Artsy's team of editors takes you behind the scenes of the art world, talking everything from art history to the latest market news.
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No. 79: From Auction Week to Art Basel, What’s Happening in the Art Market
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On this episode, we take stock of the state of the art market. May was a frenzied month for the industry, with the Rockefeller and New York auctions providing key litmus tests about the health of the market. There were some objectively massive sales, including works by Picasso and Modigliani. But with big ticket works selling, why didn’t the action…
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No. 78: Are Selfie Museums an Affront to the Art World?
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This week, our editors sit down to chat about one of the art world’s most divisive topics: “selfie museums.” We discuss what the rise of the Museum of Ice Cream, and other similar Instagram-friendly institutions, means for the art world and the meaning of the word “museum.” As experiential art continues to explode in popularity, we also discuss whe…
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No. 77: Exploring the Art Market’s Best (and Worst) Practices
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The United States House of Representatives is considering expanding the Bank Secrecy Act in order to make galleries and auction houses subject to federal regulation. And the entire art market is buzzing. But the rules of the art market aren’t always written by the government. Last month, the Art Business Conference hosted a panel discussion on Art …
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No. 76: How Is the Internet Impacting Creativity and the Arts?
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For most of us, the following scenarios probably sound familiar: you’re supposed to be focusing on an important task, but instead you’re distracted by Twitter, Instagram, or Facebook; or, you’re in a museum full of art but still find yourself glued to your iPhone. This week on the Artsy Podcast, we tackle the question of how creativity and the arts…
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No. 75: Answering The Art History Questions You Never Thought to Ask
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On this week’s episode, we walk you through an alternative Art History 101 class—one where no question is too embarrassing or obvious to ask. Join us as we demystify some of the art world’s most hard-to-decipher movements (such as Conceptual Art) and dive into the nuances behind seemingly straightforward topics (like the proper way to hang an artwo…
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No. 74: The State of the Art Market in 2018 So Far
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Nearly three months into 2018, several major milestones of the art market calendar have already come and gone—including the London auctions and the release of the The Art Market | 2018 report earlier this month. Meanwhile, in China, Art Basel in Hong Kong kicked off this week. On this episode, our editors sit down to talk about what early art marke…
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No. 73: Miami Mega-Collector Jorge Pérez on Why Cuban Art Matters
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On this episode, we’re taking a deep dive into the world of contemporary Cuban art—a topic int with questions of history and politics and culture, both on and off the island. We’re joined from Miami by art collector Jorge Pérez and chief curator of the Pérez Art Museum Miami, Tobias Ostrander, to discuss the institution’s show “On the Horizon” feat…
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No. 72: The Delectable, Daring World of Cake Art
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Picture a cake: It’s circular, maybe rectangular, covered in a layer of single-color frosting. With the help of so-called “cake artists," however, this classic dessert is increasingly breaking the mold. On this episode, we explore the delectable, jaw-dropping world of specialty cakes. From a life-size bust of Willie Nelson to a geometric mousse con…
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No. 71: What the Obama Portraits Tell Us about Art and Politics
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The official portraits of former United States President Barack Obama, painted by Kehinde Wiley, and former First Lady Michelle Obama, by Amy Sherald, were presented at the National Portrait Gallery in Washington, D.C. earlier this month. Upon unveiling, the portraits became two of the most widely-debated works of contemporary art in years. On this…
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No. 70: Behind the Scenes of the New Museum Triennial
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“Songs for Sabotage”—the fourth iteration of the New Museum Triennial—opened last week in New York. On this episode, we sat down with exhibition co-curator Gary Carrion-Murayari to discuss the years-long process to assemble a show of this nature. How did they decide which artists define the international cutting edge?…
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No. 69: How Independent Curators Power the Art World
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Almost everything can be “curated” these days—playlists, outfits, gift baskets, even salads. So what does it really mean to be an independent curator? On this episode, we’re joined by curator Jacqueline Mabey to discuss the ups and downs of a career that’s not tied to a single institution.By Artsy Editors
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No. 68: Is It Illegal to Eat a Work of Art?
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On today’s episode, we’re taking a deep dive into two questions at the intersection of art and law. First: Can we make a case for legally eating an artwork? And, second: How can a Houston resident own a wall in her home—but not the mural painted on it?By Artsy Editors
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No. 67: How Judy Chicago Pioneered the First Feminist Art Program
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Artist Judy Chicago began teaching at Fresno State in 1970, where she founded the nation’s first known feminist art program. On today’s episode, we explore the story of the women artists enrolled in the radical class—and how this little-known project evolved into the now-iconic installation Womanhouse at CalArts in 1972.…
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No. 66: Why Do Certain Photographs Make History?
