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PORTRAITS

National Portrait Gallery

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Art, biography, history and identity collide in this podcast from the Smithsonian National Portrait Gallery. Join Director Kim Sajet as she chats with artists, historians, and thought leaders about the big and small ways that portraits shape our world.
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A globe turned to Haiti. A glove on the ground. This life-size portrait of President Abraham Lincoln contains intriguing details that can be read as a freeze-frame of race relations at the time of his assassination. The oil painting was ‘hidden in plain sight’ for decades at a municipal building in New Jersey, until our guest Ted Widmer helped to r…
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From the Smithsonian's Sidedoor podcast, we bring you a special episode about the tiny new portraits appearing in our pockets and purses. The faces on our coins tell our national story. But until recently women were mostly absent. Host Lizzie Peabody follows the money to find out who gets to be 'heads' in a big new batch of women-only quarters. Gue…
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Kiki Smith says she didn’t really start making drawings of people until she was 40. Once she had aged a little, she looked in the mirror and saw lines— something “to hang onto” as an artist. At 70, she says it’s the hags and witches who attract her most. In this episode, Kim speaks with Kiki about portraying older women’s bodies and how aging has i…
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We didn’t want to let Women’s History Month pass without a tip of the hat to one of the towering figures we’ve featured here on PORTRAITS. Dr. Chien-Shiung Wu was a rockstar experimental physicist who worked with Oppenheimer on the Manhattan Project. She also met the pope, and inspired a Chinese opera. But here in the United States, she didn’t alwa…
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Paris in the early 1900s was a magnet for convention-defying American women. It offered a delicious taste of freedom, which they used to explode the gender norms of their day, and to explore new kinds of art, literature, dance and design. In the process, they became arbiters of modernism. This episode, we raise the curtain on the National Portrait …
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The National Mall is a great canvas, in part because of all the history embedded there. It’s been a place of protest, celebration and mourning. It also hosts some spectacular monuments. But critic Salamishah Tillet says there is a lot of history missing from the Mall as a commemorative space, like desegregation and the displacement of Indigenous pe…
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A globe turned to Haiti. A glove on the ground. A life-size portrait of President Abraham Lincoln contains intriguing details that can be read as a freeze-frame of race relations at the time of his assassination. It also may be the most lifelike depiction of the 16th president— standing to his full height and in full color. The oil painting by W.F.…
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There are not many portrait artists who get recognized on the street, but it happens to Devon Rodriguez all the time. After quietly honing his skill for a decade, Devon started posting videos of his live drawings of New York City subway commuters to social media. The videos took off, earning him some 50 million followers and placing portraiture in …
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Copyright law is complicated, especially when it comes to visual art. So there was a lot of fanfare around the Supreme Court’s May ruling involving a celebrity portrait photographer, the pop artist Andy Warhol, and an orange silk screen of the late musician Prince. Would the decision give us some clarity around what’s ‘infringing’ in the world of a…
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Silhouettes were a hugely popular and democratic form of portraiture in the 19th century. So an old ledger book full of cut paper profiles at the National Portrait Gallery caught a conservator’s eye. It promised a rare glimpse at people from all different backgrounds who lived in early America. It also held a surprise: It was laced with poison. Liz…
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Digital artist Amalia Soto, also known by the username Molly Soda, wants to show us how we portray ourselves, or perform ourselves, online. She says the images and videos we upload don’t necessarily lie, but they do pose questions about the ways we curate our lives for unseen others. She also believes there is a lot we don’t actually control when w…
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As AI art gets more and more sophisticated, how do we tell the difference between a portrait that’s created by a human being – with a soul – and art that’s created by a complex algorithm? And if we can’t tell the difference, will artists be out of a job? Oxford mathematician Marcus du Sautoy explains how AI art works, and why he thinks code can act…
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That glass of fine wine you’re enjoying so much.. What if you were told it came from a box? Would it taste different? According to art fraud investigator Colette Loll, yes, it would. Colette draws on brain science to explain why it’s so easy to be duped by a forged masterpiece, and why even the experts get it wrong sometimes. See the portraits we d…
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The blockbuster Oppenheimer movie focuses on two portrayals of J. Robert Oppenheimer. One is the famous physicist known as the architect of the atomic bomb, and the second is a more vulnerable man, maligned as a communist sympathiser. Then there’s a third portrait. It makes a cameo in the film and it resides right here at the National Portrait Gall…
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Museum director Kim Sajet takes listeners to stand in front of a portrait of Ulysses S. Grant, the revered commander who led the Union Army to victory in the American Civil War. But it’s actually the frame that steals the show. According to conservator Bill Adair, “The frame gives us information that the painting simply cannot.” In this case, the f…
