In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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2009: INGLORIOUS BASTERDS is How It's Pronounced
Manage episode 346328401 series 2865408
Content provided by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Quentin Tarantino earned his first Best Picture Oscar nomination for 2009's "Inglorious Basterds," a bloody, revisionist take on World War II, starring Brad Pitt, Christoph Waltz and Mélanie Laurent. It's not the typical type of film recognized by the Academy Awards, which begs the question: Did it deserve serious consideration as the top film of the year, or was it a beneficiary of the recent expansion of the Best Picture category from five to 10 nominees?
In this episode, Mike and Brian explore the importance of historical accuracy and what's gained by revising the facts; they talk violence and catharsis; movies as mythmakers; the power of nicknames and, finally, whether or not this title will make their top fives of the year.
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.
130 episodes
Share
Manage episode 346328401 series 2865408
Content provided by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mike Cavaliere & Brian McMillan, Mike Cavaliere, and Brian McMillan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Quentin Tarantino earned his first Best Picture Oscar nomination for 2009's "Inglorious Basterds," a bloody, revisionist take on World War II, starring Brad Pitt, Christoph Waltz and Mélanie Laurent. It's not the typical type of film recognized by the Academy Awards, which begs the question: Did it deserve serious consideration as the top film of the year, or was it a beneficiary of the recent expansion of the Best Picture category from five to 10 nominees?
In this episode, Mike and Brian explore the importance of historical accuracy and what's gained by revising the facts; they talk violence and catharsis; movies as mythmakers; the power of nicknames and, finally, whether or not this title will make their top fives of the year.
Want to choose an movie for a future episode? BECOME A PATRON.
Agree or disagree with our takes? EMAIL bestpicturethis@gmail.com.
130 episodes
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Similar to Best Picture This
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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