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Isn’t it great to be able to listen to so much music, to be able to search and scroll and find anything you want…? Or to have tracks suggested for you without even thinking about it…? Or is it? Perhaps you miss the days when you had to save up to buy a recording, and you loved it so much you listened over and over again. Or you waited for something…
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Tom Service discovers the mighty musical power of needle drop - the use of pre-existing music in film soundtracks. From 2001: A Space Odyssey to Barbie, from The Shining to Maestro, Tom listens in to some of the most iconic film scenes using needle-dropped classical music. He explores how directors harness the resonance and meanings of a piece of m…
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"For me, the best music is an impassioned argument". So said one of Britain's greatest 20th-century composers, Elizabeth Maconchy. Who?? Despite her many awards and medals - including a damehood in 1987 - and a lifetime spent promoting new music, Elizabeth's work slipped out of fashion and out of view in the latter part of her remarkable career. Wi…
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Many of the most instantly recognisable works in classical music are inspired by the Earth’s moon – Debussy’s ‘Clair de Lune’, Beethoven’s ‘Moonlight Sonata’, Dvořák’s ‘Song to the Moon’. Tom Service takes us on a musical voyage to the moon (and back), from the cosmic-scale classical to the lesser known music invoking and inspired by our mysterious…
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Tchaikovsky's 6th Symphony is given the subtitle "Pathétique", the use of the French word removing some of the negative connotations that the word pathetic has in English, which is the literal translation. Pathétique suggests something of great passion with perhaps a sense of great sadness too. Tom Service examines how this word might apply to one …
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It made Pierre Boulez want to vomit: Francis Poulenc thought it was atrocious: and Igor Stravinsky said all you needed to write it was enough manuscript paper. But its composer wrote all 80 minutes of it as a love song, and a hymn to joy. So just what is Olivier Messiaen’s epic Turangalila Symphony, premiered in 1949 by Leonard Bernstein and the Bo…
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Tom Service explores the world of the Ukulele, from the Hawaiian Royal Court of King Kalakaua to Blackpool Pier with George Formby, the Royal Albert Hall where hundreds of ukulele players performed Beethoven's Ode to Joy at the 2009 BBC Proms, and into thousands of classrooms where it's now the most widely taught instrument in British primary schoo…
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The word 'resolution' has several meanings. It can refer to something that has been settled or resolved. It can infer a desire to do something differently or to behave in a changed way - as in a New Year resolution. It can also mark the final unravelling of some great complication or drama. In music, it means something more specific: the progressio…
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Is it a bird, is it a plane? No, it's Tom Service, exploring the musical life of The Big Apple, from its underground scene to John and Yoko's loft and Superman's skies. He roams The City That Never Sleeps, whose origins as the swampy "hilly island" known as Mana-hatta are buried under the modern day powerhouse that acts as both setting and characte…
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At the back row of the orchestra, usually three in number, sit the trombone section, but why three and how long have they been there? Tom Service reflects on their history and the ways in which they are employed. He looks back on over five hundred years of the story of the trombone and offers insight into the meaning of things such as 'Tower Music'…
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Tom Service explores JS Bach's extraordinary The Well-Tempered Clavier, a series of 48 preludes and fugues for keyboard in all 24 major and minor keys. It's widely regarded as a towering achievement and a cornerstone of western art music. The 19th century German conductor and pianist, Hans von Bülow famously described it as “The Old Testament of Mu…
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From Strictly to village fête vegetables, competitions are embedded in our culture. And music is no exception: think of the Pythian Games of ancient Greece, the mediaeval singing competitions which selected the Master Singers, the improvisatory keyboard face-offs of 18th-century Vienna, and the international media-driven events of our own times. Bu…
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The opening orchestral strains of Wagner's opera Lohengrin with its high shimmering strings prompted the French poet Charles Baudelaire to observe that in Wagner's music he found "something rapt and enthralling, something aspiring to mount higher, something excessive and superlative". The ability of music to evoke a sense of the ethereal has a stra…
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Mozart's famous Sinfonia Concertante for violin and viola makes its effect not least through the unusual tuning of the strings of one of the solo instruments. Mozart asks the viola player to retune the strings half a tone higher than is usual. A process known by musicians a "scordatura". But what is the reason and what is the story behind this meth…
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What exactly is a symphony, and how can one written in the 18th century by the ‘father of the symphony’ Joseph Haydn (he wrote over a hundred), have anything in common with one written today? Where did they come from in the first place, and why did they come to dominate classical music for centuries? Why do they still feature in almost every orches…
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Tom Service experiences musical time travel as he listens to "Fantasia on a Theme of Thomas Tallis" by Ralph Vaughan Williams, with its magical interplay of ancient and modern. And film music expert Neil Brand examines how this and other classical adagios have been used to great effect in Hollywood blockbusters.…
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England in the 1590s. Elizabeth I is the reigning monarch and the religion of the country is Protestantism. Celebrating Catholic mass is outlawed. What does William Byrd, one of Elizabeth's most favoured composers, do? He writes three settings of the Catholic Mass in Latin. Why? Who will perform them? And what will happen to him as a result?…
