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Next At Bat

Philip Simondet and Matthew McCloud

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The Twin Cities improvisation community is booming. Each week, local improvisors Philip Simondet and Matthew McCloud interview an improv team (or other artist) and then improvise with them. Matt digs deep into the improv philosophy and theory behind each guest during the interview portion of the show. In Philip’s Corner, Philip proves that you don’t have to ask good questions to get good answers. Then, the hosts join the guests for some improvisation that could go anywhere and be about anything!
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Alexis Camille, Maggie Sotos, and Sean Dillon of Off Book (unfortunately Molly Chase couldn’t join us) talk about prod-recting(?) a show that pairs an actor performing their half of a scripted piece with an improvisor who has no idea what play they are supposed to be a part of. They also discuss fun in failure, meta communication between performers…
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Juliet & Juliet (Meghan Wolff and Sami Haeli) join us to discuss presenting Shakespearean-themed improvisation in an accessible way. They talk about focusing on relationships instead of just imitating tropes, submitting the their subconscious brains, and being #iambicfrauds. Also, we hear the story of Kennith from Venice. Follow Juliet & Juliet: fa…
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Will Frazier joined us to discuss his podcast, History Made Up. On the podcast he travels the nation listening to local history stories, then uses them as inspiration for improvised scenes along with improvisers local to that area. He talks about the inherent cooperative nature of improvisors, the differences he’s seen in style between different ci…
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Chris Fair of The Laser Comedy Show joins us to talk about his unique, visual form. He also discusses building tension, the difference between an audience of adults versus and audience of kids, how studying sketch will improve your improv, promoting shows, and being heckled by children, as well as bands that are actually one person. Also, we see th…
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Valerie Vasilas, Christina Lopez, Marianne Smith, and Allison Reese of Melissa?! joined us while they were in town for the Twin Cities Improv Festival. They talked about the importance of letting your form evolve, pushing yourself to gather new life experiences to draw from, doing improv for the joy of it, impressions, and being inclusive. We also …
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Grant Ertl and Justin Bettencourt (unfortunately Kenneth Pierce couldn’t join us) of 2017 Troika winners, We Have Faces, join us to talk about how three strangers who have never met can quickly develop chemistry and evolve a form to become champions. They also discuss types of improvisers, the importance of support, grounded absurd-ism, how small g…
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Kevin Albertson, Phillip Schramm, Sami Haeli, Nathan Kelly Rouse, Erin Kennedy and John Hilsen of Rated G (unfortunately Becky Hauser, Sinez Lennes, Amanda Underwood, Jo Nachtigal, Aaron Cook, Gregory Parks, Denzel Belin, Justin Betancourt, Jeremy Barta, and Jeff Gyllen couldn’t join us) join Philip (Matt also couldn’t make it) to discuss producing…
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Shea Roberts, Jeff Gyllen, and Breanna Cecile (unfortunately Adam Braun, Ashawnti Sakina Ford, Denzel Belin, Grag Parks, Jen Scott, JoJo Ju, Liv Augusta, Matt Alex, Michael Renner, and Phillip Schramm couldn’t join us) of Love Letters join us to discus the ways in which we fall in love. They also talk about forming group chemistry, balancing new an…
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The producers of the Fargo Improv Festival, Davis Steen, Sarah Arnold, and John Streifel, join Philip (unfortunately Matt couldn’t make it) to talk about the first annual Fargo Improv Festival. The goals are to celebrate the Fargo improv community, fight the “brain drain” of talented people leaving the city, inspire Fargo improvisers to continue do…
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James Rone joined us to discuss his solo show, Troubadour, in which he performs an entire concert by a different singer/songwriter character based on song titled suggested by the audience. He also talks about playing what you know, keeping a soft focus and allowing mistakes to shape what the show becomes instead of trying to force your agenda on it…
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Greg Parks, Liv August, Phillip Schramm, and Anrea Ravich (unfortunately pianist Joe Ye couldn’t be there) of Impropera join us to talk about performing an improvised opera,a form in which everything, from the dialog to the scene painting, is sung. They also discuss picking suggestions, developing trust, deus ex machina, musical accompaniment, sile…
