Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Content provided by Kpop Critical. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kpop Critical or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Kpop Critical is a kiki where we deconstruct Kpop. Catrina and Morgan, talk notions of "the Diva", Kpop being the grandchild of Motown and Hollywood, the commodity of art-making, white supremacy's relentless grip on pop, and the intersection of "pointless" and "perfect" in pop culture. It might not sound like it sometimes but we like Kpop, we would just prefer if celebrity and US imperialism didn't exist.
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33 episodes
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Content provided by Kpop Critical. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kpop Critical or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Kpop Critical is a kiki where we deconstruct Kpop. Catrina and Morgan, talk notions of "the Diva", Kpop being the grandchild of Motown and Hollywood, the commodity of art-making, white supremacy's relentless grip on pop, and the intersection of "pointless" and "perfect" in pop culture. It might not sound like it sometimes but we like Kpop, we would just prefer if celebrity and US imperialism didn't exist.
…
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33 episodes
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