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Interview: Steve Taylor
Manage episode 267462359 series 2361391
For over 30 years, Steve Taylor has been one of the most infuental and respected names in Christian music. From his debut EP "I Want to Be a Clone," through controversial recordings like "I Blew Up the Clinic Real Good" and his latest album, "Goliath" (with The Perfect Foil), Taylor's been one of Christan music's most innovative lyricists and musicians. His work as a producer has touched some of the industry's most influential works, including albums by the Newsboys, Sixpence None the Richer and the Insyderz. As a film director, he's made the Michael W. Smith-starring "The Second Chance" and the 2012 adaptation of Donald Miller's "Blue Like Jazz."
In this interview, Chris and Steve talk his career, the Christian industry, filmmaking and more.
Show notes:
Chris' review of Blue Like Jazz
Steve Taylor's Twitter account
- Like us on Facebook!
- Follow us on Twitter!
- Support us on Patreon!
- Chrisicisms Blog
- Email us at crossculturecritic@gmail.com
57 episodes
Manage episode 267462359 series 2361391
For over 30 years, Steve Taylor has been one of the most infuental and respected names in Christian music. From his debut EP "I Want to Be a Clone," through controversial recordings like "I Blew Up the Clinic Real Good" and his latest album, "Goliath" (with The Perfect Foil), Taylor's been one of Christan music's most innovative lyricists and musicians. His work as a producer has touched some of the industry's most influential works, including albums by the Newsboys, Sixpence None the Richer and the Insyderz. As a film director, he's made the Michael W. Smith-starring "The Second Chance" and the 2012 adaptation of Donald Miller's "Blue Like Jazz."
In this interview, Chris and Steve talk his career, the Christian industry, filmmaking and more.
Show notes:
Chris' review of Blue Like Jazz
Steve Taylor's Twitter account
- Like us on Facebook!
- Follow us on Twitter!
- Support us on Patreon!
- Chrisicisms Blog
- Email us at crossculturecritic@gmail.com
57 episodes
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