Vaishna Surjid discusses Soumya Sankar Bose’s exhibition ‘Braiding Dusk and Dawn’ at Deflina Foundation in London; Amna Malik reviews Permindar Kaur’s exhibition ‘Nothing is Fixed’ at John Hansard Gallery in Southampton; and Henry Broome reports on public art in relation to homelessness and sanitation.…

Mark Prince argues that digitalisation adds another dimension to debates about intention and production in a discussion that covers photography, painting and sculpture and covers artists ranging from Marcel Duchamp and Robert Ryman to Jon Rafman.By Art Monthly

Tom Hastings, Sam Keogh and Luisa Lorenzo Corna discuss the attempts to suppress political protest and artists’ voices in the light of the current war in Gaza.By Art Monthly

Bob Dickinson surveys the rise of authoritarian rule and charts feminist art practices that resist such forces.By Art Monthly

Laura Harris claims that the Levelling Up programme is a sham and Morgan Quaintance argues that Chris Ofili’s ‘Requiem’ for the victims of Grenfell Tower was compromised from the start.By Art Monthly

Sarah E James discusses her article on cultural censorship and exclusion of Palestinian and pro-Palestinian voices in the arts and beyond, with the artists Jumana Manna and Larissa Sansour.By Art Monthly

Michael Hampton argues that auto-destruction is the default condition of all visual art.By Art Monthly

Anna Dezeuze discusses whether it is possible for art to turn the tide on ‘alt-right’ conspiracy theories, and Maria Walsh explores the work of Lebanese artist filmmaker Ali Cherri.By Art Monthly

Matthew Bowman goes in search of lost experience in the commercially co-opted field of immersive art and Bob Dickinson argues that citizen artists can intervene to halt the seemingly inexorable process of gentrification.By Art Monthly

Sophie J Williamson assesses the turn towards art-food practices, particularly fermentation, and how these can be politicised to counter societal decay, and Bob Dickinson argues that it is time to repair the damage done by rampant individualism, the hallmark of both modernist and neoliberal cultures, which has undermined social cohesion in art and …

Susan Jones analyses the way funding models continue to exploit artists’ labour and Stephanie Bailey discusses the work of Beijing-based artist Wang Tuo. Presented by Chris McCormack.By Art Monthly

Colin Perry discusses the earth work of contemporary artists and its differences from Land Art of the past or eco art of the present.By Art Monthly

Larne Abse Gogarty critiques the return of figurative painting and Rebecca Jarman reports on the São Paulo art scene.By Art Monthly

Greg Thomas reports on the artists’ huts of Scotland’s Bothy Project and Sophie J Williamson discusses artists who target the excesses of extractive capitalism.By Art Monthly

Morgan Quaintance discusses the dichotomy between the art world’s competitive pitching of artists against each other and its proclamations of nurturing care.By Art Monthly

Martin Holman reports on a major Arte Povera survey exhibition in Paris and Mimi Howard discusses the issues around gallery presentation of video art in the age of the smartphone.By Art Monthly

Chris Fite-Wassilak on artists who make use of fungus as a pointed form of institutional critique; Chris Hayes argues that we need to re-engage with anticapitalist thinking about technology.By Art Monthly

Emily Rosamond discusses online reputation warfare, Juliet Jacques reports on Manifesta 14 in Prishtina and Lucia Farinati reviews a show by Italian feminist artist group Le Nemesiache.By Art Monthly

Ellen Mara De Wachter and Dave Beech discuss the ‘Carolee Schneemann: Body Politics’ exhibition at the Barbican and Maryam Jafri’s artist’s book ‘Independence Days’.By Art Monthly

Bob Dickinson on art and class; Francis Whorrall-Campbell on Lou Lou Sainsbury; Gwen Burlington on the Brent Biennale.By Art Monthly

Chris Hayes discusses the problems with Ireland’s proposed artist’s basic income scheme and Maria Walsh on the work of filmmaker Suki Chan.By Art Monthly

Chris Clarke discusses the 59th Venice Biennale ’The Milk of Dreams’ and Anne Massey considers some of the shortcomings of ‘Postwar Modern: New Art in Britain 1945—1965’ currently on show at the Barbican Gallery in London.By Art Monthly

Bob Dickinson discusses the ways in which artists have attempted to engage with the legacies of trauma.By Art Monthly

Michaële Cutaya on the importance of surface over depth, and Chloe Carroll on the role of the monument.By Art Monthly

Morgan Quaintance on the problems with Tate’s British-Caribbean exhibition ‘Life Between Islands’, Tom Hastings on performer SERAFINE1369, and Jack Smurthwaite on Danielle Brathwaite-Shirley’s solo show at Arebyte.By Art Monthly

Bob Dickinson discusses ‘Art and Dyschronia’, his essay where he warns that our concern for the future should not distract us from what is happening to the past at the hands of right-wing populist governments intent on rewriting history.By Art Monthly

Larne Abse Gogarty on the work of artist Adam Farah, whose work was on show at Camden Art Centre, and Benoit Louiseau on Gregg Bordowitz’s AIDS-related exhibition ‘I Wanna Be Well’.By Art Monthly

