Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!
Go offline with the Player FM app!
Schoenberg and Strauss in the E.R.?
MP3•Episode home
Manage episode 430317802 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Synopsis
In 1949, while on his deathbed, German composer Richard Strauss supposedly turned to his beloved daughter-in-law, and said, “Funny thing, Alice. Dying is just the way I composed it in Death and Transfiguration.” Strauss was referring to a tone-poem he had written some 60 years earlier depicting an artist on his deathbed, reviewing his life in art between bouts of an eventually fatal fever.
On today’s date in 1951, Austrian composer Arnold Schoenberg was on his deathbed in Los Angeles — on a Friday the 13th, in fact. Now, Schoenberg had a “thing” about numbers. He developed an atonal 12-tone style of composition, and assigned a mystical, quasi-religious significance to numbers. One might imagine Schoenberg on his deathbed, turning to someone he loved and said, “Funny thing: I’m dying on Friday the 13th at the age of 76, which, numerically speaking, is 7+6, or 13, don’t you see.”
We do know that in 1946, after suffering a near-fatal heart attack, Schoenberg wrote a string trio and told his friend Thomas Mann it was a musical representation of both that coronary incident and its subsequent medical treatment, including, at one point, the penetration of a hypodermic needle!
Music Played in Today's Program
Richard Strauss (1864-1949): Death and Transfiguration; Berlin Philharmonic; Herbert von Karajan, conductor; DG 447 422
Arnold Schoenberg (1874-1951): String Trio; Members of the Juilliard String Quartet; Sony 47690
94 episodes
MP3•Episode home
Manage episode 430317802 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Synopsis
In 1949, while on his deathbed, German composer Richard Strauss supposedly turned to his beloved daughter-in-law, and said, “Funny thing, Alice. Dying is just the way I composed it in Death and Transfiguration.” Strauss was referring to a tone-poem he had written some 60 years earlier depicting an artist on his deathbed, reviewing his life in art between bouts of an eventually fatal fever.
On today’s date in 1951, Austrian composer Arnold Schoenberg was on his deathbed in Los Angeles — on a Friday the 13th, in fact. Now, Schoenberg had a “thing” about numbers. He developed an atonal 12-tone style of composition, and assigned a mystical, quasi-religious significance to numbers. One might imagine Schoenberg on his deathbed, turning to someone he loved and said, “Funny thing: I’m dying on Friday the 13th at the age of 76, which, numerically speaking, is 7+6, or 13, don’t you see.”
We do know that in 1946, after suffering a near-fatal heart attack, Schoenberg wrote a string trio and told his friend Thomas Mann it was a musical representation of both that coronary incident and its subsequent medical treatment, including, at one point, the penetration of a hypodermic needle!
Music Played in Today's Program
Richard Strauss (1864-1949): Death and Transfiguration; Berlin Philharmonic; Herbert von Karajan, conductor; DG 447 422
Arnold Schoenberg (1874-1951): String Trio; Members of the Juilliard String Quartet; Sony 47690
94 episodes
All episodes
×Welcome to Player FM!
Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.