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Live @ LBCC: Kickstarter vs. Self-funding with Mary Bellamy and Mike Wellman

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Archived series ("iTunes Redirect" status)

Replaced by: The Complete Creative

When? This feed was archived on December 26, 2017 21:41 (7y ago). Last successful fetch was on December 24, 2017 12:03 (7y ago)

Why? iTunes Redirect status. The feed contained an iTunes new feed tag.

What now? If you were subscribed to this series when it was replaced, you will now be subscribed to the replacement series. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 161534359 series 125027
Content provided by Russell Nohelty. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Russell Nohelty or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

I had three panels at LBCC this year, and I’m bringing them all to The Business of Art so that the people who didn’t get a chance to be there can enjoy it too. There were tons of exhibitors on the floor and Wannabe that live outside of Los Angeles, or were too busy, that didn’t have a chance to get to the panel and this information is just too good not to share.

If you were at Long Beach, the Kickstarter vs. Self-funding panel was the one you were most likely to see since it was in the big Rumble Room instead of the Creator’s Lab. It was packed with people who wanted to see the advantages of each, and boy did Mike Wellman, Mary Bellamy, and I deliver.

Mike Wellman co-owns the Comic Bug comic book stores in Los Angeles and is the creator of several books, most notably Guns A’ Blazin’ (www.thecomicbug.com; @macafro on twitter). Mary Bellamy is a creator who draws and writes the Zorilita brand (www.marybellamy.com; @zorilita on Twitter), along with working for publishers on things like My Little Pony, among others.

Mary moderated the discussion between Mike and I. She did a great job reigning us in when we got off track. I was surprised at where the discussion took us, and we covered a wide range of topics about the benefits of self-funding, the pride you feel when you make a book from scratch and release it wide, and why Mike won’t ever use Kickstarter. We also talked about how to start getting data, building a business, and letting people in on the process with Kickstarter.

Nobody can ever get me to turn my back on Kickstarter. More than being the reason I even have a business, they are the way I learned how to run a business. They were the educational platform that taught me the mechanics of everything that I do with this podcast now. However, this panel gave me a fascinating insight why somebody would choose the self-funding route when it comes to both creating content and selling it.

If you like this episode, please subscribe on iTunes, Stitcher Google play, or anywhere else you download your podcasts. We’ve already got an archive of over 100 episodes and growing fast. If you don’t subscribe, you will miss something.

If you want to check out our archives, the best place to listen commercial free is by heading to our premium collection of every Business of Art lesson from the first 100 episodes. It’s over 8 hours of content, completely commercial free, for just $20. Check it out by clicking here.

  continue reading

170 episodes

Artwork
iconShare
 

Archived series ("iTunes Redirect" status)

Replaced by: The Complete Creative

When? This feed was archived on December 26, 2017 21:41 (7y ago). Last successful fetch was on December 24, 2017 12:03 (7y ago)

Why? iTunes Redirect status. The feed contained an iTunes new feed tag.

What now? If you were subscribed to this series when it was replaced, you will now be subscribed to the replacement series. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 161534359 series 125027
Content provided by Russell Nohelty. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Russell Nohelty or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

I had three panels at LBCC this year, and I’m bringing them all to The Business of Art so that the people who didn’t get a chance to be there can enjoy it too. There were tons of exhibitors on the floor and Wannabe that live outside of Los Angeles, or were too busy, that didn’t have a chance to get to the panel and this information is just too good not to share.

If you were at Long Beach, the Kickstarter vs. Self-funding panel was the one you were most likely to see since it was in the big Rumble Room instead of the Creator’s Lab. It was packed with people who wanted to see the advantages of each, and boy did Mike Wellman, Mary Bellamy, and I deliver.

Mike Wellman co-owns the Comic Bug comic book stores in Los Angeles and is the creator of several books, most notably Guns A’ Blazin’ (www.thecomicbug.com; @macafro on twitter). Mary Bellamy is a creator who draws and writes the Zorilita brand (www.marybellamy.com; @zorilita on Twitter), along with working for publishers on things like My Little Pony, among others.

Mary moderated the discussion between Mike and I. She did a great job reigning us in when we got off track. I was surprised at where the discussion took us, and we covered a wide range of topics about the benefits of self-funding, the pride you feel when you make a book from scratch and release it wide, and why Mike won’t ever use Kickstarter. We also talked about how to start getting data, building a business, and letting people in on the process with Kickstarter.

Nobody can ever get me to turn my back on Kickstarter. More than being the reason I even have a business, they are the way I learned how to run a business. They were the educational platform that taught me the mechanics of everything that I do with this podcast now. However, this panel gave me a fascinating insight why somebody would choose the self-funding route when it comes to both creating content and selling it.

If you like this episode, please subscribe on iTunes, Stitcher Google play, or anywhere else you download your podcasts. We’ve already got an archive of over 100 episodes and growing fast. If you don’t subscribe, you will miss something.

If you want to check out our archives, the best place to listen commercial free is by heading to our premium collection of every Business of Art lesson from the first 100 episodes. It’s over 8 hours of content, completely commercial free, for just $20. Check it out by clicking here.

  continue reading

170 episodes

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