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When Gloria Steinem co-founded Ms. magazine, she wanted a cover image that would break completely with the norms of the day. There would be no high-end models and no teasers for makeup tips. Instead, the preview issue featured a goddess with eight arms. And she was blue. Kim speaks with Gloria and also with the magazine’s first editor, Suzanne Brau…
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Dr. Dorothy Andersen solved a vexing medical mystery by identifying cystic fibrosis. But the mystery of her missing portrait remained unsolved. This week, we're featuring an episode from the Lost Women of Science podcast about a physician who changed the way we understand acute lung and gastrointestinal problems in small children. But if she was su…
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Washington Post editorial cartoonist Ann Telnaes says her profession serves as a canary in the coalmine for freedom of expression, a kind of oxygen monitor for democracy itself. When cartoonists are ducking for cover, she says, you'd better watch out. She also shares with Kim why she made the jump from Disney animator to thick-skinned political com…
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Indra Nooyi grew up in a conservative Brahmin household in India, but that didn’t stop her from playing cricket with her brother’s friends, or from joining an all-girl rock band. Years later, when she ascended to the top job at PepsiCo, she would push the boundaries again as one of the few women running a Fortune 500 company. Nooyi talks to Kim abo…
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From our fellow Smithsonian podcast, Sidedoor, the story of Edmonia Lewis— the first sculptor of African American and Native American (Mississauga) descent to achieve international fame. Her 3,000-pound masterwork, “The Death of Cleopatra,” commemorated another powerful woman who broke with convention… and then it disappeared. See Edmonia Lewis’s p…
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Before cable news and email and Twitter, it was the postal service that transmitted ideas and information across land, sea, and political divides. Kim speaks with National Postal Museum chief curator Dan Piazza about some of the messages that stamps themselves were communicating, including a few asides from Philatelist-in-Chief, Franklin D. Rooseve…
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José Andrés is the Michelin-starred chef known for jumping into action to feed people affected by hurricanes, wildfires, and most recently the war in Ukraine. But he’s also a huge admirer of a woman whose photograph lives at the National Portrait Gallery– the Civil War nurse Clara Barton. Museum director Kim Sajet talks with Andrés about his call f…
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The House committee investigation into the Jan. 6 attack on the Capitol has generated a lot of interest in one of the National Portrait Gallery’s latest commissions -- an official portrait of former President Donald Trump. So we decided to revisit an episode that takes a spin through the ‘America’s Presidents’ exhibition. Director Kim Sajet digs in…
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Atlantic editor Vann R. Newkirk II talks to Kim about the mutability of memory, as seen through two portraits of the abolitionist John Brown. He also explains how a photograph of his mom helped him to appreciate the fragility of democracy in the United States, and why he tries to keep a garden wherever he goes. See the portraits we discuss: George …
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Photography and the Civil War crashed into one another, making it affordable for soldiers to have their picture taken before going off to war. What Black soldiers communicated in these images was a desire not just for freedom, but for citizenship. But they didn't always control how their photographs were used. Drs. Deborah Willis and Rhea Combs tal…
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George Takei went boldly where no man had gone before when he broke racial stereotypes to play Mr. Sulu on Star Trek. But he's also lent his celebrity (and his sharp-witted Twitter feed) to a stack of social causes. George traces his activism to a single, searing injustice-- his internment as a Japanese-American during WWII. He was five years old. …
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Dr. Chien-Shiung Wu was a towering figure in science whose parity experiment shattered our understanding of the physical world. She enjoyed rockstar status in China, met the pope, inspired an opera and even became a “Jeopardy!” question. But to Jada Yuan, she was grandma. See the portraits we discuss: Dr. Wu in the lab Tsung-Dao Lee, Nobel Laureate…
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Grassroots organizer Dolores Huerta talks to Kim about her first encounter with the deep poverty of California farmworkers in the 1950s, and how she took on the status quo (in a wrinkled sweater) during the landmark Delano Grape Strike. All the time, she fought on two fronts: resisting exploitation and also resisting sexism, sometimes from within t…
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Kim Sajet, director of the National Portrait Gallery, examines the stories of people who say “No” to the status quo. Guests this season include Dolores Huerta, who fought chauvinism within the very farmworkers movement she helped to launch, plus chef José Andrés, who has been building resilience “one meal at a time” in battle zones and areas struck…
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Since it was founded over a long lunch in Boston in 1857, The Atlantic has featured presidents and poets, abolitionists and suffragists— men and women set on advancing The American Idea. This episode, Kim takes the magazine’s editor-in-chief, Jeffrey Goldberg, on an ‘Atlantic alumni’ tour, stopping in front of a bust of Martin Luther King Jr. and a…
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After having to destroy her family pictures during the Cultural Revolution in China, artist Hung Liu treasures old photographs all the more. In fact, they’re foundational to her work. She has described her portraits like a memorial site for people forgotten to history-- comfort women, farm workers, refugees. As the Gallery launches a retrospective …
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These last few weeks brought jolting discoveries at residential schools in Canada— unmarked grave sites thought to contain the remains of hundreds of Indigenous children who went missing. The news was a visceral reminder that systemic racism and discrimination can literally bury the past. So we decided to revisit an episode about a woman who— unlik…
