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“That is at the core of what Janáček is about. He’s not trying to create opera that feels completely out of touch from everyday people.” Detroit Opera’s Artistic Director Yuval Sharon, who staged this multimedia production of The Cunning Little Vixen as its Detroit Opera premiere with these performances, chats with host Arthur White and our Music D…
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“Everyone here plays an important role, but one of the main characters is the orchestra.” Music Director Roberto Kalb describes the work it takes to bring The Cunning Little Vixen to the Detroit Opera House stage for the first time; while Czech specialist Timothy Cheek helps the pre-opera talk audience to pronounce the composer’s name - Janáček - h…
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Host Arthur White chats with Detroit Opera's Artistic Director Yuval Sharon about the Detroit Opera premiere of this work and his production; and Music Director Roberto Kalb about bringing this renowned composer's work to Detroit. Arthur also talks with Czech specialist Tim Cheek about the language and the revolutionary use of a prose libretto.…
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"This is really the millennial opera" says scholar Dr. Naomi André in our Pre Opera Talk from the final performance of Breaking the Waves. Director of External Affairs Arthur White chats with Dr. André about celestial voices and Music Director Roberto Kalb talks with conductor Stephanie Childress about her process leading these performances.…
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Before the premiere of Detroit Opera's Europeras 3 & 4, Arthur White talks with Detroit Bureau of Sound artist and cactus virtuoso Zac Bru, who explains compositional use of silence in music; and marks the 49th Anniversary of the World Premiere of John Cage's Child of Tree by performing is live on amplified cactus. The piece premiere right across t…
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“Ok, if we were to say ‘no traditional production’, what would you do?” Stage director Matthew Ozawa talks with Detroit Opera Gary L. Wasserman Artistic Director Yuval Sharon about his concept behind his production of Madame Butterfly, before the final performance at the Detroit Opera House. Hosted by Director of External Affairs Arthur White.…
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Before the second performance of Fountain of Tears (Ainadamar), Andrea Scobie and Arthur White talk with Professor of Spanish Literature as well as a renowned flamenco dancer, Lisa Montes, about the playwright, poet, musician, and revolutionary Federico García Lorca, as well as his influence on the preservation of flamenco.…
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