The most important and controversial topics in world religion, thoroughly dissected by a range of high profile guests. Presented by Damian Thompson.
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Reflections on 2000 Year Old Tamil Poetry
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Our main philosophy is solidarity for all gamers, regardless of platform. Do you believe in a world where the box that you play your games on should not make you a subject for criticism and harassment? Then you came to the right place. We are a weekly conversational gaming podcast among gamers of a great community! https://itunes.apple.com/ca/podcast/gamers-plural-party-chat/id972961044?mt=2
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Welcome! Rather than a broad look at general topics and ideas discussed by philosophers, the academy podcast aims to go through major philosophical works in their entirety. If you are a looking for a good study companion to the book, trying to do extra research for a paper, or just wanting to get into philosophy, then give the Academy Podcast a listen! Feel free to contact us directly at: theacademypodcast@outlook.com https://www.instagram.com/academy_podcast?igsh=MWFrY2NqNjZpdmRvYw%3D%3D&ut ...
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Consolation of Philosophy (Latin: Consolatio Philosophiae) is a philosophical work by Boethius written in about the year 524 AD. It has been described as the single most important and influential work in the West in medieval and early Renaissance Christianity, and is also the last great work that can be called Classical. Consolation of Philosophy was written during Boethius’ one year imprisonment while awaiting trial, and eventual horrific execution, for the crime of treason by Ostrogothic K ...
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Philosophy essays, debates, discussions, and other explorations.
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Your friendly guide to the world of classical Christian education. Presented by Trinity Classical Academy.
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This collection captures the in-class lectures of John Fleming *63, Louis W. Fairchild '24 Professor of English and Comparative Literature, Emeritus in his final semester teaching his iconic undergraduate course on Geoffrey Chaucer, Fall 2005.
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Podcast by Help Your Shelf
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A cross between guidebook and social commentary, The Spinster Book gives clever and humorous insights on topics such as courting, handling men and women, love letters, marriage and spinsterhood.
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Ainkurunooru 461-470: Consolation of the Confidante
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In this episode, we listen to hopeful words rendered to an anxious heart, as portrayed in Sangam Literary work, Ainkurunooru 461-470, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar. Thus blooms the Forty Seventh Ten of Ainkurunooru: Consolation of the Confidante 461 He cannot remain apart வான் பிசிர்க் கருவியின் பிடவ…
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Ainkurunooru 451-460: Tears from the Homefront
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In this episode, we perceive the yearning of the lady, as depicted in Sangam Literary work, Ainkurunooru 451-460, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar. Thus blooms the Forty Sixth Ten of Ainkurunooru: Tears from the Homefront 451 He cannot return கார் செய் காலையொடு கையறப் பிரிந்தோர் தேர்தரு விருந்தில் தவிர்…
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Ainkurunooru 441-450: Heartbeats from the battlefield
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In this episode, we listen to the laments of the man, as portrayed in Sangam Literary work, Ainkurunooru 441-450, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar. Thus blooms the Forty Fifth Ten of Ainkurunooru: Heartbeats from the Battlefield 441 Her words ஐய ஆயின, செய்யோள் கிளவி; கார் நாள் உருமொடு கையறப் பிரிந்தென, …
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Ainkurunooru 431-440: Ode to the Flowering Forest
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In this episode, we perceive the effect of the rains on a domain, as depicted in Sangam Literary work, Ainkurunooru 431-440, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar. Thus blooms the Forty Fourth Ten of Ainkurunooru: Ode to the Flowering Forest 431 Sapphire Peacocks நன்றே, காதலர் சென்ற ஆறே! அணி நிற இரும் பொறை ம…
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In this episode, we listen to various perspectives on parting away, as depicted in Sangam Literary work, Ainkurunooru 421-430, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar. Thus blooms the Forty Third Ten of Ainkurunooru: Assorted Allusions 421 Scuttling hare மாலை வெண் காழ் காவலர் வீச, நறும் பூம் புறவின் ஒடுங்கு மு…
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Ainkurunooru 411-420: This Time This Place