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What links baseball, life insurance and American art music? Charles Ives does! Unknown during his lifetime in Connecticut and New York the experimental composer and church organist created his unique style entirely on his own terms away from the contemporary music world, whilst running his insurance company Ives & Myrick. One day in his early fifti…
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Tom Service surrounds himself in Tallis's Spem in alium, a colossal Renaissance masterpiece for 40 individual voice parts, arranged in eight groups of five voices, each situated all around the listeners. This was the original surround sound experience - one that came about not in 20th-century cinemas but in 16th-century churches. Produced by Dom We…
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Tom Service explores Ravel's Bolero – a classical chart-topper, concert-hall-filler and the soundtrack to Torvill and Dean's Olympic skating glory. Written in 1928, Ravel described it as a 'piece without music in it' and agreed with the lady at the Paris premiere who shouted 'rubbish! rubbish!' over the applause. But he also admitted that with Bole…
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Tom Service assesses the history of the masters of the king's (or queen's) music - a pantheon of 21 names, some brilliant, some average, some really rather forgettable. What have the incumbents done with their time in the post, and how has the role changed in recent years? And how do they compare with their equivalents in literature, the poets laur…
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Inspired by David Attenborough’s Wild Isles series, Tom Service goes in search of music that reflects British wildlife and wilderness, and our relationship with it. From the songs of Henry Purcell written whilst wolves still roamed the British Isles to orchestral representations of composers like Hamish MacCunn, Grace Williams and Ralph Vaughan Wil…
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Tom Service intrepidly explores Bluebeard's Castle - the one-act Symbolist opera by Hungarian composer Bela Bartok first performed in 1918 which features just two characters: Duke Bluebeard and his fourth wife Judith. Newly married, he brings her home to his murky castle for the very first time, where she finds a torture chamber, armoury, treasury,…
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Tom Service explores Luciano Berio's Sinfonia - an iconic piece of the late 1960s modernism, scored for orchestra and eight amplified voices who speak, whisper and shout texts by Samuel Beckett and Claude Lévi-Strauss. This groundbreaking work also incorporates a mass of musical quotations, from Bach to Stockhausen and everything in between. Tom's …
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The Listening Service - an odyssey through the musical universe with Tom Service. Join him on a journey of imagination and insight, exploring how music works. Today - repetition. It's been estimated that in 90 per cent of the music that we hear in our lives, we're hearing material that we've already listened to before, And if you think about the mu…
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"I gave everything to it I was able to give. What I have here accomplished, I will never achieve again." So said child prodigy, virtuoso pianist, intellectual, conductor and composer Camille Saint-Saëns about his wildly successful 1873 ‘Organ Symphony’. Famously featured in the 1995 porcine Disney film Babe, it’s still immensely popular today. But …
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The musical and military features of the march seem pretty unpromising terrain for composers - you’ve got to constrain your creativity to two-time, easy to remember tunes that keep pace in strict time. And yet the form of the march allows for more creativity than those strictures might suggest. Tom falls in with composers including Elgar, Coates, S…
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Tom Service delves into David Lang's secular take on the Christian Passion: The Little Match Girl Passion. Winning the Pulitzer Prize in 2008, the work, scored for chorus and percussion, and lasting barely more than half an hour, takes inspiration from both Bach's St Matthew Passion and Hans Christian Andersen's famous children's story, The Little …
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Made famous by Stanley Kubrick’s 2001: A Space Odyssey, the tone poem Also Sprach Zarathustra which was composed by a young Richard Strauss in 1896 is much more than just two minutes of cosmic fanfare. Based on Friedrich Nietzsche’s philosophical novel inspired by the ancient Iranian prophet Zoroaster, its nine sections explore everything from pass…
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Tom Service plunges into the heady sound world of Debussy's Prélude à l'après-midi d'un faune. "The flute of the faun brought new breath to the art of music" according to composer Pierre Boulez - how does Debussy do it? A ten-minute piece of music that apparently broke all the existing rules of harmony and yet is as minutely detailed as any miniatu…
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Tom Service explores the story behind the very first orchestral tone poem and one of the best-loved pieces in classical music: Mendelssohn's Hebrides Overture. Cave expert Prof Stuart Jeffrey shares his insights into Fingal's cave (which inspired Mendelssohn to write his overture), from its many famous visitors over the years to its extraordinary -…
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The immense power of chant to transform both the listener and the chanter has ensured the survival of this ancient musical form. Starting with the Abbess Hildegard of Bingen, Tom explores how chant has resonated across a thousand years of music, taking in American Hopi and Buddhist chants and the Hildegurls, a 21st century reading of Hildegard's mu…
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Tom Service waves his magic wand to explore the connections between music and magic, discovering how an 18th century German poet, 19th century French composer, and 20th century cartoon mouse, cast a spell over audiences everywhere in The Sorcerer's Apprentice.With magician, performer, and academic Naomi Paxton on what happens when a trick goes wron…
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Did music begin in ancient cave systems? How did medieval cathedrals inspire musical developments? What effect does a particular concert hall have on the music heard there, or the music on the design of the concert hall? And what can we do with our 21st-century ability to change our acoustic environment at the touch of a button? Tom Service looks a…
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