Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Episode 267: Prague, CZ - 9/22/2006
MP3•Episode home
Manage episode 395901087 series 2439876
Content provided by Live On 4 Legs: Pearl Jam Podcast, Randy Sobel, and John Farrar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Live On 4 Legs: Pearl Jam Podcast, Randy Sobel, and John Farrar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This episode is manhandled by a recurring theme in which Pearl Jam has never attempted prior or since. On a 2006 night in Prague following a very memorable series of shows in Italy, the band balanced a main set sprint with a first encore where five songs all connected. As we are used to sometimes seeing the songs Better Man, Nothingman and Leatherman used together in what has been dubbed "The Man Trilogy", on this night the trilogy expanded it's tribe by adding in Dead Man and Man Of The Hour into what we dub as The Man Pentology. This is a one off instance which was never repeated in this group of five again, and we're excited to share it with you because it's things like this that seem to get forgotten about over time. Especially at a show that was not played in America. As mentioned, this is one of the fastest main sets you'll ever witness from the modern era clocking in at an hour and 8 minutes. When sets tend to trail on the faster side, that's all thanks to Matt Cameron's furious pace that he brought to the table during shows in this era. Songs like Sad, Daughter and Marker In The Sand were all revved up more than usual, and even the songs that already have that identity such as Last Exit, Whipping and Animal were all amped up a little more than usual. We'll work quick through this set, but not before taking a moment to feature some of our favorite songs, including a few Filthy Fills tossed in there. Check out this week's Gear Guru segments with Javier where he'll break down a phaser that McCready uses on Life Wasted, to talking about a pedal no longer featured on Stone's board that was implemented in this version of Insignificance. Visit the Concertpedia - http://liveon4legs.com Contact the Show - liveon4legspodcast@gmail.com Donate to the Show - http://patreon.com/liveon4legs
…
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375 episodes
MP3•Episode home
Manage episode 395901087 series 2439876
Content provided by Live On 4 Legs: Pearl Jam Podcast, Randy Sobel, and John Farrar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Live On 4 Legs: Pearl Jam Podcast, Randy Sobel, and John Farrar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This episode is manhandled by a recurring theme in which Pearl Jam has never attempted prior or since. On a 2006 night in Prague following a very memorable series of shows in Italy, the band balanced a main set sprint with a first encore where five songs all connected. As we are used to sometimes seeing the songs Better Man, Nothingman and Leatherman used together in what has been dubbed "The Man Trilogy", on this night the trilogy expanded it's tribe by adding in Dead Man and Man Of The Hour into what we dub as The Man Pentology. This is a one off instance which was never repeated in this group of five again, and we're excited to share it with you because it's things like this that seem to get forgotten about over time. Especially at a show that was not played in America. As mentioned, this is one of the fastest main sets you'll ever witness from the modern era clocking in at an hour and 8 minutes. When sets tend to trail on the faster side, that's all thanks to Matt Cameron's furious pace that he brought to the table during shows in this era. Songs like Sad, Daughter and Marker In The Sand were all revved up more than usual, and even the songs that already have that identity such as Last Exit, Whipping and Animal were all amped up a little more than usual. We'll work quick through this set, but not before taking a moment to feature some of our favorite songs, including a few Filthy Fills tossed in there. Check out this week's Gear Guru segments with Javier where he'll break down a phaser that McCready uses on Life Wasted, to talking about a pedal no longer featured on Stone's board that was implemented in this version of Insignificance. Visit the Concertpedia - http://liveon4legs.com Contact the Show - liveon4legspodcast@gmail.com Donate to the Show - http://patreon.com/liveon4legs
…
continue reading
375 episodes
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