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Content provided by Rachel Ní Chuinn. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rachel Ní Chuinn or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Podcast - Rachel Ní Chuinn

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Archived series ("Inactive feed" status)

When? This feed was archived on October 30, 2019 01:12 (4+ y ago). Last successful fetch was on August 22, 2019 01:56 (4+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 1016191
Content provided by Rachel Ní Chuinn. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rachel Ní Chuinn or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Sound is a physical form. Sound waves have physical dimensions and interact dramatically with architectural structures. The ear hears sound as vibrations brush against small hairs inside our heads. This tactile dimension to sound makes it inherently sculptural; it exists in space in a concrete way. A meandering line traces the parallel development of music and our built environment. Did our neolithic ancestors implement acoustic design 5500 years ago? Architects outline the physics of acoustics and how buildings can shape what we hear. Composer Alvin Lucier describes the details of how a room can be an instrument. Artists, composers and architects consider the subtleties of sound and how they can and should shape our sense of place. First broadcast as The Lyric Feature on RTÉ lyric fm. Funded by the Broadcasting Authority of Ireland
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Artwork

Podcast - Rachel Ní Chuinn

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Archived series ("Inactive feed" status)

When? This feed was archived on October 30, 2019 01:12 (4+ y ago). Last successful fetch was on August 22, 2019 01:56 (4+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage series 1016191
Content provided by Rachel Ní Chuinn. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Rachel Ní Chuinn or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Sound is a physical form. Sound waves have physical dimensions and interact dramatically with architectural structures. The ear hears sound as vibrations brush against small hairs inside our heads. This tactile dimension to sound makes it inherently sculptural; it exists in space in a concrete way. A meandering line traces the parallel development of music and our built environment. Did our neolithic ancestors implement acoustic design 5500 years ago? Architects outline the physics of acoustics and how buildings can shape what we hear. Composer Alvin Lucier describes the details of how a room can be an instrument. Artists, composers and architects consider the subtleties of sound and how they can and should shape our sense of place. First broadcast as The Lyric Feature on RTÉ lyric fm. Funded by the Broadcasting Authority of Ireland
  continue reading

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