Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Ligeti in Salzburg
MP3•Episode home
Manage episode 431558219 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Synopsis
In the decades since its founding in 1920, the annual Salzburg Music Festival in Austria has earned a well-deserved reputation as one of the best — and priciest — summertime music venues in the world. The core repertory of the Festival has always been the music of Salzburg’s most famous native son, Wolfgang Amadeus Mozart, and other classical and romantic masters from the Austro-Germanic tradition.
Fearing that the Salzburg Festival was becoming a bit too conservative and predictable, in the 1990s the festival’s directors began shake things up by including some challenging contemporary classics into the mix. On today’s date in 1997, for example, a car-horn overture signaled the Salzburg Festival premiere of a revised version of György Ligeti’s opera La Grand Macabre.
In Ligeti’s opera, the world is fast approaching apocalypse, and the ultimate catastrophe is overseen by a rather ineffectual, and occasionally tipsy Grim Reaper. The libretto is silly and serious at the same time, and was devised by the composer and Michael Meschke, a master puppeteer. For the 1997 Salzburg production, the American director Peter Sellars set the work in a devastated Chernobyl-like landscape contaminated by a nuclear disaster.
Music Played in Today's Program
György Ligeti (1923-2006): Mysteries of the Macabre, from Le Grand Macabre; Sibylle Ehlert, soprano; Philharmonia Orchestra; Esa-Pekka Salonen, conductor; Sony 62311
93 episodes
MP3•Episode home
Manage episode 431558219 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Synopsis
In the decades since its founding in 1920, the annual Salzburg Music Festival in Austria has earned a well-deserved reputation as one of the best — and priciest — summertime music venues in the world. The core repertory of the Festival has always been the music of Salzburg’s most famous native son, Wolfgang Amadeus Mozart, and other classical and romantic masters from the Austro-Germanic tradition.
Fearing that the Salzburg Festival was becoming a bit too conservative and predictable, in the 1990s the festival’s directors began shake things up by including some challenging contemporary classics into the mix. On today’s date in 1997, for example, a car-horn overture signaled the Salzburg Festival premiere of a revised version of György Ligeti’s opera La Grand Macabre.
In Ligeti’s opera, the world is fast approaching apocalypse, and the ultimate catastrophe is overseen by a rather ineffectual, and occasionally tipsy Grim Reaper. The libretto is silly and serious at the same time, and was devised by the composer and Michael Meschke, a master puppeteer. For the 1997 Salzburg production, the American director Peter Sellars set the work in a devastated Chernobyl-like landscape contaminated by a nuclear disaster.
Music Played in Today's Program
György Ligeti (1923-2006): Mysteries of the Macabre, from Le Grand Macabre; Sibylle Ehlert, soprano; Philharmonia Orchestra; Esa-Pekka Salonen, conductor; Sony 62311
93 episodes
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