In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The Virgin Suicides (2000) with special guest Mark J. Parker
Manage episode 418362099 series 3378498
Content provided by Jesse Krempel. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jesse Krempel or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
On today's episode, we're exploring one of the penultimate examples of sad girl cinema, and taking a look at The Virgin Suicides (2000). This movie was written and directed by Sofia Coppola and was based off the 1993 novel of the same name by Jeffrey Eugenides.
This movie stars Kirsten Dunst, Kathleen Turner, Josh Hartnett, James Woods, and a whole host of other supporting actors and actresses.
Joining me for this episode is filmmaker and podcaster, Mark J. Parker of the Release Date Rewind Podcast!!! We talk about how wonderful Kirsten Dunst is as an actress, our thoughts on Sofia Coppola movies as a whole, and what we thought of this film overall. I also compare and contrast the film and book, as well!!
Intro/Outro Music: "Phantom Fun" by Jonathan Boyle
Show E-Mail: cultcinemacircle@gmail.com
Follow Mark on Instagram
Follow Release Date Rewind on Instagram and Youtube
Follow Cult Cinema Circle on Instagram, Twitter, and Letterboxd
Hosted on Acast. See acast.com/privacy for more information.
114 episodes
Share
Manage episode 418362099 series 3378498
Content provided by Jesse Krempel. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jesse Krempel or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
On today's episode, we're exploring one of the penultimate examples of sad girl cinema, and taking a look at The Virgin Suicides (2000). This movie was written and directed by Sofia Coppola and was based off the 1993 novel of the same name by Jeffrey Eugenides.
This movie stars Kirsten Dunst, Kathleen Turner, Josh Hartnett, James Woods, and a whole host of other supporting actors and actresses.
Joining me for this episode is filmmaker and podcaster, Mark J. Parker of the Release Date Rewind Podcast!!! We talk about how wonderful Kirsten Dunst is as an actress, our thoughts on Sofia Coppola movies as a whole, and what we thought of this film overall. I also compare and contrast the film and book, as well!!
Intro/Outro Music: "Phantom Fun" by Jonathan Boyle
Show E-Mail: cultcinemacircle@gmail.com
Follow Mark on Instagram
Follow Release Date Rewind on Instagram and Youtube
Follow Cult Cinema Circle on Instagram, Twitter, and Letterboxd
Hosted on Acast. See acast.com/privacy for more information.
114 episodes
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Similar to Cult Cinema Circle
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
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…
continue reading
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continue reading
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continue reading
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…
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We've all seen movies that claim to be 'based on a true story', but have you ever wondered how accurate they are? That's what we'll find out as we compare Hollywood with history.
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continue reading
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continue reading
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