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In this episode, we listen to joyous words about the arrival of a season, as portrayed in Sangam Literary work, Ainkurunooru 411-420, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar. Thus blooms the Forty Second Ten of Ainkurunooru: This Time This Place 411 Rains have begun ஆர் குரல் எழிலி அழிதுளி சிதறிக் கார் தொடங்கி…
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Ainkurunooru 401-410: Music of Togetherness
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In this episode, we listen to the sweet reminiscences of the lady’s foster mother, as portrayed in Sangam Literary work, Ainkurunooru 401-410, situated in the ‘Mullai’ or ‘Forest landscape’ and penned by the poet Peyanaar. Thus blooms the Forty First Ten of Ainkurunooru: The Music of Togetherness 401 Hard to obtain மறி இடைப்படுத்த மான் பிணை போல, பு…
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A Habsburg Archduke explains how not to be nasty on Twitter
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In this week's Holy Smoke episode Damian Thompson welcomes back Eduard Habsburg, Hungary's Ambassador to the Holy See and also, to give him his family title, Archduke Eduard of Austria. Last year he published The Habsburg Way: 7 Rules for Turbulent Times, which offered advice on how to live a good life based on the panoramic history of his dynasty.…
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Ainkurunooru 391-400: Return of the Daughter
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In this episode, we perceive joyful scenes of homecoming, as depicted in Sangam Literary work, Ainkurunooru 391-400, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar. Thus spreads the Fortieth Ten of Ainkurunooru: Return of the Daughter 391 A feast for crows மறு இல் தூவிச் சிறு கருங் காக்கை! அன்புடை மரபின் நி…
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Ainkurunooru 381-390: Portraits of the Parted Pair
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In this episode, we perceive the observations of travellers, as depicted in Sangam Literary work, Ainkurunooru 381-390, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar. Thus spreads the Thirty Ninth Ten of Ainkurunooru: Portraits of the Parted Pair 381 Inseparable lovers பைங் காய் நெல்லி பல உடன் மிசைந்து, செ…
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Ainkurunooru 371-380: Ballad of the Melancholic Mother
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In this episode, we listen to the lament of a mother, as depicted in Sangam Literary work, Ainkurunooru 371-380, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar. Thus spreads the Thirty Eighth Ten of Ainkurunooru: Ballad of the Melancholic Mother 371 Path of righteousness மள்ளர் கொட்டின் மஞ்ஞை ஆலும் உயர் நெட…
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Ainkurunooru 361-370: About Her About Him
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In this episode, we listen to perspectives about people, as portrayed in Sangam Literary work, Ainkurunooru 361-370, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.By Nandini Karky
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In this episode, we listen to the joyous news of the man's return, as portrayed in Sangam Literary work, Ainkurunooru 351-360, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.By Nandini Karky
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In this episode, we perceive the arrival of the promised season, as portrayed in Sangam Literary work, Ainkurunooru 341-350, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.By Nandini Karky
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Ainkurunooru 331-340: Laments of the Lady
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In this episode, we perceive the lady's emotions after the man's parting, as portrayed in Sangam Literary work, Ainkurunooru 331-340, situated in the ‘Paalai’ or ‘Drylands landscape’ and penned by the poet Othalaanthaiyaar.By Nandini Karky
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Ainkurunooru 321-330: Thoughts of the Beloved
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In this episode, we travel to the parched spaces in the midst of the drylands, as depicted in Sangam Literary work, Ainkurunooru 321-330, situated in the 'Paalai' or 'Drylands landscape' and penned by the poet Othalaanthaiyaar.By Nandini Karky
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Ainkurunooru 311-320: Journey of the Parted
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In this episode, we perceive the emotions in parting, as depicted in Sangam Literary work, Ainkurunooru 311-320, situated in the 'Paalai' or 'Drylands landscape' and penned by the poet Othalaanthaiyaar.By Nandini Karky
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In this episode, we listen to the strong words of the confidante, as portrayed in Sangam Literary work, Ainkurunooru 300-310, situated in the 'Paalai' or 'Drylands landscape' and penned by the poet Othalaanthaiyaar.By Nandini Karky
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Ainkurunooru 291-300: Trail of the Peacock’s Tail
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In this episode, we observe the dance of the peacock, as portrayed in Sangam Literary work, Ainkurunooru 291-300, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.By Nandini Karky