Maria Walsh & Chloe Carroll discuss the remote viewing of moving-image artworks during the pandemic and the work of Irish artist Sam Keogh.By Art Monthly

Matthew Bowman discusses the history of destruction both of and in art, and Jes Fernie’s Archive of Destruction.By Art Monthly

Artist John Smith discusses his pandemic-era video works ‘Citadel’ and ‘Covid Messages’ with writer Alexandra Hull.By Art Monthly

Tom Denman argues that further colonial and racial violences are at play in the institutional framing of so-called post-race and post-black discourses in the US and the UK.By Art Monthly

Adam Heardman, Tess Charnley & Saim Demircan on the use of advertising space by artists, the ‘Framework for Resilience’ discussion at Fact and ART CLUB2000 at Artists Space.By Art Monthly

Chris Clarke on his interview with Phil Collins; Bob Dickinson asks can we free ourselves from capitalist pressures to keep working; Lauren Velvick on artist Jade Montserrat.By Art Monthly

Morgan Quaintance, Stephanie Schwartz and Conal McStravick on art-world manoeuvres over the past decade, photography books by David Levi Strauss and Jörg Colberg, and the work of Scottish artist Jamie Crewe.By Art Monthly

Morgan Quaintance, Izabella Scott & Gwen Burlington on the ever-widening gap in the UK art world between social, cultural and political realities; artists’ responses to the US’s denial of its colonial history; and the recent work of Irish artist Eimear Walshe.By Art Monthly

Tom Denman and Sophie J Williamson discuss artists who counteract paradigms of racial representation, and also those who reveal unspoken taboos in art through the intimacy of being with someone dying.By Art Monthly

Mark Wilsher and Adan Heardman consider the notion of presence in art during a pandemic and discuss Elizabeth Price’s Artangel video installation ‘Slow Dans’.By Art Monthly

Amy Budd & Frances Whorrall-Campbell on Onyeka Igwe’s work exploring her family’s Nigerian history, and the changing way that pandemics have been televised by artists, from Stuart Marshall’s Bright Eyes during the AIDS crisis in 1984 to Grayson Perry’s response to Covid-19, Grayson’s Art Club.By Art Monthly

Bob Dickinson & Sophie J Williamson discuss the home in art as a place of haunted obsession, and explore silence not as a retreat from the world but as a state from which to enact protest.By Art Monthly

Morgan Quaintance, Khairani Barokka & John Douglas Millar discuss the current rush to online content and the failings of prescriptive commissioning policies, ableism in the art world, and new books by Olivia Laing and Paul B Preciado.By Art Monthly

Adam Heardman and Adam Hines-Green discuss art, labour and the fall of the Red Wall in the north of England, and Steve McQueen’s locked-down exhibition at Tate Modern.By Art Monthly

John Douglas Millar, Andrew Wilson and Morgan Quaintance discuss David Wojnarowicz’s New York, Genesis P-Orridge and the western art world’s blinkered approach to decolonialism.By Art Monthly

Luisa Lorenza Corna, Kathryn Lloyd & Conal McStravick ask what has happened to feminism, discuss the work of artist-filmmaker Sophie Cundale and consider two books that examine the work of David Wojnarowicz in relation to New York’s changing waterfront.By Art Monthly

Adam Hines-Green & Hana Noorali discuss the work of German–Vietnamese artist Sung Tieu and the exhibition ‘A.O.–B.C. An Audiovisual Diary’ at State of Concept in Athens.By Art Monthly

Lizzie Homersham, Elisa Adami, Vera Mey and Amna Malik discuss the changing nature of intimacy and its reflection in art, Anne Boyer’s book ‘The Undying’, the 15th Berwick Film & Media Arts Festival and the photographic project The Found Archive of Hani Jawherieh.By Art Monthly

Morgan Quaintance, Elisabetta Fabrizi & George Vasey analyse the problems with Kara Walker’s Turbine Hall commission at Tate Modern, discuss the BFI London Film Festival’s Experimenta strand and explore the coercive role of images as revealed in the work of video artist Imran Perretta.By Art Monthly

Virginia Whiles, Sarah Jury and Jack Smurthwaite discuss the work of Pakistani-born video artist Bani Abidi, the need for safety protocols to protect participants in live art works known as larps (Live Action Role Plays), and Dave Beech’s book ‘Art and Postcapitalism – Aesthetic Labour, Automation and Value Production’.…

Jonathan P Watts, Louisa Lee and Laura Harris discuss British art 1976–95, BANK, Jef Cornelis’s art documentaries, and pay & conditions in the art world.By Art Monthly

Giulia Smith, Erika Balsom, Vladimir Seput & Conal McStravick discuss the ‘Civic Duty’ exhibition at Cell Project Space, Lis Rhodes’s exhibition at Nottingham Contemporary, Laura Mulvey and Peter Wollen’s exhibition at Peltz Gallery, and queerness and gentrification.By Art Monthly

Tom Snow, Maja and Reuben Fowkes & Matthew Bowman discuss activism as art, the ‘Southern Constellations’ exhibition in Ljubljana and Cory Arcangel’s show at Firstsite in Colchester.By Art Monthly