Professor Jim Al-Khalili talks to leading scientists about their life and work, finding out what inspires them and asking what their discoveries might do for us in the future.
Manage episode 293990921 series 1301220
Es Devlin, who designed sets for Hamlet with Benedict Cumberbatch and Stormzy at the Britz, has created something more quietly contemplative as artistic director of the London Design Biennale, filling the courtyard of Somerset House in London with trees. She tells Elle Osili-Wood about how forests in literature are places of transformation and how she created her Forest for Change, with a clearing at its heart where we are invited to consider the UN Global Goals for Sustainable Development. The artist Phoebe Boswell’s new exhibition Here at New Art Exchange in Nottingham features many life-size, detailed, figurative drawings, as well as large-scale video and animations which reflect her exploration of marginalisation, freedom and the idea of home. She discusses her work and how it echoes her own experience as a Kenyan-born British artist. On May 18 the DCMS amended guidance issued on the 17th May prohibiting non professional singers from meeting indoors in groups larger than 6 which effectively prohibited most planned choral activities for the 2.2 million singers in over 40,000 choirs across the country. Front Row hears from Richard Reeves, General Manager of the Royal Choral Society who staged the Messiah at the Royal Albert Hall last Sunday and Paul Parker, lawyer and part-time tenor about the ongoing issues the new guidance has raised. Presenter: Elle Osili-Wood Producer: Julian May Studio Manager: John Boland Main image: The Global Goals Pavilion: Forest for Change at the London Design Biennale Image credit: Ed Reeve