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Under a Rock

Deep and the Tater

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Deep and Tater are movie buffs, but there are movies that have eluded them for one reason or another. This is a podcast where they catch up on the films they might have missed during the harrowing journeys that are their lives.
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The Famous Filson Sisters have been around the block. These identical twin sisters and heiresses to a vast family fortune have been entertaining audiences the world over for generations. From their early days on the vaudevillian stages of the Catskills, to their USO radio spectaculars, to their wildly popular television variety shows, appearances, and to the BROADcast podcast today, Ann and Nancy Filson are true pop icons and the original ‘twin heiress celebrities’. Of course, the Filson sis ...
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It's okay. I must have said that in this episode ten or more times. Because no matter what age we are, we have boxes to check. Things we want to do and see and be. And when we fall short, and we fail, we wonder what's wrong with us; when so many around us live seemingly perfect lives. Nothing is wrong! And their lives aren't perfect, either. We're …
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I always name the man who stole my attention the most on the most recent album I've finished diving through. With Queen's 12th album, I struggled. I actually considered naming giving two men the equal honor of stealing my ears away. But while on a recent road trip I had plenty of time to ponder, and given the pop inclinations of this album, it's so…
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The closing number of Queen's 12th album and Freddie's only contribution as sole composer, "Princes of the Universe" captures earlier rockin' Queen and features many fast-paced moments and thrills. Freddie sings aggressively throughout, Brian's solo is epic, Roger plays live drums with bombast and John pounds his bass like no other. The Townhouse e…
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One of the danciest rock things Queen ever did (and really, it sometimes feels nothing like Queen), Roger's "Don't Lose Your Head" is driven by bombastic percussion that never gets a break, Brian's echoing gritty guitars and Freddie's crystal clear vocals (lead and all backing). But I don't know if I believe Freddie as he implores us to chill out. …
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Brian brings the heat, the roar and a guitar bagpipe solo in "Gimme the Prize (Kurgan's Theme", an aggressive and demanding metal-tinged anthem inspired by Highlander's villain. Distorted guitar layers and Freddie's sharply delivered full chest vocals make this one of Queen's heaviest songs. It was never performed live but several "eYe Versions" ex…
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Brian's grandiose "Who Wants to Live Forever" was ignored when Queen's twelfth album was released. Nevertheless, the song has become a fan favorite. Inspired by Highlander's love story, Brian wrote it quickly in the car, laid down the entire track and its impressive chords in the "Skips Demo" versions, and worked with a full orchestra to create one…
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Another gorgeous Freddie/John co-write and one of Queen's last piano-driven songs, "Friends Will Be Friends" is an impactful power rock ballad that emphasizes the importance of relationships. Freddie performs his lyrics with impressive dynamics, tackling massive intervals effortlessly. Brian's guitar is soulful as ever, complimenting Freddie's bril…
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There comes a time when we realize...we're doing way too many things in this attempt to do everything. Sometimes, life demands compromise, and we have to set aside our aspirations simply to function. But when we're given the opportunity to love life, and not just live it, we should be absolutely intentional only with what matters most. Don't spread…
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Ann & Nancy say more with their guest Moorea Malatt, a lactation specialist, burlesque performer, and future family therapist. What a combination! From a very in depth exploration of brassieres to public breast feeding to a very spicy Dear Ann & Nancy letter from a listener, this is one you don't want to miss.…
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Freddie and John's collab, "Pain Is So Close to Pleasure", is such a well-executed motown pop rock number. Brian embellishes with soulful guitar and Roger may or may not appear on accented percussion. It's a lively contrast of lighthearted vocals and dreamy chords against heavier concepts, and key changes aplenty. The remixed single version (and it…
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Nearly a John and Freddie collaboration, the ballad "One Year of Love" is unapologetically romantic. Brian (and perhaps Roger) is absent, and a saxophone fills the solo space, along with sweeping strings. John's hands on nearly all instruments create a lush and relaxed atmosphere, with Freddie crooning in controlled expressions of sensitivity and c…
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I wanted to talk about something fun and music related, so we're going through my top songs by play count, on my old iPod Nano. We're covering a lot of genres here! From industrial experimentation to funk rock to hard rock to hip hop pop...you might discover something new and fall in love. Bonus: A link to the live version of one of my favorites; a…
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One of Queen's best pop singles, "A Kind of Magic" started life as a mashup in "A Kind of Vision" and was elevated to grand energy in Roger's original version (featured in the Highlander film credits); before Freddie injected a commercialized streak, creating the final take that would be released as a single. This lively song features everyone at t…
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Eavesdrop while the gals dive right on in with illustrator Kate Endle and her husband, actual famous person Chris Ballew, front man of The Presidents of The United States of America and Casper Babypants himself. It's one of those you-don't-want-to-miss-it kind of situations. Trust us.By The Famous Filson Sisters
