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Sound Design Live - Career building interviews on live sound, theatre, AV, recording, and sound system tuning
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Is IATSE worthwhile for sound engineers?
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Manage episode 123994304 series 30869
Content provided by Sound Design Live and Nathan Lively - Online Courses for Live Sound Engineers ?. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sound Design Live and Nathan Lively - Online Courses for Live Sound Engineers ? or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Complete Show Notes: http://wp.me/p1sfi8-8Gf In this episode of the Sound Design Live podcast, I talk to Nat Koren about his audio career with the San Francisco Opera. We answer these questions: What are the pros and cons of working with the union? How do you mix an opera? What does a sound designer do for an opera? What specialized gear do they use at the opera house? How do they mix the show and operate 12 cameras without any humans in the room? Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive
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175 episodes
MP3•Episode home
Manage episode 123994304 series 30869
Content provided by Sound Design Live and Nathan Lively - Online Courses for Live Sound Engineers ?. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sound Design Live and Nathan Lively - Online Courses for Live Sound Engineers ? or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Complete Show Notes: http://wp.me/p1sfi8-8Gf In this episode of the Sound Design Live podcast, I talk to Nat Koren about his audio career with the San Francisco Opera. We answer these questions: What are the pros and cons of working with the union? How do you mix an opera? What does a sound designer do for an opera? What specialized gear do they use at the opera house? How do they mix the show and operate 12 cameras without any humans in the room? Start supporting Sound Design Live on Patreon today for as little as $1: https://www.patreon.com/sounddesignlive
…
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175 episodes
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