy Award Winning Conductor, Music Director Laureate of the Fort Worth Symphony and Director of Orchestral Studies at Baylor University

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Manage episode 416346546 series 2833043
Content provided by Anthony Plog (host), Eddie Ludema (Producer), Anthony Plog (host), and Eddie Ludema (Producer). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Anthony Plog (host), Eddie Ludema (Producer), Anthony Plog (host), and Eddie Ludema (Producer) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Miguel Harth Bedoya has been the Music Director of the Fort Worth Symphony Orchestra for 20 years and is now their Music Director Laureate. In addition to other Music Director positions he has held, he has also guest conducted major orchestras around the world such as the New York Philharmonic, the Philadelphia Orchestra, the Cleveland Orchestra, and the Chicago Symphony - to name only a few. He is currently the Mary Franks Thompson Director of Orchestral Studies at Baylor University.
We begin by asking Miguel about the differences in conducting various levels of orchestras, ranging from student orchestras to the top orchestras in the world... and his main thought is, "The love of music is very important." I also ask him about score study, to which he explains why a piece sounds different to him each time he reads and studies its score. (He also mentions how reading Cervantes' Don Quixote three times over the years gave him a different understanding of the book each time he read it.) Miguel was the conductor for the premiere and recording of Jennifer Higdon’s Cold Mountain, and he talks about the process of bringing a new opera to life. We end with an explanation of why an orchestra is like a research laboratory.
[Subscriber content] In Part 2, we begin by talking about Miguel's background. He was born in Peru, and we trace his journey as a student from Peru to Chile to the Curtis Institute and finally to Juilliard. He was an assistant conductor for the New York Philharmonic when Leonard Slatkin was delayed in getting to a concert, and he talks about jumping in at the last moment. He also talks about a later experience conducting Copland’s Appalachian Spring with that great orchestra. We finally turn to his career as a teacher, and his belief that building a foundation is critical to becoming a conductor. We end on a non-musical note... his helping with the disposal of garbage in Fort Worth... known as the "Cowboy Compost"... while he was Music Director of the Fort Worth Symphony.

Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more!

As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including:

  • Extra Audio Content: Only available to Contributing Listeners.
  • Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students.
  • Ask Me Anything: Both as written messages and occasional member-only Zoom sessions.
  • The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music!
  • Can I just donate instead of subscribing? Absolutely!
  • Cancel at anytime and easily resubscribe when you want all that extra content again.

Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

  continue reading

168 episodes

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Manage episode 416346546 series 2833043
Content provided by Anthony Plog (host), Eddie Ludema (Producer), Anthony Plog (host), and Eddie Ludema (Producer). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Anthony Plog (host), Eddie Ludema (Producer), Anthony Plog (host), and Eddie Ludema (Producer) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Miguel Harth Bedoya has been the Music Director of the Fort Worth Symphony Orchestra for 20 years and is now their Music Director Laureate. In addition to other Music Director positions he has held, he has also guest conducted major orchestras around the world such as the New York Philharmonic, the Philadelphia Orchestra, the Cleveland Orchestra, and the Chicago Symphony - to name only a few. He is currently the Mary Franks Thompson Director of Orchestral Studies at Baylor University.
We begin by asking Miguel about the differences in conducting various levels of orchestras, ranging from student orchestras to the top orchestras in the world... and his main thought is, "The love of music is very important." I also ask him about score study, to which he explains why a piece sounds different to him each time he reads and studies its score. (He also mentions how reading Cervantes' Don Quixote three times over the years gave him a different understanding of the book each time he read it.) Miguel was the conductor for the premiere and recording of Jennifer Higdon’s Cold Mountain, and he talks about the process of bringing a new opera to life. We end with an explanation of why an orchestra is like a research laboratory.
[Subscriber content] In Part 2, we begin by talking about Miguel's background. He was born in Peru, and we trace his journey as a student from Peru to Chile to the Curtis Institute and finally to Juilliard. He was an assistant conductor for the New York Philharmonic when Leonard Slatkin was delayed in getting to a concert, and he talks about jumping in at the last moment. He also talks about a later experience conducting Copland’s Appalachian Spring with that great orchestra. We finally turn to his career as a teacher, and his belief that building a foundation is critical to becoming a conductor. We end on a non-musical note... his helping with the disposal of garbage in Fort Worth... known as the "Cowboy Compost"... while he was Music Director of the Fort Worth Symphony.

Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more!

As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including:

  • Extra Audio Content: Only available to Contributing Listeners.
  • Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students.
  • Ask Me Anything: Both as written messages and occasional member-only Zoom sessions.
  • The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music!
  • Can I just donate instead of subscribing? Absolutely!
  • Cancel at anytime and easily resubscribe when you want all that extra content again.

Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

  continue reading

168 episodes

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