Artwork

Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

Pleyel and Poulenc

2:00
 
Share
 

Manage episode 291383047 series 1318946
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Synopsis


Pleyel and Company was a French piano firm founded in 1807 by composer Ignace Pleyel. The firm provided pianos for Chopin, and ran an intimate Parisian 300-seat concert hall called the Salle Pleyel — the “Pleyel room” in English, where Chopin once performed.


In the 20th century, a roomier Salle Pleyel comprising some 3,000 seats was built, and it was there on today’s date in 1929 that a new concerto for an old instrument had its premiere performance. This was the Concert Champêtre (Pastoral Concerto) for harpsichord and orchestra by French composer Francis Poulenc, with the Paris Symphony conducted by Pierre Monteux, and with Wanda Landowska as the soloist.


“A harpsichord concerto in a hall that seats thousands?” you may ask. “How could anyone hear the harpsichord?” Well, the answer is that Madame Landowska performed on a beefier, metal-framed harpsichord built in the 20th century rather than the quieter wood-framed instruments used in the 18th. Landowska’s modern harpsichord was specially-constructed for her by — who else? — Pleyel and Company.


Landowska needed those extra decibels because Poulenc’s concerto was scored for harpsichord and a large modern orchestra, with winds, percussion, and a large brass section that even included a tuba!


Music Played in Today's Program


Francis Poulenc (1899-1963): Concert Champêtre (Pastoral Concerto); Aimée Van de Wiele, harpsichord; Paris Conservatory Orchestra; Georges Prêtre, condcutor; EMI Classics 69446 or 95584

  continue reading

2653 episodes

Artwork

Pleyel and Poulenc

Composers Datebook

334 subscribers

published

iconShare
 
Manage episode 291383047 series 1318946
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Synopsis


Pleyel and Company was a French piano firm founded in 1807 by composer Ignace Pleyel. The firm provided pianos for Chopin, and ran an intimate Parisian 300-seat concert hall called the Salle Pleyel — the “Pleyel room” in English, where Chopin once performed.


In the 20th century, a roomier Salle Pleyel comprising some 3,000 seats was built, and it was there on today’s date in 1929 that a new concerto for an old instrument had its premiere performance. This was the Concert Champêtre (Pastoral Concerto) for harpsichord and orchestra by French composer Francis Poulenc, with the Paris Symphony conducted by Pierre Monteux, and with Wanda Landowska as the soloist.


“A harpsichord concerto in a hall that seats thousands?” you may ask. “How could anyone hear the harpsichord?” Well, the answer is that Madame Landowska performed on a beefier, metal-framed harpsichord built in the 20th century rather than the quieter wood-framed instruments used in the 18th. Landowska’s modern harpsichord was specially-constructed for her by — who else? — Pleyel and Company.


Landowska needed those extra decibels because Poulenc’s concerto was scored for harpsichord and a large modern orchestra, with winds, percussion, and a large brass section that even included a tuba!


Music Played in Today's Program


Francis Poulenc (1899-1963): Concert Champêtre (Pastoral Concerto); Aimée Van de Wiele, harpsichord; Paris Conservatory Orchestra; Georges Prêtre, condcutor; EMI Classics 69446 or 95584

  continue reading

2653 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide