Before I talk about the amazing conversation that Heidi Dean was gracious enough to have with me, I need to add a quick note that this conversation was recorded before Twitter changed its name to X. Now most of you probably know that Heidi Dean is known in the industry as the top social media strategist for actors. She has also recently published a…

When I think of curators of film festivals, I often think of them the same way I used to think of casting directors: as the gatekeepers to our success. But during my conversation with Angie Reza Tures from the Femme Frontera Showcase and Mary Dossinger from the RiverRun International Film Festival it became very apparent that the curators, just lik…

I recently attended a film appreciation class with Dale Pollock, called Senior Moments. And yes, as the name suggests, it was a look into how the film industry, Hollywood in particular, has treated aging. Not surprisingly it has not done a stellar job. When I asked Dale to tell me more about how the industry has changed, he said we’ve come a long w…

Anthony Meindl is an acting coach and has published several books about acting, such as Book The F*cking Job and his latest, Unstuck. Anthony is also the host of a podcast for actors, “In The Moment”, and there is a reason he calls it that. Throughout our conversation that was a phrase that came up again and again: actors have to be in the moment, …

If you have ever seen any of Erica S. Bream’s posts on Instagram or Twitter, you know that she is an actor’s casting director. She says herself she uses social media as a way to, “dispel myths and provide some transparency” for actors. She also says that we, as actors, often feel casting directors are the gatekeepers of our careers. Erica goes on t…

Towards the end of my conversation with Kristina Arjona, she said, “Nothing has hit me on the spiritual level that intimacy coordinating has.” And I believed her because I had just spent the last hour and 45 minutes talking to her about her role in the industry. It quickly became clear that she is so very passionate about what she does. She is on a…

When I was talking to headshot photographer and actor, Tara Gulledge, the word “essence” came up a lot. The whole point of a headshot is to capture our essence in the shot. Tara and I talked about how that can be difficult because headshot sessions are stressful. She is the one who took my first official headshots, so she knows how I get. We, as ac…

Please note there is some language in this episode. The one good thing that has come out of the pandemic (for me) is that I have been given the opportunity to expand my acting community outside of my physical location. I have taken classes at the BGB Studios in LA and have joined the Arvold Warner Studios membership in Atlanta. This means I get to …

Every time I interview somebody in the industry, I learn something new. My conversation with Heidi Rew and Mike Stoudt was no exception. Heidi and Mike are the co-founders/co-owners of Atlanta Voiceover Studio, which they opened in 2016. Not only do they run the studio, they are themselves full-time voiceover actors, podcast hosts, and on-camera ac…

One of the things I love about doing this podcast is the opportunity it gives me to talk to experts in the field. This episode, again, did not disappoint. It was such a pleasure to talk to four-time Emmy nominated writer, Vera Herbert, who is best known for her work on THIS IS US. Vera had advice for both writers who want to break into the field an…

To say that Erica Arvold is passionate about what she does is an understatement. Most actors know her as a casting director but, as she likes to point out, she is so much more than that. She is a producer, a director, and a committed educator. But one of the things that I most appreciate about Erica is how she loves learning about other people. If …

I was so excited to have the opportunity to talk to Risa Bramon Garcia, co-founder and master teacher of The BGB Studio in LA. I wanted to know why it was so important to her to empower the actors in her studio and around the world. "There is a big difference between the actor who takes ownership of their talent and the actor who does not," she say…

Not letting the script push you around is something that Burgess Jenkins says in class a lot. But, as actors, we are also told to honor the writing. So, what exactly does Burgess mean? Do we not stick to the writing and the stage directions? For him it’s more about opening up the possibilities that are inherently in the script. He says, too often, …

When I asked the founders of the Atlanta Actors Collective what they hoped the future of their organization would be, Kevon Pryce didn’t hesitate, “I want to take over the world. I want us to be THE Actors Collective.” It is clear throughout our conversation that it isn’t for any kind of self-aggrandizement purposes that he says this. He, along wit…

Passionate is one of the first descriptors that comes to mind when talking about casting director, Rhavynn Drummer. She is passionate about her job and about working with actors. Our conversation covered topics ranging from auditioning, taking risks, to advice she has for actors of color. To actors and creatives of color she says, “Don’t wait for m…

In this episode I talk to Burgess Jenkins about the importance of investing in the other person in your scene. Even if you have good ideas that you want to put on "display", you can never leave the other person out because that is when “the ride begins.” Actors have to overcome the fear or anxiety of not knowing what is coming next. Burgess says th…

For Burgess Jenkins, the work of an actor is mostly in the preparation. Your prep is what launches you into any scene and enables you to live the experience. He says once you’ve done the work in your preparation and created your “bridge” to the character fully, then it’s time to play.” All too often Burgess says he sees actors try to control the sc…

In the final installment of my conversations on how people stayed creative during the time of COVID, I spoke to Dr. Joseph Mills, Charis Jeffers, and Noelle Mills-Tarmey. Joe Mills stated creativity looks a lot like wandering, but what he’s really doing is collecting material. He says the creative person has to, “be willing to let yourself have lei…

These are interesting times we are living. In March all of our lives were disrupted. As states open up and the film/tv industry tries to find a new normal, I wanted to know what fellow creatives had been doing to stay creative during quarantine. In the next several episodes you will hear from actors, a school receptionist, a poet, and a teen. Each …

