Best Smooth Jazz (BSJ) from London UK is a refreshingly 'chilled' Smooth Jazz radio show - all instrumental. Host Rod Lucas plays a 'cool' selection of new & familiar Smooth Jazz instrumentals. Easy listening Grooves with a Soul & R&B feel and Latin vibes. Jazz with fun feel. London's New Cool Smooth Jazz. Soul lovers will enjoy the grooves too.
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Content provided by Paul Hanford. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Paul Hanford or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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James Ellis Ford
Manage episode 366591985 series 2396568
Content provided by Paul Hanford. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Paul Hanford or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
It’s taken James Ellis Ford twenty plus years in the A game to release his debut solo record. In these years he’s become possibly the go to producer for anyone from Blur to Depeche Mode to Kylie to Gorillaz to Foals to Arctic Monkeys. He’s also a Simian Mobile Disco, a Last Shadow Puppet, an Eno protege and inadvertently responsible for the epoch defining mid noughties anthem We Are Your Friends. It would have been easy for him to have made a celeb heavy, zeitgeist grabbing debut, instead, The Hum, released on Warp, is a dense, widescreen ode to pastoral prog, 70s fusion, King Crimson and so much more. James chats with Paul about finding his confidence, the method he absorbed from Eno that go beyond the technical and the enigmatic eccentricity of English music.
James Ellis Ford’s album The Hum is available now on Warp Records.
Lost and Sound is proudly sponsored by Audio-Technica
Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more.
Lost and Sound title music by E.S.O
137 episodes
Share
Manage episode 366591985 series 2396568
Content provided by Paul Hanford. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Paul Hanford or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
It’s taken James Ellis Ford twenty plus years in the A game to release his debut solo record. In these years he’s become possibly the go to producer for anyone from Blur to Depeche Mode to Kylie to Gorillaz to Foals to Arctic Monkeys. He’s also a Simian Mobile Disco, a Last Shadow Puppet, an Eno protege and inadvertently responsible for the epoch defining mid noughties anthem We Are Your Friends. It would have been easy for him to have made a celeb heavy, zeitgeist grabbing debut, instead, The Hum, released on Warp, is a dense, widescreen ode to pastoral prog, 70s fusion, King Crimson and so much more. James chats with Paul about finding his confidence, the method he absorbed from Eno that go beyond the technical and the enigmatic eccentricity of English music.
James Ellis Ford’s album The Hum is available now on Warp Records.
Lost and Sound is proudly sponsored by Audio-Technica
Paul’s debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more.
Lost and Sound title music by E.S.O
137 episodes
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Similar to Lost And Sound
Best Smooth Jazz (BSJ) from London UK is a refreshingly 'chilled' Smooth Jazz radio show - all instrumental. Host Rod Lucas plays a 'cool' selection of new & familiar Smooth Jazz instrumentals. Easy listening Grooves with a Soul & R&B feel and Latin vibes. Jazz with fun feel. London's New Cool Smooth Jazz. Soul lovers will enjoy the grooves too.
…
continue reading
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
Your favourite rock & metal podcast bringing you all the latest news, opinions, honest reviews and laughs every Friday. 100% passion, 100% honesty, 100% of the time. Join us. @notmetalpod on Twitter & Instagram. Come join the discussion with a likeminded community of music fans on the That's Not Metal Facebook Focus Group www.facebook.com/groups/TNMFocus/.
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continue reading
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continue reading
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…
continue reading
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continue reading
Building a Library: a guide to the best recordings of the greatest classical music. Each week an expert and enthusiast brings along a wide range of recordings of a well-known piece. They explore the music and the different ways of performing it, ending with a recommendation for your library
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continue reading
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continue reading
Early in his career, the renaissance man, Premium Pete pioneered the podcasting industry as co-host of the iconic hip-hop program, The Combat Jack Show. In addition to producing podcasts for several major brands such as State Farm & HBO. Premium Pete created his own outlet with The Premium Pete Show. Having a respected voice and being an influential entrepreneur, it only made sense for the goodfella to provide a platform for his guests to tell their stories. Internets! The Premium Pete Show ...
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continue reading
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