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Mookie Harrington, Shea Roberts, Breanna Cecile, Phil Peterson, Alec Johnson, and Erik Ostrom (unfortunatley Mary Kane, Wells Farnham, and Lindsay St. Clair couldn’t join us) of Colossal Park join us to discuss cramming an entire theme park disaster movie into 25 minutes. They also discuss how a single idea can develop into a complete show, develop…
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Liv Augusta and Phillip Schramm of Goof Goof join us to figure out the hierarchy of host and co-host and the Next At Bat cabinet. They also discuss abandoning narrative for an energy-driven experience with organic, musical transitions and lots of eye contact in which the contract with the audience allows meaning to be discovered by the viewer. Also…
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Jill Bernard, Amy Burge, and Breanna Cecile of the Tiny Funny Women Fest committee, join Philip (Matt unfortunately couldn’t join us) to discuss how TFWF is different than most improv festivals because it’s goals are empowerment and inclusiveness. To that end, they have female-identified ensembles instead of existing groups, have workshops about th…
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Writer/director/creator Katherine Curtis, lights and sound designer Kurt Radtke, Director of Photography Abbie Elrod, and actor Will Roberts of FunWitFunny join us to talk about producing a video sketch show on a budget. They discuss collaboration, ideal frequency/length, finding one’s voice, and production value. We try a new segment, Philip’s Cor…
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Nathan Rouse, Justin Bettincourt, and Phillip Schramm of This Just In: The Improvised News Show join us to talk about doing an absurdist show in the guise of a newscast. They claim it’s about pure entertainment, but Matt posits that it’s actually an exploration of the id, ego, and super ego. They also discuss filtering suggestions, dynamics, and sa…
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Bowl of Chili (Sarah Arnold, Davis Steen, Leah Isaacson, and Denzel Belin) join us to discuss their current form, The Writer’s Room. They talk about using a duel narrative to reveal characters’ inner emotions, working within genres, know when/if your character is needed in a scene, and using stage picture as an indicator. We also see how the Illumi…
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Drew Kersten and Jordan Bainer (unfortunately Bette Bentley couldn’t join us) the producers of Melee a Trois brought along a couple of participants, Sophie Brossard of Danger Zone and Emily Lindholm of Jorts (and Philip Simondet, also of Danger Zone, was also there – if you remember) join us to talk about producing an improv competition. We discuss…
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Bennett Christensen, winner of the 2016 HUGE Hangout Auction, brings along Denzel Belin and John Gebretatose (of Sultans of Silly) for his episode. He poses the question, “what have you gotten out of improv?” which leads us to a discussion about making friends, developing community, overcoming social anxiety, and dealing with neurological disorders…
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On our 100th episode, Casey Haeg and Eric Heiberg join to interview us. We discuss the importance of doing things outwide of your comfort zone, what makes a good interview, improv philosophy, not watching improv, discovery versus invention, the history of the Twin Cities improv scene, teaching methods, and the secret of Philip’s Corner. Also, Eric …
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Phil Schramm and Joe McGowen of Side Pickle join us to talk about performing a “long form show about a long form show.” They discuss the desire to start a group immediately after starting taking improv classes, performing from the moment you step foot on stage, experimenting in rehearsal, and how their opposite personalities compliment and challeng…
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Mark Sutton and Joe Bill of BASSPROV join Matt to talk about doing a one-act play right at the intersection where bass fishing and improv meet. They talk about doing a conversational Harold, taking deep and shallow suggestions, starting in the middle, creating metaphors out of the seemingly mundane, showing the audience a small, real time section o…
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Tane Danger and Brandon Boat of Danger Boat Productions (the creators of The Theater of Public Policy) join us to talk about their upcoming event, All St. Paul’s A Stage. On August 19th, over 50 improvisers in small groups will perform more than 300 impromptu improvgram scenes all over the city. (learn more and order an improvgram at dangerboat.net…
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Butch Roy, Jen Van Kaam, and James Moore join us to discuss the Neutrino Video Project produced by HUGE Theater. They talk about the benefits and challenges of filming improvised scenes: no immediate feedback from the audience, cinematic tools to play with, improvised special effects, controlling focus, different directing styles, letting go of the…