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Ainkurunooru 281-290: In Gratitude to the Parrots
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In this episode, we perceive scenes involving parrots in a mountain field, as depicted in Sangam Literary work, Ainkurunooru 281-290, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.By Nandini Karky
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Ainkurunooru 271-280: Tales of the mountain monkey
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In this episode, we follow the trail of a monkey, as portrayed in Sangam Literary work, Ainkurunooru 271-280, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.By Nandini Karky
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In this episode, we observe the antics of a wild boar, as portrayed in Sangam Literary work, Ainkurunooru 261-270, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.By Nandini Karky
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Walsingham and the musical grief of the Reformation
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The other day I received a press release about an intriguing album of keyboard music by 16th- and early 17th-century composers, three Englishman and a Dutchman, played on the modern piano by Mishka Rushdie Momen, one of this country’s most gifted and intellectually curious young concert pianists. It’s called Reformation, and before I’d heard a note…
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Ainkurunooru 251-260: Portrait of a mountain man
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In this episode, we get to know a mountain dweller, as depicted in Sangam Literary work Ainkurunooru 251-260, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.By Nandini Karky
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Aristotle's Nichomachean Ethics Episode I: Introduction
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And so begins a new series on Aristotle's Nichomachean Ethics! We begin with a broad introduction on who Aristotle was, what defined him as a philosopher, and the various multitudes of topics we will be covering in this series. Please enjoy as we struggle to cover one of the greatest minds of western philosophical thought!…
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In this episode, we perceive events around a divination ritual, as portrayed in Sangam Literary work Ainkurunooru 241-250, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.By Nandini Karky
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In this episode, we perceive parting pain and hear of daring plans, as depicted in Sangam Literary work Ainkurunooru 231-240, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.By Nandini Karky
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Ainkurunooru 221-230: Conversations between Companions
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In this episode, we perceive the emotions around parting, as portrayed in Sangam Literary work, Ainkurunooru 221-230, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.By Nandini Karky
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Ainkurunooru 211-220: Words to a mountain woman
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In this episode, we observe the elements and emotions in an ancient hill country, as depicted in Sangam Literary work, Ainkurunooru 211-220, situated in the 'Kurinji' or 'Mountain landscape' and penned by the poet Kabilar.By Nandini Karky
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Ainkurunooru 201-210: The man and his mountain
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In this episode, we explore the sights and emotions of the hill country, as portrayed in Sangam Literary work, Ainkurunooru 201-210, situated in the 'Kurinji' or 'Mountain landscape' and penned by the prolific poet Kabilar.By Nandini Karky
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In this episode, we listen to the stories echoing from the sounds of shell bangles, as portrayed in Sangam Literary work, Ainkurunooru 191-200, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.By Nandini Karky
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Ainkurunooru 181-190: Ballad of the Blue Lotus
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In this episode, we perceive the beauty of a blue lotus, as depicted in Sangam Literary work, Ainkurunooru 181-190, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.By Nandini Karky
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In this episode, we perceive the glory of an ancient seaside town, as depicted in Sangam Literary work, Ainkurunooru 171-180, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.By Nandini Karky
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Ainkurunooru 161-170: On the wings of a gull
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In this episode, we hop in step with a white sea gull to learn of the love dynamics between the man and the lady, as depicted in Sangam Literary work, Ainkurunooru 161-170, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.By Nandini Karky
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Ainkurunooru 151-160: Case of Mistaken Identity
