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Victoria Chang on Finding Agnes Martin During Crisis

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Manage episode 412161776 series 3004047
Content provided by Medaya Ocher and Los Angeles Review of Books. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Medaya Ocher and Los Angeles Review of Books or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Kate Wolf speaks with the poet Victoria Chang about her latest collection of poems, With My Back to the World. The book is in deep conversation with the work of the painter Agnes Martin: each poem takes the title of one of Martin’s paintings and is also often accompanied by Chang’s own visual interpretations of Martin’s work. Regarding Martin’s intricate grids and spare compositions inevitably allows Chang to reflect on form, emptiness, nature and light; along with more personal reflections on depression, identity, solitude, violence, and destruction. Chang writes about the act of looking along with the feeling of being seen—and the border between the two, especially within everyday encounters on the internet, where, as she writes, “solitude grabs my phone and takes a selfie.”

  continue reading

100 episodes

Artwork
iconShare
 
Manage episode 412161776 series 3004047
Content provided by Medaya Ocher and Los Angeles Review of Books. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Medaya Ocher and Los Angeles Review of Books or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Kate Wolf speaks with the poet Victoria Chang about her latest collection of poems, With My Back to the World. The book is in deep conversation with the work of the painter Agnes Martin: each poem takes the title of one of Martin’s paintings and is also often accompanied by Chang’s own visual interpretations of Martin’s work. Regarding Martin’s intricate grids and spare compositions inevitably allows Chang to reflect on form, emptiness, nature and light; along with more personal reflections on depression, identity, solitude, violence, and destruction. Chang writes about the act of looking along with the feeling of being seen—and the border between the two, especially within everyday encounters on the internet, where, as she writes, “solitude grabs my phone and takes a selfie.”

  continue reading

100 episodes

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