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Doug Neithercott and Doug Ocar of ComedySportz Twin Cities (unfortunately Mary Strutzel couldn’t join us) to talk about running the local branch of a worldwide, all-ages, short-form show. They discuss the benefits of the brand, and how much freedom there is to present your own style within the brand, the power of having a ref, a tech booth, and a k…
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Drew Kersten of My Friend’s Friend’s Friend joins us for some shameless plus, and to talk about marketing, the benefit of having guests built into your show, branding, and game of the scene. Matt does his classic segment, Quick Things You’d Like to Know Right Now, Similarly Paced Responses, and we try a new segment, Philip’s Corner, in which we lea…
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Joy Dolo, Kory LaQuess Pullam, and Alsa Bruno of Blackout (unfortunately Andy Hilbrands and John Gebretatose couldn’t join us) talk about marketing, privilege, balancing serious and comedic conversation, having a dialogue with the audience, being inclusive of diverse points of views, bringing your individual talents to a group, the responsibility t…
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The Sultans of Silly (Cody Nelson, Denzel Belin, and Matthew McCloud) winners of the 2016 Troika Madness competition, join us to talk about (not) practicing, playing the same characters, avoiding in-fighting, always moving forward, improvising faster than you can think, and finding each other funny. Philip hosts (we’ll fix it in post) and tries a n…
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Dylan Rohde, founder and co-owner of the Backline Theater and organizer of the Omaha Improv Festival, joins us to talk about avoiding the obvious heightening choice, focusing on your scene partner instead of the audience (but still providing the audience with comedy), breaking on stage, and the importance of hiring a coach. Matt does his classic se…
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Ferrari McSpeedy (Joe Bozic and Mike Fotis) join us (after 3 years of trying to schedule) to talk about the many things they do: sketch, improv, and opening a new theater, Strike Theater, with Allison Broeren, for sketch, storytelling, and spoken word. They discus how the scene has changed in their 15 year’s as a duo, being mid-form improv, sketch …
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Joe McGo, Jackson Collins, Joe Blum, Lizzie Gardner, Adam Iverson, Eric Hoversten, and David Kappelhoff of GARY (unfortunately Andrea Ravich, Emily Ruff, Laura Hickey, and Cody Nelson couldn’t join us) talk about auditions, coaching styles, old school openings, casting, bonding, coaches playing, catharsis, caring for the audience, commitment, and g…
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Larry Bieza, Mary K. Wright, Adam Woolhouse, and Christopher Harrington of Jesters Comedy Improv get caught in a time loop with us. They talk about finding a venue, serving food during a show, structuring a short-form show, the cross-over between long and short form improv. reading a crowd, offending people, audience intaraction, and satire. Matt d…
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Gregory Parks and Emmett Cowen of All, Alone talk to us about solo improv. They discus clowning, making mountains out of molehills, experimenting, cutting scenes you don’t enjoy, the power of tech, trusting the audience, meeting or defying expectations, and keeping it simple, stupid. We also get a sneak peek at the next Farrelly Brothers movie. Fol…
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Ricecakes (Mary Mangan, Brian Rice, and Janelle Blasdel) talk about how their form, which uses side conversations to and information and create dramatic irony. They discus evolving through member changes, staying silly, keeping track of multiple threads, why they focus on character instead of plot, and ramen. Matt does his classic section segment, …
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Diorama (Eric Heiberg and Sophie Brossard) explain to us how a mono-scene based on discovery, silence, and listening can lead to relationships that present more complex versions of love. They also talk about exploring dangerous situations, not taking a suggestion, hugging, and commitment. Matt does his classic segment, “Short Answers That Were Meat…
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Squash Banana (Jeff Gyllen and Breanna Cecile) talk with us about going for realism over comedy (and the comedy that comes through that naturally). They also discuss learning through shows, mono scenes, complimenting versus pushing, giving themselves more options, and the value of using specific details from your real life. Breanna does a great job…
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Andy Hilbrands and MJ Marsh of Cross/Weaving tell us they wanted to play together so badly, they invented a form in which they interact with each other as little as possible. They also discuss stage picture, spacework, how little the audience cars about fixing the problem, listening, playing at the top of your intelligence (even if your character i…
