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ART CLASS

Lincoln Center for the Performing Arts

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ART CLASS is a bi-weekly podcast that takes a provocative, thoughtful, and often irreverent look at the arts in contemporary society, with a special focus on innovation in arts education. Art Class is hosted by Lee Bynum, Rocky Jones and Paige Reynolds (Mabolé Iya Inawale)—three Black, queer artists, culturistas, and arts administrators who are passionate about a more inclusive and joyous arts landscape. Each episode features stories from a variety of perspectives, bringing People of the Glo ...
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CSO Audio Program Notes

Chicago Symphony Orchestra Association

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Founded in 1891, the Chicago Symphony Orchestra is consistently hailed as one of the greatest orchestras in the world. In collaboration with the best conductors and guest artists on the international music scene, the CSO performs well over one hundred concerts each year at its downtown home, Symphony Center, and at the Ravinia Festival on Chicago’s North Shore, where it is in residency each summer. Music lovers outside Chicago enjoy the sounds of the Chicago Symphony Orchestra through best-s ...
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Happy Pride, Classmates, and welcome to the season finale of ART CLASS! And have we got a show for you today! We are heading into the summer purse first with this week's iconic guest, RuPaul's Drag Race Season 8 winner, Bob the Drag Queen! Join us as Bob gives us their hilarious and brilliant takes on a wide array of topics from gender to drag to a…
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Lahav Shani conducts Tchaikovsky’s Pathétique, a symphony that the composer premiered less than a week before his death and was later nicknamed for the passion and suffering it expresses. Daniil Trifonov takes the spotlight in a piano concerto composed for him by former CSO Mead Composer-in-Residence Mason Bates, which “shows off the pianist’s virt…
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Grammy Award-winning violinist Joshua Bell presents The Elements, a suite of five works for violin and orchestra, commissioned by Bell and written by leading American composers Kevin Puts (Earth), Edgar Meyer (Water), Jake Heggie (Fire), Jennifer Higdon (Air), and CSO Mead Composer-in-Residence Jessie Montgomery (Space). Conductor Juraj Valčuha fra…
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Pianist Jean-Yves Thibaudet brings his customary joie de vivre to Saint-Saëns’ Egyptian Concerto, inspired by a trip down the Nile in 1896. Conductor Stéphane Denève unpacks the French fascination with Spanish culture in Debussy’s sultry Ibéria and Ravel’s ever-popular Boléro, with its sensuously hypnotic theme building to a volcanic climax.Learn m…
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Happy Pride, Classmates and welcome back to ART CLASS! We're back to our regularly scheduled programming this week with two fantastic conversations for you to enjoy. First, we're joined by the fabulous and talented Giselle Byrd, Executive Director of The Theater Offensive in Boston and the first Black trans woman to hold such a title at an American…
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Conductor Manfred Honeck leads the CSO in two captivating works. Principal Percussion Cynthia Yeh takes the spotlight in the premiere of a new concerto by Jessie Montgomery, the CSO’s Mead Composer-in-Residence. Bruckner’s Seventh Symphony awes with its breadth, drama and rapturous intensity. This enthralling score includes a radiant tribute to Bru…
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We have a very special episode for you today, Classmates! Last April, as part of the Hear it Here Podcast Festival, we gathered at Lincoln Center's David Rubinstein Atrium to sit in the presence of music royalty! So please join us for an audience with Nona Hendryx, legendary singer/songwriter, technological innovator, and all-around wise and wonder…
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In his Second Symphony, Mahler constructs a universe all his own, exploring themes of death and afterlife using a massive orchestra, offstage brass and percussion, chorus and vocal soloists. Estonian conductor Neeme Järvi — whose music-making is “as dynamic and exhilarating as ever” (Chicago Classical Review) — guides the CSO from the great, tragic…
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Martin Helmchen, “who brings both freshness and expressive depth to everything he plays” (Chicago Classical Review), takes on Beethoven’s First Piano Concerto, a work of youthful bravura and pensive elegance. To open the program, Kazuki Yamada conducts Takemitsu’s shimmering How slow the Wind and Franck’s D Minor Symphony, featuring a mix of soarin…
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Welcome to another episode of ART CLASS, dear classmates! On this week's episode, we continue our discussion about creating more equitable and inclusive spaces in classical music with Lecolion Washington, a brilliant musician who's blazing new trails as the Executive Director of the Community Music Center of Boston (0:05:32). And boy, do we talk ab…
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The versatile Nikolaj Szeps-Znaider leads the CSO as soloist in Mozart’s richly melodic Violin Concerto No. 2 and Kreisler’s wistful Liebesleid. Trading violin bow for baton, Szeps-Znaider conducts Stravinsky’s Pulcinella Suite, a neoclassical gem that shines a spotlight on the orchestra’s principal players, and Mozart’s Prague Symphony, a work of …
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Elim Chan leads Rimsky-Korsakov’s sumptuous symphonic suite Sheherazade, inspired by the legendary heroine and tales of One Thousand and One Nights. Paul Jacobs, “a virtuoso of dazzling technical acumen” (The New York Times), performs Barber’s Toccata festiva, an exuberant showcase for organ containing echoes of J.S. Bach.Learn more: cso.org/perfor…
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Greetings, Classmates! It's time for a brand new episode of ART CLASS and have we got a show for you today! This episode we're talking to two incredible Black women artists who are both blazing exciting new trails in their fields. First up, we talk to Grammy Award-winning singer, activist and friend of the show, Julia Bullock, in advance of her Met…
