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How composer Will Bates used an out of tune 19th century piano to heighten the eerie atmosphere of 'Immaculate'

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Manage episode 409130580 series 3554463
Content provided by We Need to Talk About Oscar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by We Need to Talk About Oscar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Who would've guessed that Syndey Sweeney's going to be our next scream queen? We could insert the infamous Paul Rudd meme ("Who would've thought? Not me...") here but it might not be that much of a surprise after all.
However there are many aspects to Neon's Immaculate, directed by Michael Mohan, that resulted in this very much talked about horror flick. One of these is the absolutely chilling, yet at times playful score, thanks to the brilliant Will Bates.
On the week of the film's wide theatrical release Will and Áron talked about the building suspense in the music, the roller coaster ride it can take the audience on, and the instruments he used while scoring this film that you might not generally associate with the genre.
(Photo credit: Alix Becq-Weinstein/Rhapsody PR)

  continue reading

16 episodes

Artwork
iconShare
 
Manage episode 409130580 series 3554463
Content provided by We Need to Talk About Oscar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by We Need to Talk About Oscar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Who would've guessed that Syndey Sweeney's going to be our next scream queen? We could insert the infamous Paul Rudd meme ("Who would've thought? Not me...") here but it might not be that much of a surprise after all.
However there are many aspects to Neon's Immaculate, directed by Michael Mohan, that resulted in this very much talked about horror flick. One of these is the absolutely chilling, yet at times playful score, thanks to the brilliant Will Bates.
On the week of the film's wide theatrical release Will and Áron talked about the building suspense in the music, the roller coaster ride it can take the audience on, and the instruments he used while scoring this film that you might not generally associate with the genre.
(Photo credit: Alix Becq-Weinstein/Rhapsody PR)

  continue reading

16 episodes

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