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Oskar Eustis reveals The Public Theater's plans to hit Trump country

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Archived series ("HTTP Redirect" status)

Replaced by: Employee of the Month

When? This feed was archived on August 29, 2018 17:18 (5+ y ago). Last successful fetch was on May 29, 2018 00:20 (6y ago)

Why? HTTP Redirect status. The feed permanently redirected to another series.

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Manage episode 177421911 series 1354710
Content provided by Catie Lazarus. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Catie Lazarus or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In a city overpopulated with ambitious, brilliant misfits, Oskar Eustis holds his own. The Artistic Director of the legendary Public Theater is somehow directing Julius Caesar with a star-studded cast including Oscar Isaac and Keegan-Michael Key for Shakespeare in the Park, while teaching at NYU, developing new works as far as Hong Kong, and as far, at least politically, as rural and Midwest, Trump voting counties go, while overseeing the mothership with a 120-person staff and at least 4 productions seven nights a week, not including the multiple writing and outreach programs, and stages, including Joe’s Pub. Eustis is an exceptional leader. Eustis is even training and nurtures potential successors. We spoke about how the Public became a global brand, his mission to make theater free and accessible, leadership, and what the windfall from Fun Home and Hamilton’s success on Broadway offers. This episode was produced by Rob Schulte http://robkschulte.com
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264 episodes

Artwork
iconShare
 

Archived series ("HTTP Redirect" status)

Replaced by: Employee of the Month

When? This feed was archived on August 29, 2018 17:18 (5+ y ago). Last successful fetch was on May 29, 2018 00:20 (6y ago)

Why? HTTP Redirect status. The feed permanently redirected to another series.

What now? If you were subscribed to this series when it was replaced, you will now be subscribed to the replacement series. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 177421911 series 1354710
Content provided by Catie Lazarus. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Catie Lazarus or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In a city overpopulated with ambitious, brilliant misfits, Oskar Eustis holds his own. The Artistic Director of the legendary Public Theater is somehow directing Julius Caesar with a star-studded cast including Oscar Isaac and Keegan-Michael Key for Shakespeare in the Park, while teaching at NYU, developing new works as far as Hong Kong, and as far, at least politically, as rural and Midwest, Trump voting counties go, while overseeing the mothership with a 120-person staff and at least 4 productions seven nights a week, not including the multiple writing and outreach programs, and stages, including Joe’s Pub. Eustis is an exceptional leader. Eustis is even training and nurtures potential successors. We spoke about how the Public became a global brand, his mission to make theater free and accessible, leadership, and what the windfall from Fun Home and Hamilton’s success on Broadway offers. This episode was produced by Rob Schulte http://robkschulte.com
  continue reading

264 episodes

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