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False Roles and Fictitious Selves in “The Awakening” by Kate Chopin

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Manage episode 316492639 series 2774930
Content provided by Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In the late 19th century, the “New Woman” was a term coined by Henry James for a particular kind of feminist who demanded freedom of behavior, dress, education, and sexuality. Out of that paradigm came “The Awakening,” a novel that scandalized critics upon its publication with its tale of New Orleans society wife Edna Pointellier, who tries to throw off the shackles of society’s expectations for women and follow her own passions. What might the novel have in common with a fairy tale? How do Edna’s artistic ambitions frustrate her role as a wife and mother? And do Edna’s efforts to cast off her so-called “fictitious self” and live honestly constitute a triumph or a tragedy? Wes & Erin discuss Kate Chopin’s 1899 novel.

Thanks to our sponsor for this episode, NYU’s Tisch School of the Arts. Aspiring filmmakers and screenwriters can learn more about their online courses at tischpro.smashcut.com/subtext.

For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.

This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.

Email advertising@airwavemedia.com to enquire about advertising on the podcast.

Follow: Twitter | Facebook | Website

  continue reading

88 episodes

Artwork
iconShare
 
Manage episode 316492639 series 2774930
Content provided by Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In the late 19th century, the “New Woman” was a term coined by Henry James for a particular kind of feminist who demanded freedom of behavior, dress, education, and sexuality. Out of that paradigm came “The Awakening,” a novel that scandalized critics upon its publication with its tale of New Orleans society wife Edna Pointellier, who tries to throw off the shackles of society’s expectations for women and follow her own passions. What might the novel have in common with a fairy tale? How do Edna’s artistic ambitions frustrate her role as a wife and mother? And do Edna’s efforts to cast off her so-called “fictitious self” and live honestly constitute a triumph or a tragedy? Wes & Erin discuss Kate Chopin’s 1899 novel.

Thanks to our sponsor for this episode, NYU’s Tisch School of the Arts. Aspiring filmmakers and screenwriters can learn more about their online courses at tischpro.smashcut.com/subtext.

For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.

This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.

Email advertising@airwavemedia.com to enquire about advertising on the podcast.

Follow: Twitter | Facebook | Website

  continue reading

88 episodes

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