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David McAllister

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Manage episode 308777868 series 3019656
Content provided by Andrew Westle. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Andrew Westle or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Photo credit Justin Ridler.

“With dance it sort of felt right, I felt I could be myself and express myself, when I was dancing.”

David McAllister’s life in ballet started with a wish upon a star. What sounds like a scene of a movie, set up a remarkable career, that continues to shape the essence of Australian dance, particularly ballet.

David has been associated with the Australian Ballet for 35 years, as of this year. Starting as a dancer at in 1983, making his way up through the ranks, promoted to Senior Artist in 1986 and Principal Dancer in 1989. David had many career highlights including dancing for Princess Diana, in Coppélia.

“It is like a narcotic you are always going for that perfect outcome, which in some performances it happens. I can think in my whole career that went for 18 and a half years, there were five or six shows”

David danced his final performance in Giselle at the Sydney Opera House in 2001, less than 5 months later he became the seventh Artistic Director of the Australian Ballet.

The Australian Ballet is over 50 years old and is held in high regard around the world, for the strength and athleticism of the dancers. The company is also known for its first class medical team that runs an Injury Management and Prevention Program. A critical component for one of the busiest dance companies in the world with upwards of 250 performances programmed a year.

As Artistic Director David has programmed a range of choreographers including Meryl Tankard, Gideon Obarzanek, Stephen Page, Graham Murphy and many other fabulous Australian and international choreographers. David directed his first ballet, The Sleeping Beauty in 2015.

This is a generous and wide-ranging interview, which covers everything from the Marriage Equity Debate of 2017, gender fluidity, leadership to the changing face of ballet and what David is looking forward to in 2018.

You can view the full program of Australian Ballet’s 2018 season here.

This episode has been transcribed and can be found here.


If you have enjoyed this episode please consider leaving a contribution. Currently looking to raise $500 for new recording equipment. We only need 1/4 of the audience to contribute $5. All contributors will be named on the website.

  continue reading

70 episodes

Artwork
iconShare
 
Manage episode 308777868 series 3019656
Content provided by Andrew Westle. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Andrew Westle or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Photo credit Justin Ridler.

“With dance it sort of felt right, I felt I could be myself and express myself, when I was dancing.”

David McAllister’s life in ballet started with a wish upon a star. What sounds like a scene of a movie, set up a remarkable career, that continues to shape the essence of Australian dance, particularly ballet.

David has been associated with the Australian Ballet for 35 years, as of this year. Starting as a dancer at in 1983, making his way up through the ranks, promoted to Senior Artist in 1986 and Principal Dancer in 1989. David had many career highlights including dancing for Princess Diana, in Coppélia.

“It is like a narcotic you are always going for that perfect outcome, which in some performances it happens. I can think in my whole career that went for 18 and a half years, there were five or six shows”

David danced his final performance in Giselle at the Sydney Opera House in 2001, less than 5 months later he became the seventh Artistic Director of the Australian Ballet.

The Australian Ballet is over 50 years old and is held in high regard around the world, for the strength and athleticism of the dancers. The company is also known for its first class medical team that runs an Injury Management and Prevention Program. A critical component for one of the busiest dance companies in the world with upwards of 250 performances programmed a year.

As Artistic Director David has programmed a range of choreographers including Meryl Tankard, Gideon Obarzanek, Stephen Page, Graham Murphy and many other fabulous Australian and international choreographers. David directed his first ballet, The Sleeping Beauty in 2015.

This is a generous and wide-ranging interview, which covers everything from the Marriage Equity Debate of 2017, gender fluidity, leadership to the changing face of ballet and what David is looking forward to in 2018.

You can view the full program of Australian Ballet’s 2018 season here.

This episode has been transcribed and can be found here.


If you have enjoyed this episode please consider leaving a contribution. Currently looking to raise $500 for new recording equipment. We only need 1/4 of the audience to contribute $5. All contributors will be named on the website.

  continue reading

70 episodes

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