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Eric Thompson and Matt Allex, representing Double-Blind Improv, talk about how producing a show in which the games and cast are chosen at random can create energy because improv audiences tend to be smart and want you to succeed. They also talk about dealing with difficult venues, breaking, the importance of a good host, the value of doing what you…
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Stacey Trelfa, Ryan Strunk, Aaron Cook, and Amy Burge (unfortunately Jen Wilson couldn’t join us) of The Pickup Artists explain how they pull of what what might be the most intimidating show description: improvised narrative a cappella musicals. They talk about learning things from music coaches and improv coaches, filling in each other’s parts, th…
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Max Mars, Caroline Hitt, Fred Cheng, Nate Weingarden, and Matthew Kraft of Stevie Ray’s Comedy Troupe (unfortunately Brett Williams and Music Director William Pierce couldn’t join us) talk about how to structure a “fun, funny, professional” variety show. They discuss organizing their 2 hour show, which includes songs, sketches, stand-up and short-f…
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Guest host, Michael DallaValle, tries to get Samantha Veldhouse, Erin Kennedy, Jeff Kaisershot, Aurora Sandelands, Jay Kistler, Amee Nefzgar Banks, JoJo Franzen, Philip Skretvedt, Erik Nielsen and coach Matt McCould (unfortunately Colin Anderson couldn’t join us (in human form)) to spoil Star Wars: The Force Awakens. Matt talks about forming the gr…
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Andy Katzung, Michael DallaValle, Philip Skretvedt, and Katy McGrath of Wonderful Wonderful (unfortunately Justina Cegelski, Courtney Chesher, Chad Divine, Ali Fisch, John Gebretatose and Ingrid Nuttall couldn’t join us) divulge the identities of secret service personnel in what is surely worse than any wiki-leak. They talk about how they have evol…
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Brian Smallbeck, Michael Blomberg, Peter Gilbert, Matt Kelly, Amee Nefzgar Banks, Lizzie Gardner, and Elliot Stevenson of Firefly: The Improvised Continuation (unfortunately Sophie Brossard and Emily Townswick couldn’t make it) come on to spoil Star Wars: The Force Awakens. They discuss the challenges of not only doing a narrative form, but also ma…
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Will Roberts, Gubby Kubik, Philip Simondet, Alex Collyard and Erik Nielson of THE PAiNTERS (unfortunately Jeff Gyllen and Luke Gonnella couldn’t make it) eplore when callbacks become indulgent, and when joking about misogyny just becomes misogyny. They explain how the form started as a joke while practicing for The Local Music Scene (which is a gre…
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Joe Bozic, improviser extraordinaire (Ferrari McSpeedy, Shiow X, The Mess, KINGS) and author of Tin Robot joins us at the first annual NoisePicnic Podfest to talk about inspiration, editing, and what to cut out of your life so you can do all the writing you ought to be doing. He explains how his book of poetry is divided into 3 sections and how mim…
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Transvaginal Mesh (Sally Foster and Leah Isaacson) talk about jumping right and doing everything backwards. They discuss the controversy over their name, the way they communicate, and the challenges of adding guests to a duo form. Matt does his classic segment, Croutons, and Philip tries something new called Philip’s Corner. Also, we explore the pr…
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Tie, Bow Tie, No Tie, (Andy Hilbrands, Max Leibowitz, and David Kappelhoff) talk about comma placement, their gravitation toward narrative, and how musical accompaniment can not only add songs, but also heighten your emotional choices. They talk about how much you can do in a scene if you just get the who, what and where out of the way quickly, and…
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We Have Cats (Kristen Pichette, Anna Tobin, Pat Tracy, and Jordan Bainer) talk about their version of the Armando, and how people are more willing to talk about their pets than themselves. They discuss playing clean-ish, escalating the game, and how to use suggestions both directly and indirectly. Matt does his staple segment, Deep Dive, and Philip…
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Kiss Kiss Slap (Mike Trost and Lauren Schwein) talk about waiting until you’re ready, knowing when you’re ready, taking a break if you need one, and when to stop talking and start doing. They discuss where their strong characters come from, how their comedic approaches are complimentary, and how far you can get just being charming. Also, we we call…
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The cast of Wet Hot Minnesota Summer (Jen Van Kaam, Justina Cegelski, Molly Chase, Jonathan Gershberg, Sidney Oxborough, Autumn Burggraff, Michael Renner and co-director/creator Alex Collyard (unfortunately Connor Lane, Sally Franson, Lupe Muraszewski, Kristen Pichette and co-director Hannah Wydeven couldn’t make it)) talk about their improvised ad…
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