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The Devil Prefers Mozart: Anthony Burgess on Music with Paul Phillips

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Manage episode 409047307 series 3013668
Content provided by Burgess Foundation and International Anthony Burgess Foundation. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Burgess Foundation and International Anthony Burgess Foundation or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, Andrew Biswell explores Anthony Burgess’s new collection of essays on music, The Devil Prefers Mozart, with editor Paul Phillips.


The Devil Prefers Mozart is the first collection of Anthony Burgess’s essays on music and musicians. This wide-ranging anthology covers classical, modern and operatic works, as well as jazz, pop, heavy metal and punk. This episode of the podcast discusses the versatility of Burgess’s writing on music, the different sorts of essays in the new collection and what Burgess really thought of the work of the Beatles.


Paul Phillips is the Gretchen B. Kimball Director of Orchestral Studies and Associate Professor of Music at Stanford University, and author A Clockwork Counterpoint: The Music and Literature of Anthony Burgess, the definitive study of Burgess’s music and its relationship to his writing. Paul has contributed essays to six books on Burgess, including the Norton Critical Edition of A Clockwork Orange, and is an Honorary Patron of the International Anthony Burgess Foundation and its Music Advisor.


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LINKS


The Devil Prefers Mozart: On Music and Musicians by Anthony Burgess, edited by Paul Phillips at Carcanet


The Clockwork Counterpoint: The Music and Literature of Anthony Burgess by Paul Phillips (affiliate link)


International Anthony Burgess Foundation


Anthony Burgess News, our free weekly Substack newsletter.



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

82 episodes

Artwork
iconShare
 
Manage episode 409047307 series 3013668
Content provided by Burgess Foundation and International Anthony Burgess Foundation. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Burgess Foundation and International Anthony Burgess Foundation or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, Andrew Biswell explores Anthony Burgess’s new collection of essays on music, The Devil Prefers Mozart, with editor Paul Phillips.


The Devil Prefers Mozart is the first collection of Anthony Burgess’s essays on music and musicians. This wide-ranging anthology covers classical, modern and operatic works, as well as jazz, pop, heavy metal and punk. This episode of the podcast discusses the versatility of Burgess’s writing on music, the different sorts of essays in the new collection and what Burgess really thought of the work of the Beatles.


Paul Phillips is the Gretchen B. Kimball Director of Orchestral Studies and Associate Professor of Music at Stanford University, and author A Clockwork Counterpoint: The Music and Literature of Anthony Burgess, the definitive study of Burgess’s music and its relationship to his writing. Paul has contributed essays to six books on Burgess, including the Norton Critical Edition of A Clockwork Orange, and is an Honorary Patron of the International Anthony Burgess Foundation and its Music Advisor.


-----


LINKS


The Devil Prefers Mozart: On Music and Musicians by Anthony Burgess, edited by Paul Phillips at Carcanet


The Clockwork Counterpoint: The Music and Literature of Anthony Burgess by Paul Phillips (affiliate link)


International Anthony Burgess Foundation


Anthony Burgess News, our free weekly Substack newsletter.



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

82 episodes

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