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In 1936, Dorothea Lange took a photograph that would go on to become one of the most defining images of the Great Depression: Migrant Mother. On this episode, we explore the backstory of this iconic photo—including the fact that it was almost never taken. Plus, what can Migrant Mother tell us about modern-day photojournalism?…
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No. 65: Can Pot Help Unlock Creative Potential?
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Does smoking pot make you more creative?On this episode, we posed the question to Aaron Lammer—musician and host of the Stoner podcast—in a conversation that ranges from the neuroscience of drug use to the habits of musicians, authors, and artists who incorporate marijuana into their practice.By Artsy Editors
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No. 64: Looking Ahead to 2018 in the Art World
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On this episode, we look ahead to 2018. From continuing allegations of sexual harassment to the Met’s new ticketing policy to a wealth of upcoming women-centric shows, these are the issues and exhibitions we’ll be keeping an eye on in the new year.By Artsy Editors
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No. 63: Camille Claudel, the Sculptor Who Inspired Rodin’s Most Sensual Work
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You can find the Artsy Podcast on Apple Podcasts, Stitcher, Pocket Casts, or the podcasting app of your choice. Don’t forget to rate the show and leave us comments; we’d love to hear from you.Over the last few weeks, we’ve translated a few of our readers’ favorite art-historical stories into audio. On our final special episode: the life of sculptor…
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No. 62: The Myth of Jackson Pollock and the Masterpiece Created in One Night
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You can find the Artsy Podcast on Apple Podcasts, Stitcher, Pocket Casts, or the podcasting app of your choice. Don’t forget to rate the show and leave us comments; we’d love to hear from you.This month on the Artsy Podcast, we’re translating four of our readers’ favorite art-historical stories into audio.On this episode: the dramatic story behind …
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No. 61: When Georgia O’Keeffe Went to Hawaii to Paint Pineapples for Dole
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This month on the Artsy Podcast, we’re translating four of our readers’ favorite art-historical stories into audio. On this episode: when Georgia O’Keeffe traded desert vistas and bleached cow bones for the verdant valleys and electric blue seas of Hawaii.By Artsy Editors
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No. 60: Why Robert Rauschenberg Erased a De Kooning
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This month on the Artsy Podcast, we’re translating four of our readers’ favorite art-historical stories into audio.On this episode: how a young Robert Rauschenberg roped the admired Abstract Expressionist Willem de Kooning into his quest to make a drawing using only an eraser.By Artsy Editors
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No. 59: The Latest from Art Basel in Miami Beach
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Art Basel in Miami Beach—the last major event on this year’s art world calendar—opened its doors to collectors yesterday.On this episode, we discuss our favorite booths of the week and what a new layout means for the fair’s 16th edition. Plus, we ask: A year after the U.S. presidential election, how is today’s political climate reflected in the art…
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No. 58: What’s Driving Artists to Become More Professional?