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Arguably one of Queen's best album (and concert) openers, "One Vision" kicks off album twelve with heavy rock and brighter pop elements. It's credited to the entire band and perfectly blends Roger's (original) lyrics, Freddie's powerful playfulness, Brian's rock hooks and John's bopping bass. There's even a documentary of their energetic collaborat…
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After Queen's The Works in 1984, the band wanted a break. But the success of Live Aid led to fresh developments, and an opportunity to contribute songs for the film Highlander. Those invigorating and energized songs shaped the boys' 12th album, the pop rock celebration A Kind of Magic. The first digitally produced Queen album, its plethora of synth…
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Voted the greatest live performance in the history of rock. The Note Heard Round the World. Queen at Live Aid was an incredible moment that unified and encouraged and roused us. To this day, it's heralded as one of the best, if not the absolute best, rock moments ever. And we have four fabulously talented men to thank.…
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Whether or not we realize, we are resilient beings. Our spirits retain a resilience even our miraculous bodies cannot touch. Despite the fear and doubt we sometimes feel, we have the ability to rise. It's almost supernatural, and otherworldly. But when we're challenged and we're facing the toughest struggles, something compels and encourages us to …
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When it came time to name the man who stole my ears the most on this dynamic and accessible album, I hesitated. I couldn't decide. And then a recent interview drove me to reassess and revisit the songs. The expression. The emotion. Throughout every genre tackled in these compositions, one thing suddenly pulled it all together more than anything els…
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Pensive isn't often a word used to describe Queen's music. But Brian and Freddie's co-written "Is This the World We Created...?" is a perfect example of urgent restraint and seriousness, created with a sparse arrangement of 12-string guitar and tugging vocals. Moved by visions of disturbing living conditions in Africa, our co-writers took a unique …
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A sturdy rock number from Brian, "Hammer to Fall" is about death; which seems to be one of Brian's favorite subjects. Nevertheless, the energy of this song is rousing, impressive and electric, an almost empowering take. Freddie is in fine vocal form, busting out some impressive high notes. And Roger's bombastic drums are back (as are his aggressive…
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Have you always detested current artists and musical trends? Hey, I see you. I was, and to an extent, still am that person. For various reasons, I wouldn't listen to music everyone else loved; partially because I thought it to be boring and surface and lifeless. What I failed to notice at the time was just how genius many of those songs were, and t…
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Freddie's brilliantly stirring "Keep Passing the Open Windows" is a remnant of a film production project. His piano is melodic and sustained, sweeping and epic; along with his lead vocal performance. Roger, Brian and John provide impressive instrumental performances full of bombastic enthusiasm, ostinato, grit and soaring melodies. There's even a m…
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A beloved declaration, John's sole contribution to The Works "I Want to Break Free" is breezy pop rock at its best. Freddie's expressive vocal (and video) performance often lead listeners to assume this is his number, but John's work on acoustic guitar and synthesizer (as well as bass) in the sparse arrangement leave no doubt. Brian and Roger appea…
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A rare Roger-Brian collab, "Machines (or Back to Humans)" features blipping Fairlight synths, programmed drums and a vocoded Roger bounced against Brian's rocking guitars, John's jiving bass and Roger's energized live percussion. Freddie's lead vocal is magnificently aggressive and commanding. Fans forget about this, but it's a ridiculously relevan…
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A lively rockabilly tune, Freddie's "Man on the Prowl" bops and jives like another tune before it. Though its familiar vibe feels less original and is certainly less complex, Freddie provides dynamic and impressive stylized vocals and piano, Roger and John hold it down with snappy live drums and a boogie woogie bass, and Brian rocks out on a Fender…
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I intended to talk about this weeks ago, and since then, so much has happened in the world of artificial intelligence. Copyright concerns. Regulations. Experiments. In many ways, AI isn't new. In the music world, it's been around in various forms for decades. But thanks to recent technology advancements, we're all hyper-focused on AI, and whether y…
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Listen in as the twins talk with Willyum LaBeija, of the House of LaBeija. There was a little confusion, as Ann & Nancy had just returned from the House of Labia Gala, which is a different thing. The trio goes deep into all things sexy, from lube preferences to erotic foods, mood lighting, and more. Plus, as always, The Nut Of The Night!…
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Freddie delivers a powerhouse vocal performance in his touching and dramatic declaration "It's a Hard Life". Incorporating operatic and ballad elements, this song echoes several earlier Freddie compositions and continues his journey of love. It's also a welcome return to Queen's no-synths approach, with all the boys returning full force to their re…
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The heaviest tune on The Works, "Tear It Up" comes at us hard and fast, courtesy of Brian's composition genius and Freddie's aggressive vocals. It echoes many previous Queen tracks (and not all of them are Brian numbers) but we welcome its unabashed sexiness and rousing, gritty rock 'n' roll vibe. It even mentions a previous well-known Queen song. …
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Roger's first big hit with Queen, "Radio Ga Ga" kicks off The Works with invigorated, celebratory energy; and of course, nostalgia. Inspired by a phrase blurted by Roger's young son Felix, this song has become an anthem that features classic Queen enthusiasm and heart, with a healthy dose of synthesizers. It's the most atmospheric we've heard the b…
