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THE RELACHE CHRONICLES is a podcast about musicians residing in what we call “the Margins of American Music.” In these 30-to-45-minute episodes, we’ll play recordings – primarily by The Relache Ensemble from Philadelphia - of complete musical works plus commentary by composers, performers, and others with insight to the music. Throughout the podcast, we’ll discuss the guest composers’ processes, how they utilized current and past technologies and how the acoustical properties of a given spac ...
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Episode Fifteen – Robert Ashley “Since he began composing and performing in the late 1950s, Robert Ashley has created a wholly original body of work. Continuously productive, his oeuvre encompasses nearly all versions of music and music/sound performance from instrumental and electronic compositions to film music and music videos to multi sectioned…
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Episode Fourteen - Annson Kenney Annson Kenney was a dynamic presence in Philadelphia from the mid-sixties until his death in late 1981. A visual artist, writer, performer, and composer, Annson was a difficult man to pin down. Although initially trained in music, his imagination and introspection led him far from his role as a contrabass player. In…
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Episode Thirteen - James Tenney and Critical Band
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Critical Band, an extraordinary composition by James Tenney has been described as a “sound poem,” and an “aural flower” slowly unfolding as the pitch tableau becomes evident and clear to the listener. John Cage, a long-time friend of Jim Tenney’s wrote him after hearing the premiere performance a congratulatory note, “…if this is harmony, I take ba…
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William Duckworth – known as Bill to his friends – was a composer, educator and author who wrote for contemporary ensembles and soloists throughout a busy compositional career in the mid to late twentieth century. He was a professor of music at Bucknell University and published five books on twentieth century music and theory. At the time of his pa…
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Episode Eleven - New Music America 1987 Philadelphia (3 of 3)
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Episode 11 Episode 11 is the third of three episodes of music and commentary from the New Music America Festival 1987 in Philadelphia, produced and presented by the Relache organization. Sound installations and outdoor performances in some unlikely locations have been part of New Music America festivals throughout the eleven-year history of the fes…
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Episode Ten - Guy Klucevsek's "Polka from the Fringe" NMA 1987 Philadelphia (2 of 3)
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Episode 10 is the second of three episodes of music and commentary from the New Music America Festival 1987 in Philadelphia, produced and presented by the Relache organization. This episode is one of our favorites. It features the premiere performance of accordionist-composer Guy Klucevsek’s “Polka from the Fringe,” a terrific investigation of Polk…
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Episode Nine - New Music America 1987 Philadelphia (1 of 3)
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Episode Nine - "Polka from the Fringe" at NMA 1987 Philadelphia (2 of 3) In 1979, a group of composers, performers, video artists, producers, presenters, and other experimental artists met at The Kitchen, a renowned Downtown NY performance space to present a festival named New Music New York. The following year in Minneapolis, The Walker Art Center…
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Romulus Franceschini was a composer, arranger, music editor and assistant curator at the Edwin A. Fleisher Collection of Orchestral music in Philadelphia, his hometown. Raised in the vibrant Italian American community in South Philly, Romulus absorbed the rich classical music that was ever present in Philadelphia, while absorbing the equally rich j…
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As the founding director of the Experimental Intermedia foundation, Phill Niblock has presented hundreds, if not thousands of concerts at his space in downtown New York City. As a composer, he has created numerous musical works for performing ensembles worldwide. As a film maker, he has made films that have been shown at festivals throughout the wo…
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Baritone saxophonist, composer, band leader, recording artist, writer, and social activist, Fred Ho was a prodigious artist who created a large body of works for the concert hall and theater. By integrating Chinese folk songs and music from an African American diaspora, Fred created a unique and dynamic artistic legacy. Among the music in his legac…
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Episode Two - Joe Kasinskas "Echoes in Palindromes"
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Episode No. 2 Joe Kasinskas. One of the more dynamic works in the Relache Ensemble’s extensive catalogue of site-specific performances is titled “Echoes in Palindromes” by composer Joe Kasinskas. Following a carefully scripted graphic score, four performers move throughout a performance space playing notated musical palindromes amidst reverberant e…
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Episode Number Three - Pauline Oliveros "The Well"
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This is a major work by the pioneering composer, sound artist and activist, Pauline Oliveros. Created in collaboration with dancer-choreographer, Deborah Hay, and the Relache Ensemble while in residence at the Yellow Springs Institute for the Arts and Humanities in Chester Springs, PA, “The Well” has been performed throughout the U.S., Europe, Japa…
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Two works by the eminent accordionist-composer, Guy Klucevsek are featured. “Oscillation No. 2” is performed by pianist Jenny Lin and “The Flying Pipe Organ of Sian” is played by the Relache Ensemble. Guy Discusses these works with the podcast team, at times playing examples on the accordion. Guy is an innovate accordion virtuoso who has created mu…
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Three works by composer and media artist Eve Beglarian titled “Fresh Air,” “Machaut in the Machine Age,” and “The Marriage of Heaven and Hell,” performed by the Relache Ensemble and the MATA Ensemble are featured. Throughout her extensive composing career, Eve has collaborated with numerous performers - poets, theater artists and directors, choreog…
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Episode Number One - The Relache Ensemble
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Episode No. 1 The Relache Ensemble. Beginning with a brief history of the ensemble through commentary by Joseph Franklin, Arthur Stidfole, and Joe Kasinskas, they reminisce about the ensemble’s early days in Philadelphia and how the name “Relache” was chosen. The musical works featured are “Forever and Sunsmell” by John Cage and “She Was a Visitor”…
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