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In 2012, the median income of professional artists with art degrees in New York City was $25,000. In 2015, the chance that an artist living in the U.S. would receive a solo exhibition at MoMA was 0.0006%. The odds are stacked against artists trying to make it in the art world.On this episode, we’re joined by Heather Bhandari—co-author of the book A…
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No. 57: What Happens When Art Meets Craigslist
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Craigslist has proven to be a blessing for a generation of artists, a seemingly bottomless well of eccentricity. Artists have used it to cast projects, as a source for serial photography books, even as a way to sell sculptural works masquerading as used furniture. On this episode, we’re joined by artist Sophie Barbasch, who has used the site to pos…
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No. 56: Unpacking the Allegations of Sexual Harassment in the Art World
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Last month, the New York Times published a story detailing a number of sexual harassment allegations leveled against Hollywood producer Harvey Weinstein. But that article was only the beginning. In the weeks since, at least 20 high-profile men have faced accusations of sexual misconduct, including two powerful figures in the art world: former Artfo…
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No. 55: What Art Therapy Can Do That Traditional Therapy Can’t
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Last month, Second Lady Karen Pence outlined her three-part plan to promote the field of art therapy during her term in the White House. But what is art therapy, exactly?On this episode, we break down this little-understood field—and discuss whether support from a controversial administration may end up politicizing it.…
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No. 54: Petra Collins and Marilyn Minter Talk Feminism and Horror Flicks
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“I love family photos, but not in the way most people love them. My love for them is like my love for reality TV.” That’s how artist Petra Collins begins her latest book Coming of Age, which hit shelves earlier this week. On this episode, we’re joined by Collins and fellow artist Marilyn Minter to discuss both family snapshots and reality televisio…
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Who decides how much an artwork is worth? And is that price tag rational? On this episode, we’re joined by economist Don Thompson, whose latest book The Orange Balloon Dog explores the inner workings of the contemporary art market.From Jeff Koons’s monumental sculpture that set auction records in 2013 to the upcoming sale of Leonardo da Vinci’s Sal…
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No. 25: Making It in the Art World If You’re Not a Rich Kid
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This week, we’re rebroadcasting a favorite episode from earlier this year.As the New York Times recently reported, twenty-somethings pursuing a career in art and design are the most likely to receive financial assistance from parents; they also receive the largest sums.On this episode, we’re joined by Sandra Jackson-Dumont, chair of education at th…
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No. 52 (Part Two): Guggenheim Curators on the Controversy Surrounding Their New Show
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On September 20th, the New York Times published a preview of the Guggenheim’s latest show “Art and China after 1989: Theater of the World.” One particular video work—Peng Yu and Sun Yuan’s Dogs That Cannot Touch Each Other (2003), in which pit bulls bred for dogfighting were restrained and placed opposite each other on treadmills—quickly ignited a …
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No. 52 (Part One): How Globalization Changed China—and Its Art
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Last month, Artsy spoke with two curators of the Guggenheim ’s latest exhibition, “Art and China after 1989: Theater of the World” about a particular moment in the history of contemporary artists from China. Our conversation took place before the show had opened—and, as it turned out, a few days before a major controversy erupted around Peng Yu and…
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No. 51: The Latest from London’s Frieze Week
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London’s Frieze Week is here. On this episode, Artsy’s editors report back from the 2017 editions of Frieze London and Frieze Masters. Why are these two fairs are beginning to look more and more alike? Plus, this year’s best booths and how a blockbuster show at the Tate is influencing the art on view.…
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No. 50: Why Rembrandt’s Night Watch Is So Famous
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There are certain artworks that almost everyone in the world knows—the Mona Lisa, Starry Night, The Scream. What most people can’t explain is the reason why these particular paintings are more famous than thousands of other inventive and moving works of art that fill museums worldwide. On this special 50th episode, we chart one painting’s rise to f…
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Fifteen years ago, there were a handful of international art fairs; today, that number has risen past 250. On this episode, we’re joined by The Armory Show’s director, Benjamin Genocchio, to discuss how this increasingly influential facet of the art world should evolve. Can directors make their fairs more equitable for smaller galleries—and is that…
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No. 48: Jeffrey Deitch on Four Decades in a Changing Art World
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Art and finance have long been intertwined. As early as the Italian Renaissance, a Florentine banking family supported Michelangelo and Botticelli in making their masterpieces.On this episode, we fast-forward a few centuries to 1980s New York City as Jeffrey Deitch explains how he convinced both bankers and art world denizens to buy into Citibank’s…
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No. 47: The Latest Requirement for Med Students? Studio Art
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From Harvard to Penn State, medical schools across the country are increasingly turning to art and the humanities to train would-be doctors. On this episode, we’re joined by Columbia University’s Dr. Delphine Taylor to discuss how life-drawing classes or visits to the Met help her students tackle ambiguity and humanize their patients.…
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No. 46: When Museums Sell Their Art, Where Should the Money Go?
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Last month, a new row broke out in the art world around the Berkshire Museum’s decision to auction off 40 works by artists such as Norman Rockwell and Alexander Calder to pay for a renovation and boost their endowment. But this latest controversy represents just one installment in the long-running debate about “deaccessioning,” or the disposal of o…
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No. 23: What Does It Mean to Curate GIFs?
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This week, we’re rebroadcasting a favorite episode from earlier this year.GIPHY’s community curator Ari Spool joins us to break down the process of curating artist-created GIFs. Is there a key to going viral? What do GIFs allow us to express that words might not? And how do these online images fit into centuries of fine art?Read more: https://www.a…
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No. 45: Why Artists Are Turning to Mysticism
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Visitors to this year’s Venice Biennale can stroll through the Pavilion of Shamans—just one example of the increasing presence of shamanism and mysticism in the work of contemporary artists.This uptick comes amid a reexamination of ideas that were once associated with the countercultural movements of the 1960s and ’70s, including a second look at p…
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No. 44: Who’s Afraid of Contemporary Art?
