Arnold Schoenberg’s music tore a hole in the fabric of the twentieth century. Over the course of his life, he charted a new course through expressionism, atonality, and ultimately to the invention of twelve tone serialism. As the father of the Second Viennese School, he’s been both cursed and adored (often at the same time) by the people who’ve tak…

Jazz has always been about innovation and collaboration, and saxophonist and composer Sandy Evans has excelled on both counts for nearly four decades. She returns to The Music Show studio to perform live with an eclectic trio—the bass trombone of Adrian Sherriff and Suresh Vaidyanathan's ghatam (Indian clay drum). Sandy reflects on a life filled wi…

Composer Larry Sitsky is a charming sort of thorn in the side of the Australian music scene, and he’s about to turn 90. In this conversation recorded at the 2024 Canberra International Music Festival, he doesn’t hold back. New York based trumpeter Chloe Rowlands divides her time between playing with art brass quartet the Westerlies, and with groups…

Romano Crevici has been playing violins made by Harry Vatiliotis for decades. Now drawing to the end of their respective careers, Harry has made one final instrument, which will be Romano's last violin too. The process, challenged by sore joints, thin skin, and Harry's caring responsibilities to the love of his life Maria, have been captured in a m…

Good times and bum times, she’s seen them all and she’s here: Geraldine Turner, lynchpin of the Australian music theatre scene from 1970s repertory to the current run of The Mousetrap, reflects on her massive career (so far), her love of Sondheim, and Judy Garland. Geraldine Turner is performing in The Mousetrap until 15 September. Music heard in t…

Friend of The Music Show Kate Fagan’s new book of poetry is entitled Song in the Grass and it’s full of music. She returns to the show to talk about the book, the relationship between her musical and poetic writing, and her enduring connection to folk artists Peggy Seeger and Lisa O’Neill. The ABC’s iconic old News theme is new again: a new version…

Harnessing looping pedals, percussion and vocal manipulation, Tune-Yards make a very big sound for a core membership of two people. It's been ten years since the experimental pop project released their third album Nikki Nack and creepy hit Water Fountain. Songwriter and singer Merrill Garbus is on The Music Show to talk about the duo's complex rhyt…

Legendary jazz pianist Herbie Hancock returns to The Music Show. He’s a bandleader, a composer and a professor, and at the age of 84 he’s got one of the longest living memories in the jazz world. He joins Andy to remember collaborators like Miles Davis and Wayne Shorter, and to ask whether jazz can be a path towards peace. Tenzin Choegyal is a Tibe…

For someone referred to as "the Queen of Jazz" and "First Lady of Song", there's a surprising amount we don't know about legendary jazz singer Ella Fitzgerald. She didn't fit the image of a star: she was incredibly polite, avoided drugs and swearing, and kept her private life entirely private. But when she sang, people listened. Her clear diction, …

Finnish violinist Pekka Kuusisto makes a welcome return to The Music Show, this time with American singer-songwriter Gabriel Kahane. They talk about collaborating and songwriting and perform live in the studio; and Pekka tells us about completing and conducting a symphony by his late brother, Jaakko Kuusisto. When was the last time you sat down and…

How The Saints and Radio Birdman paved the way for punk and independent music in Australia.By Australian Broadcasting Corporation

Australian music icon and proud Torres Strait Islander Christine Anu has just released her first album of new music in 20 years. Waku-Minaral A Minalay was recorded across the Pacific in places like New Zealand, Papua New Guinea, the Torres Strait Islands and the Solomon Islands - utilising traditional percussion instruments like the Warup (drums),…

In 1961, the first elected leader of the Democratic Republic of the Congo was assassinated just months after the country’s newfound independence. Unbeknownst to themselves, US jazz musicians such as Louis Armstrong, Nina Simone, Dizzie Gillespie, Max Roach and Abbey Lincoln played an unlikely role in his death. Belgian director Johan Grimonprez joi…

With a voice comfortable singing baroque repertoire and world premieres, Roderick Williams is one of the most sought-after baritones in the UK. He’s also an arranger and composer (he wrote music for King Charles’ coronation), but tells Andrew Ford that his most important label is ‘musician’. He’s in Australia for concerts at the Australian Festival…

Kamilaroi and Tongan singer and musician Radical Son (AKA David Leha) has just released his second album, a full decade after his debut. Called Bilambiyal (The Learning) it demonstrates his growth as a songwriter with a knack for weaving personal stories alongside wider reflections on culture, community and Country. He's also a masterful collaborat…

Brett Dean and Matthew Jocelyn's Hamlet (2017) has been one of the most successful operas of recent years with performances at the Glyndebourne Festival, the Adelaide Festival, New York's Metropolitan Opera and the Bavarian State Opera. Now it comes to the Sydney Opera House in its original production by Neil Armfield, with the tenor Allan Clayton,…

This program contains strong language throughout. Before Madonna brought voguing into the limelight, the queer community had been quietly putting on balls and celebrating this form of expression since the 1970s. Far from the ballroom of waltzes and tangos, queer ballroom is an artform, a community, a form of protest and its very own genre of music.…

Andrew Gurruwiwi leads the Andrew Gurruwiwi Band in what they call 'Yolŋu funk', a mix between reggae, heavy metal, and funk in language from across the region. Andrew tells us about his music-making, his career as a radio presenter, and explains the stories behind some of the tracks on the band's dynamic debut album, Sing Your Own Song. "He basica…

First Nations listeners are advised that this program contains the names and voices of people who have died. At the start of NAIDOC Week, The Music Show explores the legacy of the late Ruby Hunter – short in stature, a giant in music, and a mentor and parental figure to so many First Nations musicians in subsequent generations. We’ll hear Ruby from…

Russian-American conductor Lidiya Yankovskaya comes to Opera Australia to conduct Puccini’s Il trittico, a rare triptych of operas which span tragedy, farce, and religious fervour. Lidiya is at home with the operatic canon but she’s also conducted a swathe of new opera world premieres. She joins Andy to talk about finding the same passion for the m…

Aboriginal and Torres Strait Islander listeners are advised that this program contains the names and voices of people who have died. Neal Peres Da Costa’s most recent recordings include a Mozart piano concerto and a Robert Schumann song cycle, each using a model of piano its composer would have recognised. But as he explains on today’s show, there’…

British singer songwriter Grace Petrie has an EP called “There’s No Such Thing As A Protest Singer” – but if there was such a thing she would definitely be one of the preeminent ones. Her musical career started in the early years of the UK Conservative Party’s now 15 years in government, and she’s railed against injustice throughout those years. Sh…

Sixty years ago The Fab Four toured Australia for the first and last time. Greg Armstrong is the co-author of When We Was Fab - Inside The Beatles' Australasian Tour 1964. He takes us behind the scenes of the tour— the promoters who lucked out by signing the band up before the height of their fame, the late inclusion of the Adelaide shows, the band…

American composer Caroline Shaw’s latest album, a collaboration with Sō Percussion, is called Rectangles and Circumstance. It’s a collection of ten songs run through with words by Emily Dickinson, Emily Bronte, William Blake and Christina Rossetti, as well as Caroline herself. She joins Andy from her home in the US to talk about her collaborators a…

This week on the Music Show, we take a look into the archives to an interview with the late, great Clive James. Andy spoke to Clive back in 2003 about what it was like writing for the song and the stage, and they discussed some of Clive's favourite pieces of musical poetry — from Stephen Sondheim to Aretha Franklin. As ever, we’re indebted to Penny…