In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Interview With "Evil Does Not Exist" Composer Eiko Ishibashi
Manage episode 416790607 series 2935452
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"Evil Does Not Exist" had its world premiere at the 2023 Venice International Film Festival, where it received positive reviews for its direction and writing from Ryūsuke Hamaguchi, and score by Japanese singer-songwriter and musician Eiko Ishibashi. Following their collaboration on the Oscar-winning film, "Drive My Car," the two intended to make a 30-minute short film accompanied by a live score. But as the production got lengthier and the shoot went along, Hamaguchi decided to turn it into a feature film with dialogue, which is the film we have today. Ishibashi was kind enough to sit and talk with us about her latest work which can be listened to below. Please be sure to check out the film, which is now playing in limited release in the U.S. from Sideshow/Janus Films. Thank you, and enjoy!
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1814 episodes
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Manage episode 416790607 series 2935452
Content provided by The Next Best Picture Podcast and Evergreen Podcasts. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Next Best Picture Podcast and Evergreen Podcasts or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"Evil Does Not Exist" had its world premiere at the 2023 Venice International Film Festival, where it received positive reviews for its direction and writing from Ryūsuke Hamaguchi, and score by Japanese singer-songwriter and musician Eiko Ishibashi. Following their collaboration on the Oscar-winning film, "Drive My Car," the two intended to make a 30-minute short film accompanied by a live score. But as the production got lengthier and the shoot went along, Hamaguchi decided to turn it into a feature film with dialogue, which is the film we have today. Ishibashi was kind enough to sit and talk with us about her latest work which can be listened to below. Please be sure to check out the film, which is now playing in limited release in the U.S. from Sideshow/Janus Films. Thank you, and enjoy!
Check out more on NextBestPicture.com
Please subscribe on...
SoundCloud - https://soundcloud.com/nextbestpicturepodcast
Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2
Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT
YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw
And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture
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Similar to Next Best Picture Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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