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40 | Empathy is King

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Manage episode 381960097 series 2577710
Content provided by Clare Wright and Yves Rees, Clare Wright, and Yves Rees. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clare Wright and Yves Rees, Clare Wright, and Yves Rees or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week, an Archive Fever first: live music! Clare and Yves are joined in studio by acclaimed musicians Nigel Wearne and Luke Watt, who collectively record as Above the Bit. Their debut self-titled album is a feast of revisionist storytelling, featuring lyrical tales of mutineers, rebels, warriors and wayfarers in Australia’s history. How can traditional music – like oral history – serve as an endless archive? When songwriters do research, what comes first: the story or the music? How much historical licence can you take in songwriting that has truth-telling (and activism) at its heart? Why don’t some tales heal unless they are told? And why does listening to music make even the most hardened of grown men cry? Spoiler alert: this episode comes with bonus musical tracks. Get out your tissues.
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43 episodes

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40 | Empathy is King

Archive Fever

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Manage episode 381960097 series 2577710
Content provided by Clare Wright and Yves Rees, Clare Wright, and Yves Rees. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clare Wright and Yves Rees, Clare Wright, and Yves Rees or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week, an Archive Fever first: live music! Clare and Yves are joined in studio by acclaimed musicians Nigel Wearne and Luke Watt, who collectively record as Above the Bit. Their debut self-titled album is a feast of revisionist storytelling, featuring lyrical tales of mutineers, rebels, warriors and wayfarers in Australia’s history. How can traditional music – like oral history – serve as an endless archive? When songwriters do research, what comes first: the story or the music? How much historical licence can you take in songwriting that has truth-telling (and activism) at its heart? Why don’t some tales heal unless they are told? And why does listening to music make even the most hardened of grown men cry? Spoiler alert: this episode comes with bonus musical tracks. Get out your tissues.
  continue reading

43 episodes

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