In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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2000: IN THE MOOD FOR LOVE ... and Noodles
Manage episode 357122582 series 2865408
Content provided by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
The characters in director Wong kar-Wai's "In the Mood for Love," which recently ranked No. 5 on the BFI's Sight and Sound poll of the Greatest Films of All Time, crave human connection -- but they'll settle for a good meal.
In this episode, Mike and Brian explore physical vs. emotional hunger; the various ways that Wong kar-Wai uses framing, color and slow-motion to communicate desire and/or loneliness; and how playing make-believe can draw us closer while simultaneously distancing us from deep life experiences.
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Manage episode 357122582 series 2865408
Content provided by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
The characters in director Wong kar-Wai's "In the Mood for Love," which recently ranked No. 5 on the BFI's Sight and Sound poll of the Greatest Films of All Time, crave human connection -- but they'll settle for a good meal.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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