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After the lackluster response to funk-infused Hot Space, Queen took a break and came back fresh, uniting with enthusiasm to create their 11th album, The Works. For the first time, the boys made a conscious decision to rely on their tried and true rock 'n' roll style while retaining some of their recent and more minimal pop and dance vibes. They "pl…
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In the ever-changing rapidly shifting digital world, social media is one element that never sits still. And as sentiments change and concerns arise and questions are asked, I had to ask myself...how do I feel about the social media platforms I use? When I'm on them, how does that affect me? And when you're on social media, how do you feel? The good…
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The synth bass. The dynamic compositions. The attitude. The vocals. When I listen to Queen's tenth album and its many funky and danceable twists and turns, one man stands out to me more than the rest. We're reminded that his ability to perform in every genre ever is innate, and his confidence and swagger are through the roof. From his impressive fa…
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Evolved from a Queen demo called "Feel Like", and fueled by an iconic bassline, "Under Pressure" is the miraculous unplanned collaboration between Queen and David Bowie that continues to win new fans. Its universal relevancy makes it a timeless piece of intense urgency contrasted with cautious optimism. Bowie's experimental approach to songwriting …
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This rare Freddie Mercury/John Deacon co-write almost included improvised vocals from another notable performer. But perhaps, it was for the best that they were removed? "Cool Cat" is a minimally funky and jazzy number that perfectly encapsulates that groovy era. Roger and Brian sit this one out, but in Freddie and John's capable hands, this song j…
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It's sad that as we age, we may feel as though we matter less; that the best is behind us, that we're past our prime. We may feel nostalgic and regretful for opportunities missed and goals unmet. But our perspectives also shift, and what mattered so much suddenly doesn't anymore. We change, but in some ways, we don't. We still feel, deep within, th…
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Brian's previous passionate reflection culminates in "Las Palabras de Amor (The Words of Love)". He brings acoustic and electric guitars, synths and keys, and even provides lead vocals at a crucial moment; as well as haunting backing accents. Freddie's lead vocals are some of his most natural, tender and dynamic. John's bass arrangement includes su…
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Roger's second offering on Hot Space (and the first Queen single release written by him), "Calling All Girls" takes us on a poppy rock ride. The boys are all playing real instruments again, bopping along as Freddie sings loud and clear for all to hear. Roger even adds some guitar feedback as Brian provides sparkling and jiving guitar layers. The so…
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An ode to John Lennon's artistry, Freddie's "Life is Real (Song for Lennon)" is also a stunning and affecting confession from our frontman. It's a beautifully constructed ballad with aching phrases of doubt and fear: A revealing admission. All of the boys shimmer here, with shocking restraint that still evokes. Roger's delicate drums, John's lyrica…
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Is there a part of your life that looks and feels completely alien? You might be asking yourself how you got there, how it happened; maybe how you let it happen. If that's the case, it's time to assess. It's time to reflect, to ponder, to navigate. Get feedback. Get help. And when it's time to make a decision, take a step forward in confidence to s…
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Brian's second contribution to Hot Space, "Put Out the Fire" is the most Queen song on the album. All four boys are back in classic form, on live drums and gritty guitar (including a stellar guitar solo) and rolling bass glissandos. Freddie sounds fabulous in his aggressive full voice register, and we get a welcome return of layered vocal harmonies…
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Roger's first contribution to Hot Space calls us to stand and take "Action This Day". It's a poppy, dance rock number with new wave inflections and contrasted vocals between our composer and our frontman. John is totally absent, as Rog performs many of the instruments (including synth bass) and Brian jives with Roger on electric guitar tradeoffs. T…
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Never has Queen been more sexed up than Freddie's second contribution to Hot Space, "Body Language". Driven by Freddie's synth bass performance and extraordinarily aggressive and dynamic vocal, this is almost a solo piece; with Brian and Roger making brief appearances (John may be totally absent). Fans were stunned this slinky and minimal dance num…
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It's been another incredible year on my podcast, and I have you to thank! So, thank you. I'm so grateful you've stuck around, and you've tuned in. To know you're there...it helps keep me going. So here's a plethora of thanks, some ideas for future episodes, and a few bits of encouragement and silliness for you.…
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Listen in as the twins and their guest, therapist and palliative medicine and psychedelic therapy practitioner Kari Hilwig, dive deep into death and death adjacent topics, including some of the lesser known post death protocols like the Tibetan sky burial. Also drugs. As usual. Tune in. You won't regret it. (Recorded August 2022, when the Queen of …
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With the recent shifts in the Twitterverse, I started thinking about the history of the platform, what it was like over a decade ago when I joined it, and what it's become. The bottom line? It's not the same. Social media is nothing like it was years ago, neither is the world. And neither are we. We've changed, along with everything else. We have t…
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