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#419: Final Cuts, Pt. 1 — The Player

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Manage episode 410201350 series 3311217
Content provided by Telegraph Road Productions and Filmspotting Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Telegraph Road Productions and Filmspotting Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Romanian director Radu Jude’s new DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD is set in Bucharest, not Hollywood, but its cynicism about the act of capturing something on film nonetheless put us in mind of Robert Altman’s 1992 industry satire THE PLAYER. We’re joined by returning guest Katie Rife to discuss these two very different yet complementary movies about moviemaking, beginning with THE PLAYER’s caustically meta take on the Hollywood grind during a transitional moment for studio filmmaking. And we stay on theme moving into Feedback, bringing the film’s cynical outlook on Hollywood to a listener's question about the very existence of movie remakes.

Please share your comments, thoughts, and questions about THE PLAYER, DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

431 episodes

Artwork
iconShare
 
Manage episode 410201350 series 3311217
Content provided by Telegraph Road Productions and Filmspotting Network. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Telegraph Road Productions and Filmspotting Network or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Romanian director Radu Jude’s new DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD is set in Bucharest, not Hollywood, but its cynicism about the act of capturing something on film nonetheless put us in mind of Robert Altman’s 1992 industry satire THE PLAYER. We’re joined by returning guest Katie Rife to discuss these two very different yet complementary movies about moviemaking, beginning with THE PLAYER’s caustically meta take on the Hollywood grind during a transitional moment for studio filmmaking. And we stay on theme moving into Feedback, bringing the film’s cynical outlook on Hollywood to a listener's question about the very existence of movie remakes.

Please share your comments, thoughts, and questions about THE PLAYER, DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD, or anything else in the world of film, by sending an email to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

431 episodes

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