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Two mighty orchestras present a rousing, jazz-meets-classical event. Discover selections from Prokofiev’s Romeo and Juliet, alternating between the original orchestral version performed by the Chicago Symphony Orchestra and imaginative new jazz arrangements presented by the Jazz at Lincoln Center Orchestra. Both ensembles join forces for a selectio…
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Tugan Sokhiev conducts Tchaikovsky’s youthful First Symphony, nicknamed Winter Dreams for its cozy evocation of Russian winters. Chopin’s exuberant Piano Concerto No. 1 features Russian pianist Yulianna Avdeeva, described by the Pittsburgh Post-Gazette as “a one-woman powerhouse” who “stole the show.” Andrzej Panufnik’s Heroic Overture, composed in…
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Happy Tuesday, Classmates! Did you survive all the earthquakes and eclipses?! Oh good, because do we have jam-packed show for you today! First up, the Pulitzer Prize-winning writer and The New Yorker theater critic Hilton Als, editor of the new book God Made My Face: A Collective Portrait of James Baldwin. We chat with Hilton all about the legacy o…
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The 19th century’s most enduring oratorio, Mendelssohn’s Elijah, sung here in English, depicts the story of the biblical prophet Elijah, complete with his ascent to heaven on a flaming chariot. James Conlon leads the assembled forces, including Chicago favorite Lucas Meachem in the mighty title role and the Chicago Symphony Chorus performing the wo…
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Sol Gabetta, whose “enthusiastic music-making and animated style are completely infectious” (Classical Voice), makes her CSO debut in Shostakovich’s captivating Cello Concerto No. 1 — a riveting journey through themes of defiance, sorrow and triumph. Electrifying conductor Klaus Mäkelä frames the program with Shostakovich’s Tenth Symphony, a searin…
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**If you're an Apple Podcast subscriber and you're having audio issues, just re-download, and you should be all good!** Let's get straight to it, Classmates! Today on ART CLASS, we are honored to be talking with a bonafide legend! Whom you ask? How about the ambassador for New Orleans bounce music, who's also an iconic entrepreneur, and a fierce ad…
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Be transported to Zimmermann’s Coffee House, the Leipzig café where J.S. Bach introduced many of his instrumental works. CSO Concertmaster Robert Chen leads the dazzling Third Brandenburg Concerto, kaleidoscopic Violin Concerto in E Major and buoyant and graceful Orchestral Suite No. 1. Chen also teams up with Principal Oboe William Welter in Bach’…
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Susanna Mälkki conducts a thought-provoking program anchored by Gustav Mahler’s Fourth Symphony. This celestial score, which includes a cryptic dance of death, is announced with sleigh bells and a rustic melody that ends with a child’s view of heaven, delivered here by soprano Ying Fang. Principal Flute Stefán Ragnar Höskuldsson is the soloist in a…
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Howdy, Classmates! It's time for another episode of your favorite podcast all about decolonizing the arts and arts education, Lincoln Center's ART CLASS! This week, we're talking all about Black folks' contributions to folk and country music, which we're told is very much in the zeitgeist thanks to the queen of everything, Mrs. Beyoncé Giselle Know…
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Strauss’ Also sprach Zarathustra — with its iconic opening popularized in 2001: A Space Odyssey — sets the tone for a program of dazzling, otherworldly pieces. Bartók’s pantomime ballet, The Miraculous Mandarin, is a lurid, supernatural tale rendered in arresting colors. Czech violinist Josef Špaček takes on Martinů’s tuneful and vivacious Violin C…
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Good morrow, dear Classmates! For today's episode of ART CLASS, we're thinking about how the art of the future intersects with the art of the present. Have you ever wondered what art will look like in the age of artificial intelligence? Well, so have we, and so has this week's guest: the brilliant artist and scholar, Professor Stephanie Dinkins (0:…
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Experience the “brilliant and incisive” (Chicago Tribune) Gil Shaham in Mendelssohn’s Violin Concerto, ever popular for its mix of vigor and finesse. Richard Strauss’ tone poem explores the ultimate mystery of death and what might lie beyond. Lutosławski’s 1954 Concerto for Orchestra is a symphonic showpiece that draws on Polish folk songs and Baro…
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Beethoven’s Seventh Symphony is treasured by generations of music fans for its whirling dance rhythms and majestic Allegretto movement. It finds an admirable interpreter in Czech conductor Petr Popelka, who “lets the music glow without overshadowing details” (Der Standard). Composed in his youth, Schubert's exuberant Sixth Symphony draws inspiratio…
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With his Ninth Symphony, Shostakovich delivered a tragicomic work with nods to Haydn and circus tunes. Uzbek pianist Behzod Abduraimov makes his debut with the Chicago Symphony Orchestra in Tchaikovsky’s thrilling First Piano Concerto. Mussorgsky’s radiant Khovanshchina prelude and Saariaho’s ethereal Winter Sky round out the program.Learn more: cs…
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Happy Black History Month, Classmates! This week's ART CLASS is all about healing and self-care. As Black folks and Black artists especially, it's so easy to over-extend ourselves during the month of February, so this week we devote the first part of the episode to delving into our self-care routines. How does one establish boundaries in a world th…
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Sheku Kanneh-Mason, hailed by The New Yorker as “a cellist of blazing sensitivity,” makes his CSO debut in Elgar’s rhapsodic Cello Concerto. Paavo Järvi conducts Nielsen’s Fifth Symphony, a visceral, dramatic work exploring humanity’s potential for conflict, born in the aftermath of World War I. Beethoven’s jubilant hymn to liberty opens the progra…
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Beethoven’s Third Piano Concerto is a landmark of his dark and restless middle period, here featuring Seong-Jin Cho, whose 2018 Chicago debut offered “about as thrilling a display of sheer powerhouse keyboard bravura as one is ever likely to encounter” (Chicago Classical Review). Gemma New conducts the program, which closes with Mendelssohn’s Scott…
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