These are interesting times we are living. In March all of our lives were disrupted. Now as states open up and the film/tv industry tries to find a new normal, I wanted to know what fellow creatives had been doing to stay creative during quarantine. In the next several episodes you will hear from actors, a school receptionist, a poet, and a teen. E…

For this episode I ask Jeryl Prescott to talk to me about the state of race relations in the film/tv industry. We talked about what she has experienced in Hollywood over the last 15-20 years. We talked about the roles Jordan Peele, Ava DuVernay, and Tyler Perry have played in breaking down stereotypes about what black and brown audiences want to wa…

Actors often have preconceived notions of what the bad guy “acts” like and Burgess Jenkins says it is always a trap. Our character becomes two dimensional. As an actor who has played several bad guy roles, he says actors should say to themselves: “I’m the bad guy and there are no limits. It is candy land. I can do whatever I want.” The key, of cour…

“Quit trying to hit someone else’s target.” This is something that we hear again and again in class. Burgess Jenkins, actor and founder of Actors Group studio, explains how actors must start doing the work for themselves. When we constantly try to please the teacher, or get applause from the audience, or do exactly what we think the casting directo…

“You can’t take you out of the equation.” This is something that we hear again and again in class. Burgess Jenkins, actor and founder of Actors Group studio, explains how actors must build bridges between themselves and the characters they portray. How do we do this? By figuring out the emotional space our character lives in. You find what they are…

To be able to sit down with my film and TV agents for an entire hour and pick their brains was a gift. I was able to ask all the questions that have been going through my head since I signed with them. In this second part of the conversation, we talked about why it is important to communicate with your agent and stay in contact with them, how fortu…

To be able to sit down with my film and TV agents for an entire hour and pick their brains was a gift. I was able to ask all the questions that have been going through my head since I signed with them. In this first part of the conversation, we talked about the steps it takes to get representation, how to keep representation, and the difference bet…

When I was seeking an agent and auditioned with People Store, I walked in somewhat blind. If they said yes, what was my role in the process? Was I supposed to simply sit back and wait for auditions? If not, then what else was I supposed to do? How many auditions was I to expect? What if I didn’t get any? If I didn’t book anything would they drop me…

When a friend signed him up to be a featured extra on the movie the 5th Quarter, with Andie MacDowell and Aidan Quinn, Cranston Johnson was mad. He had no desire to be in the movies and had no idea what he was doing. That experience, however, changed his life. In 2011 he started studying at Actors Group with Burgess Jenkins and since then he has be…

When I took a workshop with George Pierre at Get Scene Studios, it became immediately clear that feedback was going to be direct and possibly brutal. Neither he, nor Jesse Malinowski shy away from telling actors what is wrong with their audition tapes and why they might not make it to a call back. George Pierre is one of Atlanta’s top casting direc…

When we talk about actor training we don’t immediately think about how much empathy we have (or should have) for other people. Actor and acting coach, Burgess Jenkins, says that empathy is one of the more important components of being a better actor. He says the more empathetic an actor is, the more nuances there are in the performance and, he stat…

Are all the details in our backstories important? Are they all helpful in creating a fully fleshed out character? Do they all make us more connected, more present, more alive? Burgess Jenkins, actor and founder of Actors Group, says no. He has talked in class about the difference between specificity and minutia. In the second part of our conversati…

Are all the details in our backstories important? Are they all helpful in creating a fully fleshed out character? Do they all make us more connected, more present, more alive? Burgess Jenkins, actor and founder of Actors Group, says no. He has talked in class about the difference between specificity and minutia. I sat down with him and asked him to…

With over 1000 auditions behind him, Burgess Jenkins, actor and founder of Actors Group, answers four very specific questions about the auditioning process ranging from how many takes you should send to the importance of the reader. Burgess has been in a myriad of projects ranging from arthouse independents to blockbuster films. He is best known fo…

Dialects, Accents, and the Politics of Speech: A conversation with Robin Christian McNair and Kate Udall (Part II) Robin and Kate are both passionate about the need for actors to work on their voices. In this episode our conversation centered around accents and dialects. They talk about how stereotypes and cultural norms/expectations affect how we …

Robin and Kate are both passionate about the need for actors to work on their voices. They teach their students that it is an integral part of being free as an actor. Robin states, “Free breath allows for free thought.” Kate believes working on her voice has made her a better actor because, “…it makes me more present, makes me more able to receive …

Enjoy my conversation with James (Jim) Patrick Freetly, an actor and instructor at Actors Group studio. Jim talks about his most memorable audition and explains how important it is to “fight for your audition” and to take ownership of the room in the audition space. Jim is best known for his role as Todd in Trouble With the Curve opposite Amy Adams…

Enjoy part II of my conversation with Burgess Jenkins on honesty in your acting. Burgess Jenkins, actor and founder of Actors Group, explains why it is better to be flat and boring as long as you are being honest. He talks about how actors come to class, to auditions, to set with "performance oriented ideas" as a way to be more interesting. What is…

Burgess Jenkins, actor and founder of Actors Group, explains why it is better to be flat and boring as long as you are being honest. He talks about how actors come to class, to auditions, to set with "performance oriented ideas" as a way to be more interesting. What is inherently more interesting is you and your honesty. Burgess has been in a myria…