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/412/ No Future But Future Music ft. Simon Reynolds

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Manage episode 420651679 series 2933145
Content provided by Bungacast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bungacast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
On Futuromania and closing and opening of musical horizons. We talk to renowned music critic Simon Reynolds about his new book. A counterpart of sorts to his famous Retromania (2011), Futuromania looks at the exciting futuristic music of the past and present. We discuss its themes to try understand whether the culture is still about to throw up something new.
  • Is talk about popular music stuck between the poles of “rockism” and “poptimism”?

  • How did Donna Summer and Giorgio Moroder invent "electronic dance music"?

  • Why is "future music" good? What are its pitfalls?

  • How did Daft Punk run out of futurity?

  • Why is Auto-Tune actually not the worst invention?

  • How are genres like trap technically exciting but thematically glum?

  • Is there any way of bringing the future back?

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  continue reading

401 episodes

Artwork
iconShare
 
Manage episode 420651679 series 2933145
Content provided by Bungacast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bungacast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
On Futuromania and closing and opening of musical horizons. We talk to renowned music critic Simon Reynolds about his new book. A counterpart of sorts to his famous Retromania (2011), Futuromania looks at the exciting futuristic music of the past and present. We discuss its themes to try understand whether the culture is still about to throw up something new.
  • Is talk about popular music stuck between the poles of “rockism” and “poptimism”?

  • How did Donna Summer and Giorgio Moroder invent "electronic dance music"?

  • Why is "future music" good? What are its pitfalls?

  • How did Daft Punk run out of futurity?

  • Why is Auto-Tune actually not the worst invention?

  • How are genres like trap technically exciting but thematically glum?

  • Is there any way of bringing the future back?

Links:
  continue reading

401 episodes

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