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5.5 The Way We Were!
Manage episode 410927069 series 2919234
It may not be a musical, but it sure is close... It's The Way We Were!
It’s 1973. Watergate has happened. Barbra Streisand, Robert Redford, Arthur Laurents, and Sidney Pollack get together to re-create the weepy romcom in the non-musical—but musical-theatre-adjacent!—classic The Way We Were.
We talk about:
- The Conflict: Streisand & Laurents versus Pollack & Redford, and some of the behind-the-scenes drama that led to the creation of this classic.
- The Song: Marvin Hamlisch’s classic song that put the film on the map.
- The Laughter: What does it mean to sing, "so it’s the laughter we will remember?" Laughter emerges as a marker of class & race in this film. How does that marker intersect with the misty, watercolor nature of memory – and the danger of nostalgia?
- The People & the Principles: the film’s central conflict between personal relationships and principles, and how that conflict maps (and doesn't) onto religious systems. Is Christianity about people, or is it about principles?
You’ll hear:
- Barbra singing the film’s title song from the 1973 film soundtrack, and an excerpt from the 1998 episode of Sex in the City, Episode 18 (“Ex in the City”).
Continue the conversation with us on Instagram and The Platform Formerly Known as Twitter (@gospelofmt).
45 episodes
Manage episode 410927069 series 2919234
It may not be a musical, but it sure is close... It's The Way We Were!
It’s 1973. Watergate has happened. Barbra Streisand, Robert Redford, Arthur Laurents, and Sidney Pollack get together to re-create the weepy romcom in the non-musical—but musical-theatre-adjacent!—classic The Way We Were.
We talk about:
- The Conflict: Streisand & Laurents versus Pollack & Redford, and some of the behind-the-scenes drama that led to the creation of this classic.
- The Song: Marvin Hamlisch’s classic song that put the film on the map.
- The Laughter: What does it mean to sing, "so it’s the laughter we will remember?" Laughter emerges as a marker of class & race in this film. How does that marker intersect with the misty, watercolor nature of memory – and the danger of nostalgia?
- The People & the Principles: the film’s central conflict between personal relationships and principles, and how that conflict maps (and doesn't) onto religious systems. Is Christianity about people, or is it about principles?
You’ll hear:
- Barbra singing the film’s title song from the 1973 film soundtrack, and an excerpt from the 1998 episode of Sex in the City, Episode 18 (“Ex in the City”).
Continue the conversation with us on Instagram and The Platform Formerly Known as Twitter (@gospelofmt).
45 episodes
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