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Don't Mash Up Creation (Mr. Turner's One Love Tribute Mix) Reggae Dub Anthem Free DL

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Manage episode 260660374 series 1053290
Content provided by Mr. Turner and Basspatrol Records From Discopunk To Electrofunk. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mr. Turner and Basspatrol Records From Discopunk To Electrofunk or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Sharon Little - Don't Mash Up Creations One Love Tribute Mix By Mr. Turner https://hypeddit.com/track/c9lvg5 Dub is a genre of electronic music that grew out of reggae in the late 1960s and early 1970s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. The style consists predominantly of partly or completely instrumental remixes of existing recordings[4] and is achieved by significantly manipulating and reshaping the recordings, usually through the removal of some or all of the vocals, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), the application of studio effects such as echo and reverb, and the occasional dubbing of vocal or instrumental snippets from the original version or other works. It was an early form of popular electronic music. Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others[3] beginning in the late 1960s. Augustus Pablo is credited with bringing the melodica to dub, and is also among the pioneers and creators of the genre. Similar experiments with recordings at the mixing desk outside the dancehall environment were also done by producers Clive Chin and Herman Chin Loy.[6] These producers, especially Ruddock and Perry, looked upon the mixing console as an instrument, manipulating tracks to come up with something new and different. The Roland Space Echo was widely used by dub producers in the 1970s to produce echo and delay effects. Dub has influenced many genres of music, including rock (most significantly the subgenre of post-punk and other kinds of punk), pop, hip hop, post-disco, and later house, techno, ambient, electronic dance music, and trip hop. Dub has become a basis for the genres of jungle and drum and bass Traditional dub has survived, and some of the originators, such as Lee "Scratch" Perry and Mad Professor, continue to produce new material.
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379 episodes

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Manage episode 260660374 series 1053290
Content provided by Mr. Turner and Basspatrol Records From Discopunk To Electrofunk. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mr. Turner and Basspatrol Records From Discopunk To Electrofunk or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Sharon Little - Don't Mash Up Creations One Love Tribute Mix By Mr. Turner https://hypeddit.com/track/c9lvg5 Dub is a genre of electronic music that grew out of reggae in the late 1960s and early 1970s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. The style consists predominantly of partly or completely instrumental remixes of existing recordings[4] and is achieved by significantly manipulating and reshaping the recordings, usually through the removal of some or all of the vocals, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), the application of studio effects such as echo and reverb, and the occasional dubbing of vocal or instrumental snippets from the original version or other works. It was an early form of popular electronic music. Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others[3] beginning in the late 1960s. Augustus Pablo is credited with bringing the melodica to dub, and is also among the pioneers and creators of the genre. Similar experiments with recordings at the mixing desk outside the dancehall environment were also done by producers Clive Chin and Herman Chin Loy.[6] These producers, especially Ruddock and Perry, looked upon the mixing console as an instrument, manipulating tracks to come up with something new and different. The Roland Space Echo was widely used by dub producers in the 1970s to produce echo and delay effects. Dub has influenced many genres of music, including rock (most significantly the subgenre of post-punk and other kinds of punk), pop, hip hop, post-disco, and later house, techno, ambient, electronic dance music, and trip hop. Dub has become a basis for the genres of jungle and drum and bass Traditional dub has survived, and some of the originators, such as Lee "Scratch" Perry and Mad Professor, continue to produce new material.
  continue reading

379 episodes

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