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In this episode, we perceive the allegorical actions of a stork and a white seabird chick, as depicted in Sangam Literary work, Ainkurunooru 151-160, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.By Nandini Karky
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In this episode, we observe changing scenes around an element of the seashore, as portrayed in Sangam Literary work, Ainkurunooru 141-150, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.By Nandini Karky
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In this episode, we hear the rebuke rendered to a bard, as portrayed in Sangam Literary work, Ainkurunooru 131-140, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.By Nandini Karky
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In this episode, we perceive a portrait of a naive maiden, as depicted in Sangam Literary work, Ainkurunooru 121-130, situated in the ‘Neythal’ or ‘Coastal landscape’ and penned by the poet Ammoovanaar.By Nandini Karky
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In this episode, we listen to words rendered to the confidante, as portrayed in Sangam Literary work, Ainkurunooru 111-120, situated in the 'Neythal' or 'Coastal landscape' and penned by the poet Ammoovanaar.By Nandini Karky
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Ainkurunooru 101-110: For Mother’s Attention
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In this episode, we listen to the confidante's words about the man and lady, as portrayed in Sangam Literary work, Ainkurunooru 101-110, situated in the 'Neythal' or 'Coastal landscape' and penned by the poet Ammoovanaar.By Nandini Karky
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Ainkurunooru 91 to 100: Ballad of the Buffalo
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In this episode, we observe the antics of a buffalo, as depicted in Sangam Literary work, Ainkurunooru 91 to 100, situated in the 'Marutham' or 'Farmlands landscape' and penned by the poet Orambokiyar.By Nandini Karky
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Ainkurunooru 81 to 90 – Speaking of Sulking
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In this episode, we perceive many variations of sulking, as depicted in Sangam Literary work, Ainkurunooru 81 to 90, situated in the 'Marutham' or 'Farmlands landscape' and penned by the poet Orambokiyar.By Nandini Karky
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In this episode, we take a deep dive into the bathing culture of the ancients, as depicted in Sangam Literary work, Ainkurunooru 71 to 80, situated in the 'Marutham' or 'Farmlands landscape' and penned by the poet Orambokiyar.By Nandini Karky
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Ainkurunooru 61 to 70 – Lady in the spotlight
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In this episode, we perceive the emotions of the lady, as depicted in Sangam Literary work, Ainkurunooru 61 to 70, situated in the 'Marutham' or 'Farmlands landscape' and penned by the poet Orambokiyar.By Nandini Karky
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Ainkurunooru 51 to 60 – Heed to the Confidante
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In this episode, we hear the impactful words of the lady's confidante, as depicted in Sangam Literary work, Ainkurunooru 51 to 60, situated in the 'Marutham' or 'Farmlands landscape' and penned by the poet Orambokiyar.By Nandini Karky
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In this episode, we take in glimpses of a sulking lady, as depicted in Sangam Literary work, Ainkurunooru 41 to 50, situated in the 'Marutham' or 'Farmlands landscape' and penned by the poet Orambokiyar.By Nandini Karky
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Ainkurunooru 31 to 40: For the Confidante’s Ears
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In this episode, we listen to words addressed to a friend, as depicted in Sangam Literary work, Ainkurunooru 31 to 40, situated in the 'Marutham' or 'Farmlands landscape' and penned by the poet Orambokiyar.By Nandini Karky
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Ainkurunooru 21 to 30 – Faces of the Crab
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In this episode, we perceive the antics of crabs, as depicted in Sangam Literary work, Ainkurunooru 21 to 30, situated in the 'Marutham' or 'Farmlands landscape' and penned by the poet Orambokiyar.By Nandini Karky
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In this episode, we listen to the lamenting words of a lady, as depicted in Sangam Literary work, Ainkurunooru 11 to 20, situated in the 'Marutham' or 'Farmlands landscape' and penned by the poet Orambokiyar.By Nandini Karky
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In this episode, we start our exploration of a new Sangam Literary work, 'Ainkurunooru' or 'Five Hundred Short Poems'. As the name clearly indicates, there are five hundred verses in this collection. However, it's the organisation of these five hundred verses that is unique among the entire Sangam collection. These five hundred verses have a major …
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