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Film Fests: The Merits and Scams; Plus, Film Communities Outside of the Bubbles with Amy Dotson
Manage episode 418520249 series 118896
Content provided by No Film School. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by No Film School or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
What film festivals are worth submitting your projects to? Which festivals are legitimate and which ones are scams out for your money? Is it possible to find like-minded creatives to collaborate with, outside of places like L.A. and New York?
In today’s episode, No Film School’s Charles Haine, GG Hawkins, Jason Hellerman, and guest Amy Dotson discuss:
- Figuring out what you want to get out of a festival
- Reasons why small festivals are awesome
- Things to consider when vetting festivals
- What Amy learned interning at Pee-wee’s Playhouse
- Telling your unique story in only one paragraph
- Why you need to constantly update your bio
- Moving from New York City to Portland
- Thinking about cinematic storytelling in new ways
- Collaborations between local artists and big household names
- How the Portland Art Museum honors multi-faceted creatives
Memorable Quotes
- “What are you going to the festival for? Is it about Hollywood connections or about sharing your film with an audience?” [3:54]
- “Being in the mix and connecting with people at a human level is incredibly valuable. You will find those relationships pay off in the long run.” [12:42]
- “Everybody is different and that’s okay. It’s not a one-size-fits-all model anymore.” [23:34]
- “The goal is to meet other like-minded humans that can help push your career and push you as a human forward.” [29:37]
- “There are stories to be told that are less project-centered and more people-centered.” [46:24]
Mentioned
How To Spend $10,000 on Film Festival Submissions…
Find No Film School everywhere:
On the Web
https://www.facebook.com/nofilmschool
https://twitter.com/nofilmschool
YouTube
https://www.youtube.com/user/nofilmschool
https://www.instagram.com/nofilmschool
Send us an email with questions or feedback: podcast@nofilmschool.com!
Learn more about your ad choices. Visit megaphone.fm/adchoices
765 episodes
Share
Manage episode 418520249 series 118896
Content provided by No Film School. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by No Film School or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
What film festivals are worth submitting your projects to? Which festivals are legitimate and which ones are scams out for your money? Is it possible to find like-minded creatives to collaborate with, outside of places like L.A. and New York?
In today’s episode, No Film School’s Charles Haine, GG Hawkins, Jason Hellerman, and guest Amy Dotson discuss:
- Figuring out what you want to get out of a festival
- Reasons why small festivals are awesome
- Things to consider when vetting festivals
- What Amy learned interning at Pee-wee’s Playhouse
- Telling your unique story in only one paragraph
- Why you need to constantly update your bio
- Moving from New York City to Portland
- Thinking about cinematic storytelling in new ways
- Collaborations between local artists and big household names
- How the Portland Art Museum honors multi-faceted creatives
Memorable Quotes
- “What are you going to the festival for? Is it about Hollywood connections or about sharing your film with an audience?” [3:54]
- “Being in the mix and connecting with people at a human level is incredibly valuable. You will find those relationships pay off in the long run.” [12:42]
- “Everybody is different and that’s okay. It’s not a one-size-fits-all model anymore.” [23:34]
- “The goal is to meet other like-minded humans that can help push your career and push you as a human forward.” [29:37]
- “There are stories to be told that are less project-centered and more people-centered.” [46:24]
Mentioned
How To Spend $10,000 on Film Festival Submissions…
Find No Film School everywhere:
On the Web
https://www.facebook.com/nofilmschool
https://twitter.com/nofilmschool
YouTube
https://www.youtube.com/user/nofilmschool
https://www.instagram.com/nofilmschool
Send us an email with questions or feedback: podcast@nofilmschool.com!
Learn more about your ad choices. Visit megaphone.fm/adchoices
765 episodes
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Similar to The No Film School Podcast
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Determining if all these so called classic films are indeed just that.
…
continue reading
Watch what you want, where you want, when you want on whatever device you please. Take control of your TV, Movies and more. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
…
continue reading
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…
continue reading
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…
continue reading
Jim and A.Ron review each week's episode of HBO's House of the Dragon and your feedback.
…
continue reading
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