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Vomit Draft: The Inside Pitch

40:46
 
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Content provided by Scott Beggs and Film School Rejects. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Scott Beggs and Film School Rejects or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Special guest Christopher Lockhart, story editor at WME, joins us to answer your screenwriting questions about your entitlement to have your script read [0:00 - 15:00], whether studio passion for IP extends to short stories [15:00 - 19:55], times Chris has passed on projects and regretted it [19:55 - 26:00], whether writing diversity into your script is a risk (hint: it isn’t) [26:00 - 31:50], and if it’s a good idea to write an adaptation for a book you don’t own the adaptation rights to [31:50 - 40:00].

  continue reading

160 episodes

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Fetch error

Hmmm there seems to be a problem fetching this series right now. Last successful fetch was on February 29, 2024 19:24 (2M ago)

What now? This series will be checked again in the next day. If you believe it should be working, please verify the publisher's feed link below is valid and includes actual episode links. You can contact support to request the feed be immediately fetched.

Manage episode 170467322 series 25769
Content provided by Scott Beggs and Film School Rejects. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Scott Beggs and Film School Rejects or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Special guest Christopher Lockhart, story editor at WME, joins us to answer your screenwriting questions about your entitlement to have your script read [0:00 - 15:00], whether studio passion for IP extends to short stories [15:00 - 19:55], times Chris has passed on projects and regretted it [19:55 - 26:00], whether writing diversity into your script is a risk (hint: it isn’t) [26:00 - 31:50], and if it’s a good idea to write an adaptation for a book you don’t own the adaptation rights to [31:50 - 40:00].

  continue reading

160 episodes

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