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Dr. Ellen Stofan is a planetary geologist who has spent a lot of time looking up at the stars and thinking about life outside our planet. But in this episode, she talks with Kim about the portraits of some of her favorite earth dwellers. Among the trailblazers she highlights: a judge who fought for women's rights and a marine biologist who challeng…
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The 1862 painting "Men of Progress" depicts a group of inventors credited with "altering the course of contemporary civilization.” Between them, they found more efficient ways to sew clothing, harvest crops and even send telegraph messages. In fact, the Smithsonian’s first secretary stands in the middle. But as cultural anthropologist Richard Kurin…
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Phillis Wheatley was a literary superstar around the time of the American Revolutionary War— a distinction she notched up while writing in bondage. But she never wrote an account of her own experiences, and there are gaps in her story. The Gallery’s Ashleigh Coren and writer Honorée Jeffers ask us to re-imagine her life, drawn in poetry. See Wheatl…
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When the early photographer William Mumler developed his glass plates, he sometimes found a ghost had slipped into the picture. Was he a fraud? A medium? A grief counselor? Author and curator Peter Manseau explains how Mumler found himself at the crossroads of an emerging technology, and a wave of grief for those lost during the Civil War, and how …
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Choreographer-in-Residence Dana Tai Soon Burgess traces his ‘hyphenated’ background— a journey that begins on a boat from Korea, disembarks at a Hawaiian pineapple plantation, meanders through Latino culture, and then arrives at a martial arts class in New Mexico… organized by Tibetan monks. Dana also discusses the hyphenated artists featured in tw…
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Author Rick Atkinson brings to life two men who played outsized roles during the founding of the United States— one a rich slave trader, the other a pamphleteer who died penniless. They both stood for liberty and equality, but their stories illustrate how the democratic ideals written into the Declaration of Independence often clash with historical…
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We look at the portraits on our money— the little history lessons we carry around in our pockets. But with such a limited array of people featured, what do our banknotes say about us? First up, curator Ellen Feingold takes us on a tour of our money’s vibrant early designs, including images of children, beloved pets, and George Washington in a toga.…
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As the National Portrait Gallery works on its latest commission -- an official portrait of former President Donald Trump -- we take a spin through the ‘America’s Presidents’ exhibition. This episode draws back the curtain on earlier commissions that have drawn controversy and acclaim: a portrait of Bill Clinton with a shadow of scandal painted into…
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Kim Sajet, director of the National Portrait Gallery, draws back the curtain on the artwork that tells the story of the United States— from a presidential portrait with a shadow of scandal hanging over it, to a $3 bill featuring George Washington in a toga. Tune in starting March 23 as Kim chats with historians, journalists and educators to reveal …
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Operatic soprano Renée Fleming has been called ‘the people’s diva,’ performing at key moments in our nation’s story, like when she sang at ground zero after 9/11. For this special episode, she talks with Kim about how music can help us mourn, heal, and celebrate as we send off a particularly tough 2020 and nestle into the holidays. She also describ…
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Born just two years after the abolition of slavery, Madam C.J. Walker built a business empire by marketing her homemade haircare formula to the black community. Along the way, she became the United States’ first female self-made millionaire. Our guests, Janine Sherman Barrois and Elle Johnson, helped bring Walker’s story to millions of viewers in t…
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We look at a black and white photograph that encapsulates a very American story— about the magic that can happen when you throw together people from different backgrounds and languages and… beats. The concoction that resulted is known as Latin Boogaloo. Eduardo Díaz, director of the Smithsonian Latino Center, explains how one of the genre’s pioneer…
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The sitter was rapper LL Cool J. The artist was Kehinde Wiley, who's made a name for himself by portraying African American men and women in regal poses taken from art history. In this episode, LL Cool J recounts what happened when they met, and why he turned to a 100-year-old masterpiece depicting the richest person in modern history-- John D. Roc…
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As a portrait artist, Robert McCurdy has painted some of the most famous and visionary people of our time-- the Dalai Lama, Nelson Mandela, Toni Morrison. But first he tells them, "It's not about you." The goal, he says, is to create a photorealistic image with no expression and no implied past or future, so the viewer and the subject can simply en…
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After 'walking away' from slavery, abolitionist Sojourner Truth chose her own name, told her own story at speaking engagements, and sued for her young son's freedom. (She won.) The Gallery’s senior historian, Gwendolyn DuBois Shaw, says there’s something else she took control of— her portrait. You can see the carte de visite we discuss here: https:…
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It commands attention among the more sober portraits in the Presidents’ gallery, interrupting a room of men in dark suits with an explosion of green and gold. Chief curator Brandon Fortune recounts the tragic backstory behind this standout portrait of President John F. Kennedy by one of the few women who gained a foothold in the abstract expression…
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