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EP.25 Jorge Camacho: Transiciones, diseños y futuros, visiones latinoamericanas [ESP]
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ESP
Para el episodio final de nuestra segunda temporada quisimos retomar el tema de diseño, transiciones y futuros, ahora desde una perspectiva latinoamericana. Charlamos con Jorge Camacho, docente e investigador mexicano que enfoca su práctica en el diseño prospectivo y estratégico. Invitamos a Jorge a escuchar el primer episodio de esta segunda temporada grabado con Terry Irwin y Gideon Kossoff como punto de partida para tener una conversación sobre las posibilidades del Transition Design en América Latina.
En este episodio completamente en español, Jorge nos cuenta sobre su trabajo en temas de futuros y diseño. Además, nos invita a reflexionar sobre América Latina como un terreno fertil para nuevas prácticas del diseño donde el cambio ha sido una constante.
La producción de audio fue hecha por Kyle Leve. En este episodio, Sofía Bosch Gómez, Silvana Juri y Marysol Ortega Pallanez entrevistaron a Jorge Camacho.
La producción de este podcast se hizo con el apoyo de la Escuela de Diseño de la Universidad Carnegie Mellon.
ENG
For the final episode of our second season, we wanted to circle back to the connection between design, transitions, and futures from a Latin American perspective. We spoke to Jorge Camacho, Mexican researcher, professor and designer whose practice focuses on prospective and strategic design. We invited Jorge to listen to the first episode of this second season, recorded with Terry Irwin and Gideon Kossoff, as a starting point to have a conversation about the possibilities of Transition Design in Latin America.
In this episode, entirely in Spanish, Jorge talks about his work on futures and design. In addition, he opens the conversation on Latin America as a fertile ground for new design practices, a ground where change has been a constant.
Audio production by Kyle Leve. In this episode, Sofía Bosch Gómez, Silvana Juri and Marysol Ortega Pallanez interviewed Jorge Camacho.
The production of this podcast was carried out with the support of the School of Design at Carnegie Mellon University.
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