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On this episode, curators Jessica Cerasi and Kyung An walk us through the ABCs of contemporary art. Each chapter of their new book, Who’s Afraid of Contemporary Art?, is devoted to a different question about this thorny (and often alienating) segment of the art world.When did contemporary art start—and when will it end? Why was the art world split …
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No. 43: You Can Thank These Women for Modern Art as We Know It
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Who built the New York art world? Today, the scene is by and large dominated by men. But some of the most prestigious museums, galleries, and salons that fostered the city’s cultural scene in the 1920s and ’30s were founded by women like Peggy Guggenheim and Florine Stettheimer. In this episode, we explore their often-overlooked stories—and discuss…
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No. 42: Former Met Director Thomas Campbell Defends His Legacy
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On February 4th, the New York Times published a front page story entitled “Is the Met Museum ‘a Great Institution in Decline’?” The article ignited a ferocious public backlash against New York City’s most-visited institution and its director and CEO, Thomas P. Campbell. By the end of that same month, Campbell had announced his resignation—making hi…
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No. 41: Art and Censorship in the Age of Social Media
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In May, documents leaked to the Guardian offered an unprecedented glimpse into Facebook’s inner workings: How do they think about moderating a range of controversial subjects, from violence to pornography?But those in the art world were particularly interested in the handful of slides detailing the social media giant’s policy on nudity in works of …
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Bonus: The 60-Year Saga of a Nazi-Looted Painting
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The saga of Egon Schiele’s Portrait of Wally spans six decades, beginning in 1950s Vienna before making its way to New York’s Museum of Modern Art.By Artsy Editors
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No. 40: How Old Women Eclipsed Young Men in the Art World
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Minimalist painter Carmen Herrera sold her first artwork at age 89. Now, at age 102, her paintings fetch prices in the six digits. On today’s episode, we explore the growing demand for—and institutional presence of—long-overlooked women artists including Herrera, Carol Rama, and Irma Blank. How did these older, female artists push young men out of …
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No. 39: What Happens When Art Threatens the President
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Is it illegal to kill the president in an artwork? That’s what we wondered in May, when we saw first saw Alaskan assistant professor Thomas Chung’s painting that depicted actor Chris Evans holding Donald Trump’s severed head. And over the past few weeks, that question has taken on renewed significance with a series of creative works imagining Trump…
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At this year’s edition of Art Basel in Basel, which opened Tuesday to VVIPs, dealers were reporting multiple sales in the seven- and eight-figure range—a surprisingly strong start to the art world’s most important fair.On this episode, we explore what’s behind these big-ticket purchases and what it means for the wider art market. Plus, we’ll take a…
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No. 38: How Reddit Got a Million People to Make Art Together
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What began as an April Fools joke on the website Reddit is now being hailed as the world’s largest collaborative artwork.Over one million users, armed with one pixel each, worked together over 72 hours to create a canvas that now contains everything from the American flag to the Mona Lisa.On this episode, we’re joined by Josh Wardle and Kevin O’Con…
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No. 37: Why Good Artists Make “Bad” Paintings
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The genre of “bad painting” is a slippery one. On this podcast, we discuss the label, which has been applied to a wide-ranging group of artists throughout the 20th and 21st centuries. What they share, wrote curator Eva Badura-Triska in an essay for the 2008 show “Bad Painting: Good Art” at the Museum of Modern Art in Vienna, is a refusal “to submit…
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No. 36: When Basquiat Is More Expensive Than Warhol
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Last Thursday, a 1982 painting by Jean-Michel Basquiat sold for a formidable $110.4 million at Sotheby’s.It set a record for the New York artist, who both joined the exclusive “$100 million-plus club” and displaced Andy Warhol as the most expensive American artist at auction in one fell swoop.This week, we break down the sale—both what it means for…
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The 57th Venice Biennale opened last week, and on this episode we share our highlights from this year’s “Olympics of art.” How did Christine Macel’s central exhibition stack up against Okwui Enwezor’s in 2015? Was Anne Imhof’s exhibition for Germany—which earned the Golden Lion for the best national pavilion—all it’s cracked up to be? And beyond th…
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