Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Album Review - Myths Of Fate (Leaves' Eyes)
MP3•Episode home
Manage episode 404396014 series 2449923
Content provided by The Great Metal Debate. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Great Metal Debate or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Welcome back to the Metal Debate podcast. Today we’re reviewing the new album Myths Of Fate from powerhouse Leaves’ Eyes. I’ll touch briefly on each track in the listing, and then on some individual performances and notable elements of the sound. “Forged By Fire” is Myths Of Fate’s opening song, and the album’s first single. This one is dark and dramatic, with a dynamic vocal performance from Siirala and contrasting growled lyrics from Krull. A track like “Realm Of Dark Waves” is more straightforward while still giving heroic vibes with a very singable chorus. “Who Wants To Live Forever” has a slower tempo with well-crafted riffs and colorful keys, while “Hammer Of The Gods,” is a classic Leaves’ Eyes anthem along the lines of ”King Of Kings” or “Fires In The North” in terms pacing, energy, and execution. One of the more intriguing songs on the album is “Into Eternity,” an incredibly emotive track - a potent mix of grit and gloss. “Fear The Serpent” feels massive and epic without losing any personality its the delivery. The second half of Myths Of Fate doesn’t lose any momentum. “Goddess Of The Night” gives a folksy mood before moving to more vainglorious territory. “Sons of Triglav” brings power metal melodies and gothic metal atmosphere with brilliant juxtaposition of harsh and clean vocals. “Elder Spirit” is raucous and groovy, driven by potent riffs, and “Einherjar” (En-har-yar) has a pleasant, plucky sound along with some moments of intense metallic heaviness. The closer “Sail With The Dead” brings even more aggressive yet theatrical flavor, building to a dramatic peak in a superb finale. On Myths Of Fate each track seems painstakingly arranged with plenty of thought put in to creating dynamism and variety. Instrumentally, Myths Of Fate displays a lot of the hallmarks of past Leaves’ Eyes albums. I’d describe Guitarists Mikki Richter and Luc Gebhardt as restrained in their approach, but always competent when featured. I particularly like the way the guitars come out of hiding toward the end of “Goddess Of The Night” with an evocative lead break beneath the final chorus and then bringing the track to an epic close with crunching riffs. On “Hammer Of The Gods” the guitars nimbly jump between melody and crunch, making a song work that otherwise might have fallen apart under the care of less skilled instrumentalists. Composer Jonah Weingarten – who some might know from Pyramaze – has provided a killer score. He is great here in splicing ambient melodies and atmospheric tendrils together into a tight sonic expressions. The orchestrations don’t batter you over the head Nightwish-style, but are organic and fit seamlessly with the other musical elements. Elina Siirala has truly stepped up her game vocally on this one. Not that she didn’t hold her own before, but this is on another level from her previous efforts. The first time I heard the intro track “Forged By Fire” I wasn’t even sure it was Siirala singing. She evinces some real Tarja Turunen vibes on the verse here before moving back into her more accustomed timbre on the chorus. Another example of this change is “Into Eternity.” While I wouldn’t say the song itself is overtly commercial, she does give almost a pop sensibility with the texture of the delivery, crooning and oohing her way through the track. And all along the way Krull gives the perfect growling counterpoint… exactly as much as needed, when its needed, and never overstaying his welcome. While I have enjoyed Leaves’ Eyes last few albums, I have felt at times the band had bogged down with certain stylistic elements that deviated from the core of what they do best musically. Hats off to producer and mastermind Alexander Krull for delivering one of his best efforts. I’m giving Myths Of Fate a rating of 9/10. Myths Of Fate is released on March 22nd by AFM Records. You can purchase the new album plus other music and merchandise from the band via their official website and many other online outlets.
…
continue reading
355 episodes
MP3•Episode home
Manage episode 404396014 series 2449923
Content provided by The Great Metal Debate. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Great Metal Debate or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Welcome back to the Metal Debate podcast. Today we’re reviewing the new album Myths Of Fate from powerhouse Leaves’ Eyes. I’ll touch briefly on each track in the listing, and then on some individual performances and notable elements of the sound. “Forged By Fire” is Myths Of Fate’s opening song, and the album’s first single. This one is dark and dramatic, with a dynamic vocal performance from Siirala and contrasting growled lyrics from Krull. A track like “Realm Of Dark Waves” is more straightforward while still giving heroic vibes with a very singable chorus. “Who Wants To Live Forever” has a slower tempo with well-crafted riffs and colorful keys, while “Hammer Of The Gods,” is a classic Leaves’ Eyes anthem along the lines of ”King Of Kings” or “Fires In The North” in terms pacing, energy, and execution. One of the more intriguing songs on the album is “Into Eternity,” an incredibly emotive track - a potent mix of grit and gloss. “Fear The Serpent” feels massive and epic without losing any personality its the delivery. The second half of Myths Of Fate doesn’t lose any momentum. “Goddess Of The Night” gives a folksy mood before moving to more vainglorious territory. “Sons of Triglav” brings power metal melodies and gothic metal atmosphere with brilliant juxtaposition of harsh and clean vocals. “Elder Spirit” is raucous and groovy, driven by potent riffs, and “Einherjar” (En-har-yar) has a pleasant, plucky sound along with some moments of intense metallic heaviness. The closer “Sail With The Dead” brings even more aggressive yet theatrical flavor, building to a dramatic peak in a superb finale. On Myths Of Fate each track seems painstakingly arranged with plenty of thought put in to creating dynamism and variety. Instrumentally, Myths Of Fate displays a lot of the hallmarks of past Leaves’ Eyes albums. I’d describe Guitarists Mikki Richter and Luc Gebhardt as restrained in their approach, but always competent when featured. I particularly like the way the guitars come out of hiding toward the end of “Goddess Of The Night” with an evocative lead break beneath the final chorus and then bringing the track to an epic close with crunching riffs. On “Hammer Of The Gods” the guitars nimbly jump between melody and crunch, making a song work that otherwise might have fallen apart under the care of less skilled instrumentalists. Composer Jonah Weingarten – who some might know from Pyramaze – has provided a killer score. He is great here in splicing ambient melodies and atmospheric tendrils together into a tight sonic expressions. The orchestrations don’t batter you over the head Nightwish-style, but are organic and fit seamlessly with the other musical elements. Elina Siirala has truly stepped up her game vocally on this one. Not that she didn’t hold her own before, but this is on another level from her previous efforts. The first time I heard the intro track “Forged By Fire” I wasn’t even sure it was Siirala singing. She evinces some real Tarja Turunen vibes on the verse here before moving back into her more accustomed timbre on the chorus. Another example of this change is “Into Eternity.” While I wouldn’t say the song itself is overtly commercial, she does give almost a pop sensibility with the texture of the delivery, crooning and oohing her way through the track. And all along the way Krull gives the perfect growling counterpoint… exactly as much as needed, when its needed, and never overstaying his welcome. While I have enjoyed Leaves’ Eyes last few albums, I have felt at times the band had bogged down with certain stylistic elements that deviated from the core of what they do best musically. Hats off to producer and mastermind Alexander Krull for delivering one of his best efforts. I’m giving Myths Of Fate a rating of 9/10. Myths Of Fate is released on March 22nd by AFM Records. You can purchase the new album plus other music and merchandise from the band via their official website and many other online outlets.
…
continue reading
355 episodes
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