In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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“Dude, you can get past a dog. Nobody f's with a lion.” - Grandma's Boy “You notice things if you pay attention.” - In The Mood For Love Marcus Pinn likes movies. Scott Thorough likes movies. Marcus writes about movies (Pinnland Empire, The Pink Smoke), and Scott sometimes scores movies (Newlyweeds, Manos Sucias). They both have a background in hyper underground rap music, and enjoy sandwiches. Through a deep love of rap music, wrestling, and dissecting low and high brow cinema, Marcus and Scott developed an interesting kinship. After a bar conversation about movies where a stranger interrupted to tell them how much they enjoyed listening, they decided, “hey let's see if other people want to listen to our zany thoughts about film”. “Zebras In America” is a stream of consciousness rap on film and anywhere it may take a conversation. "Zebras In America Opening Theme" music by Scott, scratches by Marcus. Logo created by DJ SNAFU
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216 episodes
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Content provided by Zebras In America. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Zebras In America or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
“Dude, you can get past a dog. Nobody f's with a lion.” - Grandma's Boy “You notice things if you pay attention.” - In The Mood For Love Marcus Pinn likes movies. Scott Thorough likes movies. Marcus writes about movies (Pinnland Empire, The Pink Smoke), and Scott sometimes scores movies (Newlyweeds, Manos Sucias). They both have a background in hyper underground rap music, and enjoy sandwiches. Through a deep love of rap music, wrestling, and dissecting low and high brow cinema, Marcus and Scott developed an interesting kinship. After a bar conversation about movies where a stranger interrupted to tell them how much they enjoyed listening, they decided, “hey let's see if other people want to listen to our zany thoughts about film”. “Zebras In America” is a stream of consciousness rap on film and anywhere it may take a conversation. "Zebras In America Opening Theme" music by Scott, scratches by Marcus. Logo created by DJ SNAFU
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Similar to Zebras In America
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
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DumTeeDum is a weekly podcast about The Archers featuring fans of Ambridge. Hosted on Acast. See acast.com/privacy for more information.
…
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